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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Come into my heart, O Lord Jesus

Gospel Crying to the Lord

English1061
1
Come into my heart, O Lord Jesus,
Come into my heart, I pray;
My soul is so troubled and weary,
Come into my heart, today.
 
Into my heart, into my heart,
Come into my heart, Lord Jesus;
Come in today, come in to stay,
Come into my heart, Lord Jesus.
2
Come into my heart, O Lord Jesus,
I need Thee through life’s dreary way;
The burden of sin is so heavy,
Come into my heart to stay.
3
Come into my heart, O Lord Jesus,
Now cleanse and illumine my soul;
Fill me with Thy wonderful Spirit,
Come in and take full control.

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Newlife

Sydney, New South Wales, Australia

Jul 23, 2017

This is so good I love it. May the glory of God fulfill this earth we live in that’s full of sin, cause He is the Maker of all makers and most powerful ruler of all men, women, children and every living creatures in this world..... so I would like to say.... Lord Almighty Jesus please come into all our hearts for Your time is getting closer and closer and we are so blind. Once again Lord Jesus, Son of God I ask please come into our hearts........ please come into stay for ever and ever .......... amen. amen. amen.

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Cheryl

Brownsboro, TX, United States

Jan 10, 2017

I can never forget. In fact it is as clear as yesterday. When I was 4 years old my Sunday school teacher had us sing this as our closing song every week. One Sunday, it must have been Easter. I was wearing a bright pink polka dot dress my mother had made for me. We learned about how Jesus died on the cross for us. That day I understood the song, and when we sang it was my prayer. I meant it with all my heart. Jesus became my lifelong best friend. There could have been no better blessing in my childhood! We've been through a lot together, He and I. Frogs, doll's, Test, school buddies and bullies, heartbreaks, parties, findings husband, childbirth and child loss, when life was incredibly hard and when I'm bubbling over with joy. He's always been there! I long for the day I'll see him face to face. Right now, I still have kids to raise, and things to do. When it comes my time to go, I'm not afraid of death. He'll be with me then too. Oh how I love my Jesus!

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Favour Udoma

Port Harcourt, Rivers, Nigeria

Jul 17, 2015

This used to be my favourite hymn in secondary school. Lord Jesus come into my heart!

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Yeremia Alfa Susetyo

Salatiga, Jawa Tengah, Indonesia

Jan 30, 2015

That Christ may make His home in your hearts through faith, that you, being rooted and grounded in love,

Ephesians 3:17

sehingga oleh imanmu Kristus tinggal di dalam hatimu dan kamu berakar serta berdasar di dalam kasih

Efesus 3:17 (INA)

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Chigozie

Aba, Abia, Nigeria

Jan 3, 2015

Come into my heart to stay permanently Lord Jesus. This is my solemn plea.

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Merrilee Johnson

Brooklyn Park, MN, United States

Oct 2, 2014

This music was shared by my pastor and it was one of my favorite songs when I was a youth. Wonderful!

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Anonymous

Jun 24, 2014

In Eph. 3:17, Paul prays that Christ would make His home (or "dwell") in the hearts of the Ephesian believers through faith. We should pray this prayer for one another, and of course for ourselves! I understand the last two lines of this hymn--"Fill me with Thy wonderful Spirit, come in and take full control"--to be a reference to Paul's prayer in Eph 3:16-17.

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Steve Miller

Detroit, MI

May 17, 2014

@Jim 4/3/2014: Good question. I was surprised when I searched to see that the Bible never tells us to ask the Lord to come into our heart or soul or spirit.

I think it's implied by opening to let Him in when He knocks (Luk 12:36; Rev 3:20).

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The original says "blessed Jesus" instead of "O Lord Jesus". I like the change better than the original because it is more crying out to the Lord.

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Orphaned at an early age, Clarke moved to London, and then to America. He attended Moody Bible Institute in Chicago, Illinois, and afterwards became involved in composing, publishing music, and evangelism. He served as song leader for Harry Von Bruch and Billy Sunday, being so impressed by Sunday that he established the Billy Sunday Memorial Chapel in Sioux City, Iowa (where he served as pastor until 1945). Clarke also worked in the evangelism field in Garad's Ford, Pennsylvania, and South Milford, Indiana. - Songs of the Spirit by Martin

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Jim Vass

Apr 3, 2014

Where in the Bible does it say to ask Jesus to come into your heart?

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Beatrice

Tulsa, OK, United States

Jan 22, 2014

Beautiful hymn that young hearts as well as grown ups should hear, sing as they invite Jesus into their hearts.

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