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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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His countenance angels can often behold

Longings For Fellowship of Christ’s Sufferings

English1137
1
His countenance angels can often behold,
But ne’er taste His love in His grace;
His saints, though they know of His pure, boundless love,
Have never yet once seen His face.
His saints will before long His visage behold,
E’en in His bright glory will share;
But Mary, beholding His tears as He wept,
Could touch His heart’s agony there.
Could touch His heart’s agony there.
2
We’ll soon see the Lord, as He is, face to face,
We’ll know Him as never before;
But that touch today, healing our broken heart,
In that day will be felt no more.
That day, though our lips offer unceasing praise,
No tears, then, nor prayers fervent burn;
Nor is there the comfort received through much pain,
Nor trust gained through trials to learn,
Nor trust gained through trials to learn.
3
Exceeding in glory, that day we’ll be crowned,
Yet there’ll be no cross to obey;
The sweet fellowship of His suff’rings for us
We only can share in today.
Once we’ve that rest entered, no weariness then,
Nor chance will remain to partake
The trials nor the hardships, nor happiness lost,
Nor suffering borne for His sake,
Nor suffering borne for His sake.
4
Oh, chances to suffer for Him are so few,
His shame and derision to bear;
Such blest opportunities soon pass away,
That He in our troubles may share.
All loneliness, misunderstandings and scorn
Despisings and sorrows will flee;
I treasure these blessings, for through them, O Lord,
I enter sweet oneness with Thee,
I enter sweet oneness with Thee.
5
I long to behold, Lord, Thy countenance soon,
What rapture with Thee, Lord, to meet.
But neither seek I all these trials to avoid;
Such times, Lord, are too rare and sweet.
Have mercy on me, fill me with Thy great love,
For Thee, Lord, to live at all cost;
Lest Thy servant, hoping for that blessed day,
That day, regret chances were lost,
That day, regret chances were lost.

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L.C.

San Juan, M.M., Philippines

Jan 16, 2011

In the kingdom age and in the New Jerusalem, there will be no more tears, because the Lord Jesus will wipe them all away. The tears we have with the Lord in this age, will become so precious in the future. Truly, it will be so glorious in the future when we see the Lord face to face and we will be enjoying the kingdom age and tears will be no more, however, the tears we had with the Lord today will be most precious in eternity.

This is so encouraging, all the tears we have for the Lord today will be so precious in that day! Our situation is ever changing, but what matters most is if we are gaining Christ in whatever circumstances we are in. This is all that matters. CONTINUE ENJOYING CHRIST AS OUR SAVING LIFE AND REST TODAY.

Hebrews 2:3 says,"How shall we escape if we have neglected so great a salvation, which, having had its beginning in being spoken by the Lord, has been confirmed to us by those who heard". Our Lord, with His wonderful person plus His splendid work constitute so great a salvation, a salvation that none of us should neglect today.

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Frank Pytel

Chicago, Illinois, United States

Jun 28, 2010

As I sing this hymn, I consider the hardships of life as a believer in a new way. Most of the time I want the sufferings to end as soon as possible. Yet in the midst of the trials there is something of Christ that can only be seen and experienced there. The writer calls these times "blest opportunities." It is at that time we "suffer with Christ" and know "the fellowship of His sufferings." There is a fellowship with Christ that can only be known in the troubles we pass through. One day when we see Him, we will no longer be able to know Christ as the sufficient grace in the midst of the thorns, because suffering will be turned to joy, and the tears will be wiped away.

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William Mancia

Bakersfield, California, United States

Mar 8, 2010

I love this song. It reminds me that whatever I have suffered from the moment I was born is nothing compared to my Lord's sufferings. His sufferings started from the moment He was born until He gave the last breath for me on the cross. I can't ever pay what He has done for me. Because of His love, I desired to live and suffered for Him. The day is coming when we will eat and drink together with Him in the new earth and new heaven.

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