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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Down at the cross

Gospel Testimony

English1066
1
Down at the cross where my Savior died,
Down where for cleansing from sin I cried,
There to my sin was the blood applied;
Glory to His name!
 
Glory to His name,
Glory to His name;
There to my sin was the blood applied;
Glory to His name!
2
I am so wondrously saved from sin,
Jesus so sweetly abides within;
There at the cross where He took me in;
Glory to His name.
3
Oh, precious fountain that saves from sin,
I am so glad I have entered in;
There Jesus saves me and keeps me clean;
Glory to His name.
4
Come to this fountain so rich and sweet;
Cast thy poor soul at the Savior’s feet;
Plunge in today, and be made complete;
Glory to His name.

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Mary

Loxley, Alabama, United States

Aug 23, 2017

Woke up with this song in my soul, I love our Lord Jesus Christ for His mercy on this wretched dead sinner that I was and now I'm alive in Christ forever more!

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Steve Miller

Detroit, Michigan, United States

Jun 4, 2016

"Oh, how the Pocanos and hills and valleys of Pennsylvania sing. In these mountains, and surrounded with such beauty, some of our best hymn writers were born. My love of sacred song has taken me to the birthplaces and villages of some of these. P. P. Bliss was born at Rome, PA. Ira Sankey was born at Edinburgh, in Western PA. Eliza Hewitt was born at Philadelphia. The Reverend Elisha Hoffman, author of this and many other hymns was born at Orwigsburg, PA.

Elisha Hoffman was the son of a minister of the Gospel, so it was not surprising that he, too, felt the call to that field of service after his own conversion. He attended Seminary at New Berlin, in his own state, and obtained his degree in 1866. That same year he married a beautiful young lady, who had nearly attained her 22nd birthday. Both of them loved poetry, and both of them loved to write. I do not find any of the writings of Mary Hoffman; however in the year 1876 Elisha wrote this hymn, which he called "Glory to His Name". That same year they published a booklet called "Happy Songs for the Sunday School." It contained songs that both of them had written, including this one. This hymn became a favorite in evangelical circles and is sung around the world today wherever Christians love to give glory to their Savior.

That same year that this hymn was given to the many who had entered into Christ, Mrs Hoffman passed away. She was only 32. It was scarcely 10 years since their wedding day.

Rev. Hoffman joined the Evangelical United Brethren and took a pastorate in Lebanon, PA. Here he labored many years." - Hymn Stories by Wilbur Konkel

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Shiren Clarke

Sumter, SC, United States

May 21, 2016

I just lost my mom 1 year ago on april fools day no joke I was not able to be there and my whole family members turnd there backs on me. I have no mom nor dad it's still hard at times you may email me.

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Ralph

Dallas, Texas, United States

May 3, 2016

My Dad just passed away and I have been trying to find the right songs for his services. He was very active in church his whole life and Down at the Cross is one of those old hymns he and we used to sing all the time at church. Listening and reading the lyrics has brought a flood of emotions for me and what my Dad was about. Thank you for allowing God to use you for me this morning.

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Somah Eldred Liberty

Harbel, Margibi County, Liberia

May 1, 2016

Glory to the Man from Galilee!

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David Niyukuri

Cape Town, Western Cape, South Africa

May 2, 2015

Indeed, Glory to His name! For His love is unending love.

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Bentzion Ariel

Lilongwe, Sadc, Malawi

Aug 16, 2013

Our Saviour is so amazing, Who loves those that can't love HIM faithfully.

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Robert Bruneau

Columbia, TN, United States

Mar 31, 2013

Let us thank the Lord our God for the cross, I am so thankfull He looked upon me in His mercy. I was lost and drowning in my sin, I have along way to go but I now know where I am going when this is all over.

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Jonathon Springfield

Sydney, New South Wales, Australia

Nov 19, 2011

Christ Jesus, gave us all who call on His name to be saved. Washed in the blood of the Lamb ! Down at the cross.

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Kayode

Finland

Jul 24, 2011

Thank God for the Blood. My sins would have remained but for the shed blood from Calvary.

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