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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Thy name is sweet as ointment poured forth

Experience of Christ Fellowship with Him

English556
1
Thy name is sweet as ointment poured forth;
Better Thy love than wine, O draw Thou me!
If we the footsteps follow of the flock,
Entered Thy fellowship of love we’ll be.
2
He’s my Beloved, I am His own love;
He draweth me, pursue I after Him.
Fragrant as myrrh, I’d hide Him in my heart;
Beauteous as henna*, I’d be clothed with Him;
3
Bathe in His love, and of His fatness taste,
Lie on His breast, His sweetness there enjoy;
His love the banner, His affection shown
Tenderly soothes my heart to purest joy.
4
Oh, my Beloved’s mine, and I am His;
I am a lily and my Shepherd He;
May daybreak come, the shadows flee away,
Him on the mountains as a hart I’d see.
5
Myrrh of the death with Him and frankincense,
The resurrection, permeate my heart;
North wind awake, and let the south wind blow,
Make my heart’s garden pleasure to His heart.
6
I’d be to Him a dove that’s undefiled,
As a pure lily in His presence be,
His, wholly His, the joy of all His joys,
He wholly mine, the Song of songs to me.
7
Fair as the moon, conformed to Him I’d be,
Clear as the sun, unto His stature grown;
For my Beloved, all to please His heart,
For my Beloved, that His life be shown.
8
Thou art my life, and I Thine image real;
Love in such union is as death most strong,
Ne’er can it be destroyed or e’er replaced
Till Thou on spices mountains come ere long.

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Un Hermano

Jan 28, 2026

Song of Songs 1:2-3 says, “Let him kiss me with the kisses of his mouth! / For your love is better than wine. / Your anointing oils have a pleasant fragrance; / Your name is like ointment poured forth; / Therefore the virgins love you. ” The first step of pursuing the Lord begins not with the spirit but with the heart. Everyone who follows the Lord is first drawn by the Lord. Hence, this seeker of the Lord says, “Draw me; we will run after you” (v. 4). If we do not love the Lord with our heart, the Lord will not be able to do anything in us. We love the Lord because our heart is drawn by Him. This love is not a love of adoration or affection but a romantic love. He is so good and so sweet! He is altogether lovely! We must love the Lord to such an extent.

Our heart connects and joins our soul with our spirit. When we love Him, this love will transmit what is in our spirit to our soul. As we love the Lord, we will see how much we are filled with ourselves in our mind, emotion, and will. Then we are willing to take the cross. To take up the cross is to deny our soul, to deny our mind, emotion, and will, and to deny our very being. When we do this, the cross will set a mark on us and kill our self. In this way we will experience the cross. Our self, our love, our choice, our resolution, and our knowledge will all be on the cross.

When the cross works in our soul, it kills the self in our mind, emotion, and will. Where there is the death of the cross, there is also resurrection. The cross works in our mind, emotion, and will to create room for Christ to be in us. At this time the Spirit also transfuses God’s mind into our mind, God’s emotion into our emotion, and God’s will into our will. The more we know Him, the more we will know ourselves; the more we know ourselves, the more the cross will work in us; and the more the cross works in us, the more the Spirit will come into every part of our being. When the Spirit comes in, Christ comes in, and when Christ comes in, God comes in.

As a result, day after day our mind, emotion, and will are filled with God’s element. Then our thoughts will become God’s thoughts, and our preferences will become God’s preferences. God will mingle Himself with us to the extent that all our attitudes, speaking, expression, and actions will express God. When God has mingled Himself with us and has filled us with all His riches, we will become His fullness.

The Crucified Christ
Chapter 6 The Requirements
for Receiving the Cross (LSM)

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Sharon

Rancho Cordova, California, United States

Aug 25, 2024

Thou art my life, and I Thine image real;
Love in such union is as death most strong,
Ne’er can it be destroyed or e’er replaced
Till Thou on spices mountains come ere long.

Read more
Maria L

Fremont, California, United States

Jul 19, 2024

Praise the Lord!

The Lord loves us so much that He sets us as a seal on His heart and as a seal on His arm; we lean on our Beloved and He carries us on. Oh Lord Jesus we love you ❤️!

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Elke Doyle

Irving, TX, United States

Mar 20, 2023

Oh, this song is so wonderful and the singing is so beautiful! Lord, You are our Beloved! Draw us, Your drawing power is our pursuing power!

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Nelson Munguacel

Nebbi, West Nile, Uganda

Oct 14, 2020

Great

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Brian

Sep 22, 2020

Hard to get into this hymn at first because it is so poetic. But then when I got to vs. 6, “His, wholly His, the joy of all His joys”, I saw how much He desires us. Our Lord wants to be in a union with us so much. “He wholly mine, the Song of Songs to me. ” Vs. 7 shows His mingling with us. Oh come Lord Jesus!

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PRISCILLA NAKITTO

Huddersfield, West Yorkshire, United Kingdom

Oct 12, 2016

Amen

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