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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Around Thy grave, Lord Jesus

Baptism Around the Lord’s Grave

English935
1
Around Thy grave, Lord Jesus,
In spirit here we stand,
With hearts all full of praises,
To keep Thy blest command:
Our souls by faith rejoicing,
To trace Thy path of love,
Down through death’s angry billows,
Up to the throne above.
2
Lord Jesus! we remember
The travail of Thy soul,
When through Thy love’s deep pity,
The waves did o’er Thee roll;
Baptized in death’s dark waters,
For us Thy blood was shed;
For us Thou, Lord of Glory,
Wast numbered with the dead.
3
O Lord! Thou now art risen,
Thy travail all is o’er;
For sin Thou once hast suffered,
Thou liv’st to die no more;
Sin, death and hell are vanquished
By Thee, the Church’s Head;
And lo! we share Thy triumphs,
Thou first-born from the dead.
4
Unto Thy death baptized,
We own with Thee we died;
With Thee, our Life, we’re risen,
And shall be glorified.
From sin, the world, and Satan,
We’re ransomed by Thy blood,
And here would walk as strangers,
Alive with Thee to God.

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Jack Petrash

Irving, TX, United States

Sep 13, 2024

This wonderful hymn depicts so well the two great aspects of baptism; leaving our old life with all its sin and death in the death waters, and rising in triumph to live in God's Kingdom while walking in the world as strangers.

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Maurice Ward

Irving, Texas, United States

Aug 20, 2023

The church is not firstly a sanctifying church, but a baptizing church. Consider the case of the Lord Jesus. He was the true Shepherd. A shepherd always takes the lead. As the Shepherd-King, the Lord Jesus took the lead to walk from Galilee to the Jordan to be baptized. He did not come to the Jordan to be enthroned, but to be put to death, to be buried.

Down through death’s angry billows,

Up to the throne above.

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Ana Lara

Tolland, Connecticut, United States

Oct 7, 2018

James George Beck 1807-1884. British-born in St. Edmunds, Suffolk. A New Zealand evangelist. Went to India as an officer in 1824.

Was blessed with a praying mother like Timothy who prayed for an hour on behalf of her children in the evening and prayed with them before administering any punishment. All of her children up to the third generation were converted at an early age.

Studied under one of Napoleon’s generals. Served under the 14th Madras Infantry He drew up a code of good resolution but one he could not keep. He hoped after service to serve in Parliament.

In 1826 he was saved after hearing a gospel message his sister took him to hear. Now his passion became to follow Jesus and win souls for the Kingdom

He met and married an evangelical clergyman’s daughter.

He returned to India and began boldly witnessing for Christ among his brother officers.

In 1835 he resigned his commission to become a clergyman in the Church of England but found it was contrary to the church of God. He asked his wife what should he do? His wife replied “whatever you believe the will of God to be, do it at any cost” He gave up his “ promised” living and found others like himself known as the “Brethren”. He left the Church of England and began to live by faith.

Mr Deck began to witness in villages around. To do and reach God’s Word.

Due to Mr. Deck’s failing health in 1852 his family moved to New Zealand, where he recovered, but his wife went home to be with the Lord and was buried there. He labored for thirty years more in that area, until in 1882 he became an invalid for two years. On August 14, 1884, James George Deck passed away into the presence of the Lord.

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