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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I was sinking deep in sin

Gospel Testimony

English1070
1
I was sinking deep in sin,
Far from the peaceful shore,
Very deeply stained within,
Sinking to rise no more;
But the Master of the sea
Heard my despairing cry,
From the waters lifted me,
Now safe am I.
 
Love lifted me!
Love lifted me!
When nothing else could help,
Love lifted me.
Love lifted me!
Love lifted me!
When nothing else could help,
Love lifted me.
2
All my heart to Him I give,
Ever to Him I’ll cling,
In His blessed presence live,
Ever His praises sing.
Love so mighty and so true
Merits my soul’s best songs;
Faithful, loving service, too,
To Him belongs.
3
Souls in danger, look above,
Jesus completely saves;
He will lift you by His love
Out of the angry waves.
He’s the Master of the sea,
Billows His will obey;
He your Savior wants to be—
Be saved today.

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Maria

Hubli, Karnataka, India

Aug 23, 2026

Best song ♥️

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Susheela Mary

Hubli, Karnataka, India

Jun 11, 2026

My favourite song of all 😊😊😊😊

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Sharon

Braintree, Massachusetts, United States

Nov 10, 2025

I love this song, it tells of my weakness and my son against God and heaven and that God love for me will Never die. God Truly loves me. I was a sinner deep in my sins in the past. And because of God's Love for me I am now forgiven, heal, and restored. GOD Is Great and Greatly To Be Praise. GOD Love Lifted Me 🙏💗❤️💯

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Anonymous

Nov 8, 2025

This is the psalm I sang when I decided to be baptized. Lord! I love you! I dedicate myself to you every day!

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Ana Lara

Storrs, Connecticut, United States

Mar 29, 2025

“Love lifted Me” was a joint effort by James Rowe and Howard E. Smith. Rowe was born in England in 1865, the son of a copper miner. He worked for the Irish government for four years before immigrating to America. Rowe settled in Albany, New York and went to work on the railroad for the next 10 years. Later, he was employed by music publishers in Texas and Tennessee. James Rowe became a full-time writer of hymns and edited music journals. Rowe and Smith wrote several hymns together. Howard E Smith, born in 1863. He suffered from arthritis which caused his hands to be terribly twisted. According to Rowe’s daughter, Smith’s hands had become knotted with arthritis, but he could still play the piano. “Love Lifted Me” was written in 1912. Rowe and Smith wrote the hymn based on the passage in Matthew 14 of Peter walking on the water, becoming afraid, and crying out to the Lord to save him. As the hymn developed, Smith would play a few notes and jot them down, matching them to the words Rowe was writing as they went along. Rowe’s daughter shared what she remembered about the occasion: “I can see them now, my father striding up and down humming a bar or two, and Howard playing it and jotting it down… The two huddled together, working line by line, composing this hymn in tandem. ” Rowe describes in the first stanza of salvation in the way of lifting us from the water and now being safe. The second verse gives the purpose of our salvation: “In His blessed presence live; Ever His praises sing. ” The last stanza is a call to the lost. ” Souls in danger, look above, Jesus completely saves. ”

L. Codington

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Kin Jay Gasta

Makilala, North COTABATO, Philippines

Nov 9, 2024

This song is too related of my soul

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Sharlette

Nantucket, PA, United States

Nov 4, 2024

GOD LOVE LIFTED ME . Thank you so much God for loving my families and friends. Blessings and Prosperity. Thanks for sharing this song .

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Bill Brown

Bluffton, South Carolina, United States

Oct 16, 2024

I remember singing this song in church as a child and young Teen. It truly is the Love of Christ that motivates us. We love Him because He first loved us.

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Emmanuela

Parma, Ohio, United States

Sep 17, 2024

I love this song!! 😍

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Laurette Thomas

Kingston, Jamaica

Aug 5, 2024

Always brings me to tears when I remember who I was yet the love that Christ Jesus has for me, His love lifted me.

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