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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Far above all is our Savior enthroned

Praise of the Lord His Exaltation

English128
1
Far above all is our Savior enthroned;
Crown’d is the Lamb who by sinners is owned,
Living forever to list to our call,
God hath exalted Him far above all.
 
Far above all! Far above all!
Jesus the crucified far above all!
High as His members upon Him we call,
God hath exalted Him far above all!
2
When the fierce tempest, uplifting its waves,
Seeks to engulf us, we cry and He saves;
Looking to Jesus, upheld by His hand,
Tread we the billows as safe as on land.
3
High are the cities that dare our assault,
Strong are the barriers that call us to halt;
March we on fearless, and down they must fall,
Vanquish’d by faith in Him far above all.
4
His is the kingdom from pole unto pole,
Far above all while the ages shall roll,
With Him the victors, who follow’d His call,
Share in His royalty far above all.

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Peniel

Accra, Ghana

Feb 8, 2026

Far above all far above all

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Un Hermano

Jul 20, 2025

k. His Being the First and the Last

In Revelation 1:17 the Lord Jesus says, “I am the First and the Last. ” Christ is not only the First and the Last but also the Beginning and the End. He is the First, the One at the beginning, and the Last, the One at the end. This assures us that, having started the church life, He will surely accomplish it. He will never leave His work unfinished. All the local churches must believe that the Lord Jesus is the beginning and the ending. He will accomplish what He has begun in His recovery.

l. His Being the Living One,
and His Becoming Dead and Living
Forever and Ever

In Revelation 1:18 we see that the Lord is “the living One, ” the One who “became dead” and who is “living forever and ever. ” The Lord suffered death and lived again. He entered into death, but death could not hold Him (Acts 2:24), because He is the resurrection (John 11:25). Christ died, but in resurrection He will live forever. Resurrection is the lengthening of the Lord’s days. He will exist forever and ever in His resurrection. Jesus Christ today is the living One, the One who is in resurrection. For Christ to dispense life, He must be the living One since a dead person can never dispense life to others.

… His living forever is His testimony, for the testimony of Jesus is always related to the matter of being living. If a local church is not living, it will not have the testimony of Jesus. The more living we are, the more we are the testimony of the living Jesus.

The Conclusion of the
New Testament:
Message 407 (LSM)
-----------------------------

12. The Living One

In the church Christ is also the living One. In Revelation 1:18 the Lord says that He is the living One, that He became dead, and that He is now living forever and ever. The Christ who walks in the midst of the churches, who is the Head of the churches and to whom the churches belong, is the living One full of life. In the church we have a living Christ who has overcome death. Our Christ, who is the resurrected Christ, is living in us and among us. Therefore, all the churches should be as living as Christ, full of life and overcoming death.

The Conclusion of the
New Testament:
Message 59 (LSM)

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Terry Willis

Canberra, ACT, Australia

Dec 8, 2024

I recall singing, in the 1960s, '
Far above all, far above all,
God hath exalted him far above all'

Crown him as Lord at his feet humbly fall, Jesus, Christ Jesus is far above all. '

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Linny

Oct 22, 2024

Far above all! Far above all!
Jesus the crucified far above all!
High as His members upon Him we call,
God hath exalted Him far above all! ~

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William Jeng

Irvine, CA, United States

Jan 2, 2022

One day we will sing this hymn like this:

High are the cities that dared our assault,
Strong are the barriers that called us to halt;
March we on fearless, and down they must fall,
Vanquished by faith, IN HIM, far above all!

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Lori Langdon

Surfside Beach, United States

Jun 2, 2021

Regarding Ernest's comment, I remember singing the refrain "low at His footstool, adoring, we fall, God hath exalted, Him, far above all."

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Victor

Glasgow

Sep 22, 2020

“Though all ranks of creatures to the CENTRAL HEIGHTS———“

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Glenna Herron

Odessa, TX, United States

Sep 11, 2020

Rev 17:14 These will make war with the Lamb and He will overcome them for He is Lord of Lords and King of Kings, and they who are with Him, the called and chosen and faithful, will also overcome them. He IS Lord above all. Amen.

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Joshua

Aug 16, 2020

Amen

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Jason Ramirez Gutierrez

Bakersfield, California, United States

Jul 17, 2020

I really like this song when it comes together corporately it has hope and power it gives me the ability to be embraced in the hope of Christ's power.

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