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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Behold the Lamb with glory crowned

Praise of the Lord His Exaltation

English129
1
Behold the Lamb with glory crowned,
To Him all pow’r is giv’n:
No place too high for Him is found,
No place too high in heav’n.
2
He fills the throne—the throne above;
Its rights to Him belong;
The object of His Father’s love,
Theme of the ransomed’s song.
3
Though high yet He accepts the praise
His people offer here;
The faintest, feeblest note they raise
Will reach the Savior’s ear.
4
This song be ours, we join in one
To celebrate the Name
Of Him that sits upon the throne,
And to exalt the Lamb.
5
To Him whom men despise and slight,
To Him be glory giv’n;
The crown is His, and His by right
The highest place in heav’n.

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Un Hermano

Nov 3, 2025

THE ALL-INCLUSIVE ONE IN OUR SPIRIT

We who experience Christ have a close, deep, intimate, and subjective relationship with Him. But we need to ask three questions: Who is Christ? What is Christ? Where is Christ? Because Christ is so much, it is difficult to say adequately who He is and what He is. To begin with, Christ is the very God. According to Colossians, He is the Firstborn of all creation. The Bible indicates that Christ is the reality of many different kinds of trees: the fig tree, the olive tree, the vine tree, and the cedar tree. Christ is also the real ox, lamb, lion, eagle, and dove. Furthermore, Christ is our real food, water, milk, honey, air, sunshine, rain, dew, and snow. Eventually, Christ becomes our all-inclusive land, a land in which we have mountains, hills, valleys, fountains, brooks, streams, stones, iron, and brass. Because Christ is such an all-inclusive One, when He was on earth He could use various objects in nature as illustrations of Himself.

Life-study of Colossian

Message 47 (LSM)

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Yuri Reyes

Oregon, United States

Feb 28, 2021

Lord he who is joined to Lord is one spirit!

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Joanna Smathers

Baton Rouge, LA, United States

Apr 29, 2020

Thank you Ana Lara for the note on this song.

It reminds me of the propitiation cover with the Cherubim of glory observing the sprinkled blood where we can meet with God receive vision, revelation, instruction for daily living. Ex 25; LS 89

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Francis Y Chow

Anaheim, CA, United States

Mar 14, 2020

Amen, this song be ours, we join in one
To celebrate the Name
Of Him that sits upon the throne,
And to exalt the Lamb.
Hallelujah!

Read more
Ana Lara

Storrs, Connecticut, United States

Oct 30, 2019

It has been said that “the Green Isle has never furnished a greater or more prolific writer than Thomas Kelly. ” Nor is it a question of quantity but of quality.

Kelly was born July 13, 1769 in Kellyville, near Athy, County Queens, Ireland. His Father was a judge and he was trained to be a barrister (lawyer). However thoughts of eternity pressed upon him early in life. This was brought about as he studied Hebrew. He was so deeply affected that he withdrew from worldly pursuits to study theology. He became deeply convicted to the point of being in great distress and began to punish himself through asceticism thinking this may lead him to salvation. His health greatly suffered for it! But soon the Lord led him to the truth of justification by faith and he was saved.

In 1792 Kelly was ordained in the Anglican Church. Because he preached the gospel faithfully, the archbishop of Dublin closed the pulpits in his diocese against Mr. Kelly. He left the Established Church to preach the gospel more freely. Crowds flocked around him wherever he lifted up the standard of the cross.

When he was about 30 years old, Thomas married his wife who became a great help to him in the work of the Lord.

He was a good musician and prepared a book for his hymns which numbered over 750!

In 1854 he suffered a stroke of paralysis while preaching, but lingered until May 14, 1855; at age 86, the Lord took him to a land where we “hear of war no more”. Someone at his bedside repeated “The Lord is my Shepherd”, and he replied, “The Lord is everything! ”

His last words were “not my will, but Thine be done! ”

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D. Spicer

Botswana

Jun 30, 2018

"Behold the Lamb of God, who takes away the sins of the world!" Thank you, Jesus, for being the sacrificial lamb who took away my sins and brought salvation to me (Hebrews 9:28).

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