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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The Lord shall get the glory

Praise of the Lord His Victory and Exaltation

English1095
1
The Lord shall get the glory
If we will sing His praise,
And angel hosts will listen
When we our voices raise;
The world around will hear us
Give glory unto God,
And Satan’s hosts will tremble
And flee our conqu’ring rod.
2
Our mouth shut up defeats us
And wins the Devil’s smile;
So why not open battle
And chase him all the while.
By “sacrifice of praises”
And shouts of victory—
’Twill cost us but our faces
God’s chosen fools to be!
3
The world has never helped us
To shout our Savior’s praise,
Nor given Him the glory
Nor lent one thankful phrase;
So need we ask permission
To praise th’ ascended Lord?
Cry out! Release your spirit!
Much grace He does afford!
4
O brothers, be not silent!
O sisters, cry aloud!
The sound shall tell God’s triumph
And blessings far abroad.
Now is the time to praise Him,
Yes now, at any cost!
O joy in your salvation,
And in His mercy boast.

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Eric Zhang

San Diego, CA, United States

Oct 11, 2026

Give glory to God, and Satan’s hosts will fleeee!!

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Xu Amy Xiaoting

Saratoga, CA, United States

Jun 14, 2026

What a great song!

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Francis Y Chow

New York, United States

May 5, 2026

To answer your question brother Colene, the original lyrics have been changed, rewritten, or translated. Hallelujah Praise the Lord!

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Colene

Clarence, MO, United States

Feb 21, 2026

What does it mean that the lyrics are "adapted"?

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Marcos Naccarati

Covina, CA, United States

Nov 2, 2025

Open our mouths saints! PRAISE HIM!
So need we ask permission
To praise th’ ascended Lord?
Cry out! Release your spirit!
Much grace He does afford!

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Un Hermano

Jul 11, 2025

To God Being the Glory
in the Churchand in Christ
in This Age and for Eternity

We are being strengthened into our inner man according to the riches of God’s glory (v. 16). This glory comes to us with God and, after being worked into us, will return to God with us. By means of this two-way traffic the church, as the firstfruits in the universe (James 1:18), takes the lead to give glory to God. All the other families both in heaven and on earth will follow the church to glorify Him.

God’s glory is wrought into the church, and He is expressed in the church. Hence, to God is the glory in the church; that is, God is glorified in the church. Moreover, God is glorified not only in the church but also in Christ. The word and is used in Ephesians 3:21 to stress this point emphatically. In the church the sphere of God’s glorification is narrow, being limited to the household of the faith, but in Christ the sphere is much broader because Christ is the Head of all the families in the heavens and on earth (1:22; 3:15). Hence, God’s glorification in Christ is in the realm of all the families created by God, not only on earth but also in the heavens. This is in accord with unto all the generations forever and ever, which means for eternity. All the generations forever and ever constitute eternity. God’s glorification in the church is mainly in this age, whereas God’s glorification in Christ is for eternity.

The Conclusion of the
New Testament:
Message 338 (LSM)

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Marie

London, United Kingdom

Mar 18, 2024

Amen! Yes Lord Jesus, get all the glory as we praise You unceasingly .

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Michele Troughton

Vallejo, CA, United States

Jun 19, 2023

The Lord will get the glory because we will sing His praise; angel hosts will listen when we our voices raise. So we praise the Lord: the world hears us giving glory unto God. Praise the Lord! We have faith in God’s victory…. right now. Amen!

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Bethel

Eugene, Oregon, United States

Nov 29, 2022

Cry out! Release your spirit!
Yes now, at any cost!
Now is the time to praise Him! We only have today!
Praise the Lord for this wonderful song!

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Anonymous

Lubbock, Texas, United States

Sep 25, 2022

Praise him now at any cost,

Much grace does He afford!

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