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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I love Thee, Jesus

Experience of Christ Loving Him

English1154
1
I love Thee, Jesus,
And Thy love to me
Draws me, ever to seek Thee
And run after Thee,
Draws me, ever to seek Thee
And run after Thee.
Thou art beloved,
Yea! Altogether lovely,
The One in whom my heart delighteth.
Thou art beloved,
Yea! Altogether lovely,
The One in whom my heart delighteth.
2
Thy love, Lord Jesus,
Is sweeter than wine,
And Thy fragrance of ointments
My heart doth entwine,
And Thy fragrance of ointments
My heart doth entwine.
A fount in gardens,
A well of living waters,
Which streams and flows from Lebanon’s mountains.
3
O come Beloved,
On my garden blow,
That the odor of spices
May break forth and flow,
That the odor of spices
May break forth and flow.
My spouse, My sister,
I’m come into My garden
To feast upon wine, milk and honey.
4
Set me, Lord Jesus,
As seal on Thine heart;
Jealousy’s cruel as Sheol,
And love’s strong as death,
Jealousy’s cruel as Sheol,
And love’s strong as death.
Much water cannot
Quench love, nor do floods drown it.
All man could give for love is contemned.

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Samuel

McAllen, Texas, United States

Oct 31, 2014

Set me, Lord Jesus, as a seal, in Thine heart!

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Anissa

Florida, United States

Sep 13, 2014

When we look away from all things and simply look at Him, this is the most true experience. We were made with a heart to love Him, and it's the most satisfying thing in the universe to love Him!

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Don Popienko

Salmon Arm, BC, Canada

Jul 24, 2014

The Song of Songs is not only a beautiful song, it is an encouragement for us to prepare our hearts as the bride of Christ, to have our lamps trimmed, and our vessels filled with the oil. O Father, may I be ready, I do not wish to be a carcass in the wilderness thru unbelief. By the conclusion of this great song, the Shullamite has breasts as towers, as a Philly she has become two strong armies. Maturity. I know mixed metaphors but seekers will know what I am saying. Love to all.

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LJ Ignacio

Baguio City, Benguet

May 1, 2014

Draws me ever to seek Thee.

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Vincent Stephen Okoro

Lagos, Nigeria

Jan 15, 2014

Lord, I woke up this morning loving You like crazy! I want You to know that I really love You Lord!

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Roger

Arcadia, CA, United States

Oct 25, 2013

Amen, praise The Lord!

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John Gagno

Los Baños, Laguna, Philippines

Dec 30, 2012

O Lord Jesus! Yes, Set us as seal on Thine heart! O you are the greatest enjoyment Lord!

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Armand Tongo

Caloocan City, Philippines

Dec 29, 2012

O Lord, I really love Thee. Your love is sweeter and more enjoyable than any kind of enjoyment in the world. With Your love, I am satisfied.

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Brother Lin

La Habra, CA, United States

Apr 21, 2012

Oh Lord Jesus! I LOVE YOU LORD! You are so sweet and attractive. Thank You Lord for Your unlimited love. Jesus my Lord.

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Yin

Temple City, California, United States

Mar 4, 2012

Amen. Praise the Lord that we may have His divine life and we are mingled with His Spirit. Praise the Lord for His divine life infused into our being. Praise the Lord for such a divine romance. This song makes me fall in love with the Lord over and over again. Bless you saints. I am so deeply happy to hear such a beautiful song. Lord Jesus I love You!

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