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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Down at the cross

Gospel Testimony

English1066
1
Down at the cross where my Savior died,
Down where for cleansing from sin I cried,
There to my sin was the blood applied;
Glory to His name!
 
Glory to His name,
Glory to His name;
There to my sin was the blood applied;
Glory to His name!
2
I am so wondrously saved from sin,
Jesus so sweetly abides within;
There at the cross where He took me in;
Glory to His name.
3
Oh, precious fountain that saves from sin,
I am so glad I have entered in;
There Jesus saves me and keeps me clean;
Glory to His name.
4
Come to this fountain so rich and sweet;
Cast thy poor soul at the Savior’s feet;
Plunge in today, and be made complete;
Glory to His name.

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Ana Lara

Storrs, Connecticut, United States

May 28, 2022

Elisha Albright Hoffman was born May 7, 1839, in Orwigsburg, Pennsylvania to a minister named Francis Hoffman. At a young age, Elisha accepted Christ as his Savior. He attended the Philadelphia public schools, studied science, and then studied the classics at Union Seminary at the Evangelical Association. When he was 24, the Civil War had been raging for two years, and he enlisted as a Private in the Union Army on July 9, 1863 with Company A, 47th Infantry Regiment, Pennsylvania. He was discharged just over a month later on August 14, 1863, a couple years before the war ended.

About 1866, Elisha married Susan M Orwig, he was about 26 and she was about 22. He worked for the Evangelical Association Publishing House in Cleveland, Ohio, for 11 years. He was ordained by the Presbyterian Church in 1873, at the age of 34. Two years later in 1876, his wife, Susan died, leaving him with three young boys. He was never formally trained in music, but he wrote over 2, 000 hymns, providing both the words and the tune for the most of them. He assisted in compiling and editing 50 song books!

Some of these hymns he wrote are as follows:

“Are You Washed in the Blood, ” words
“Christ for Sin Atonement Made, ” words & music
“Down at the Cross, ” words
“Glory to His Name, ” words
“Have Thine Own Way Lord. ” words
“I Must Tell Jesus, ” words & music
“ Is Your All on the Altar? ,” words & music
“Leaning on the Everlasting Arms, ” words.
“What a Wonderful Savior, ” words & music
(Pastor Clinton Macomber)

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Alma Gould

Amarillo, TX, United States

Apr 17, 2022

We originally belonged to God. We were His possession, but we were lost because of sin, contaminated with sin and with many other negative things that were contrary to His justice, His holiness and His glory. However, God never gave up on us, but paid a great price to get us back. Christ died on the cross to effect our eternal redemption. His blood obtained eternal redemption for us! Praise Him. We are grateful to You Lord Jesus and including us in Your plan and giving us meaning to our human life.

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Miles

Wilson, North Carolina, United States

Mar 31, 2022

I just found this site, and I love it. I've recently joined the choir, and this helps me so much getting in tune with things.

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Tuna Garba Gubring

Abuja, FCT, Nigeria

Dec 3, 2020

Just stumble over this song, this year. I have never stop shedding tears, whenever I sing this song. Even now that I am writing this, there is tear in my eyes. When I see wonderful work of Christ in the Cross & when I saw my background, the only Christian in a family of seven, there is no way to withhold my tears of joy.

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Bidder

Phoenix, AZ, United States

Oct 6, 2020

I grew up singing this song at church. I am thankful for all the good memories of childhood which help to keep me on course.

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Anonymous

Sep 29, 2020

It was nice

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Esther

Kampala, Uganda

Aug 16, 2020

This song is so wonderful

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Salem Antonio

Luanda, Angola

Apr 11, 2020

Oh Praise the Lord! No man could save me, only Jesus Christ. Leaving Hos glory and comming down to take sin upon Him so I could be holy. Glory to His precious name ameeeeeen!

God bless you, for uploading. Only someone that was a sinner and now saved, knows how this song sinks down the soul.

Shalom

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Ouma

Kampala, Uganda

Apr 5, 2020

I woke up with this song on my lips. Glory to God

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Michael Ejidra

Kampala, Uganda

Mar 9, 2020

Such a powerful hymn. This ministers to my inner man. indeed Glory to God for the accomplished work of Christ on the cross that I am now accepted.....

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