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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus, lover of my soul

Gospel Crying to the Lord

English1057
1
Jesus, lover of my soul,
Let me to Thy bosom fly,
While the nearer waters roll,
While the tempest still is high:
Hide me, O my Savior, hide,
Till the storm of life is past;
Safe into the haven guide;
O receive my soul at last.
2
Other refuge have I none,
Hangs my helpless soul on Thee;
Leave, oh, leave me not alone,
Still support and comfort me.
All my trust on Thee is stayed,
All my help from Thee I bring;
Cover my defenseless head
With the shadow of Thy wing.
3
Thou, O Christ, art all I want;
More than all in Thee I find;
Raise the fallen, cheer the faint,
Heal the sick and lead the blind.
Just and holy is Thy name,
I am all unrighteousness;
Vile and full of sin I am,
Thou art full of truth and grace.
4
Plenteous grace with Thee is found,
Grace to cover all my sin;
Let the healing streams abound;
Make and keep me pure within.
Thou of life the fountain art,
Freely let me take of Thee;
Spring Thou up within my heart,
Rise to all eternity.

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Brighton

Cape Town, Western Cape, South Africa

Sep 11, 2018

Been facing challenges of late, since 2 2 Aug 2018, in SA. was attacked by robbers, next my car battery was stolen, next my car immobiliser stopped to work, next my car was hit by someone driving a bakkie while parking my car my friend's yard, the person who smashed mey car threatened me and my family if we report to the police, my neighbours stood with him, I am a Zimbabwean in SA. So they took advantage of that, he sent gangsters to threaten us, in the mean time my wife not feeling well, having paid the money to a private doc, he didn't do what we requested, rather did otherwise and the money is gone.... All this in a space of 2 weeks.... I then remembered this hymn, went into my bedroom, sang it passionately and prayed.

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Bonnie

North Lima, OH, United States

Aug 30, 2018

Such a blessing to sing this song aloud to myself and my children!

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Yvonne Effiong

Uyo, Akwa Ibom State, Nigeria

Aug 4, 2018

This is one of my favourite hymns. In my weakness I found strength and inner peace. When I am lost and faced with life threatening battles, especially from those who hide their malice behind the mask of virtue, I quickly got back to the hymns and always there I take my refuge from God Almighty.

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Iliya Majam

Abuja, FCT, Nigeria

Jul 29, 2018

Today, this song is coming to me with a fresh message of encouragement and strength. It reminds me of my sinfulness so well and the fact of Jesus being my unconditional lover and refuge. With such a Savior, what or who else would I ever need? I am going to come back to this song over and over again for the rest of my life.

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Adams Abraham

Zaria, Kaduna, Nigeria

Jun 28, 2018

This Hymn lifted out of dipression...
Hide me, O my Savior, hide,
Till the storm of life is past;
Safe into the haven guide;
O receive my soul at last.
Other refuge have I none,
Hangs my helpless soul on Thee;
Leave, oh, leave me not alone,
Still support and comfort me.
All my trust on Thee is stayed,
All my help from Thee I bring;
Cover my defenseless head
With the shadow of Thy wing.
Thou, O Christ, art all I want;
More than all in Thee I find;
Raise the fallen, cheer the faint,
Heal the sick and lead the blind.
Just and holy is Thy name,
I am all unrighteousness;
Vile and full of sin I am,
Thou art full of truth and grace.

Read more
Treasure Amarachukwu Chigozie

Aba, Abia, Nigeria

Jun 13, 2018

My heart has been heavy since early morning, my eyes full of tears as my kids watch me. thinking of all the challenges I am facing now. But this song has litted my spirit. Thank God for the song writer. I'm blessed.

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Maurice Degarennier

Stockton-On-Tees, Teesside

May 11, 2018

Thank you Steve Miller for giving stanza 2 on 2 Feb 2014.

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Ana Lara

Tolland, Connecticut, United States

Apr 13, 2018

Charles Wesley, the father of hymnody and the “first Methodist” wrote over 8,000 hymns. One for every day after his conversion until the day he died. This hymn is his crowning work.

There are two accounts as to the occasion in which he wrote it. One version tells us that during a stormy night, Charles, unable to sleep, opened his bedroom window to watch the storm. As he was viewing the stormy scene, suddenly a bird exhausted by the wind and hotly persued by a hawk, flew into the window and Charles Wesley’s breast for protection. Having saved the bird and placed it in security, he turned to his desk and wrote this hymn so realistic and so descriptive of fear and intense longing of the anxious soul to find safety and rest.

Another account tells that Wesley, while in Killyleag County Down, Ireland had been preaching in the open fields. In the process, he was persued by a mob violently opposed to his message. Charles was given a hiding place by a local farmer’s wife and is said to have penned this words to the hymn while hearing the cries of his pursuers nearby.

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Glory

Anambra, Nigeria

Mar 30, 2018

Jesus, lover of my soul. Fill my heart with Your love. Cause me to smile again in Jesus name. Amen.

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Kingsolomon Adeoye

Ile Ife, Osun State, Nigeria

Jan 26, 2018

Oh Lord of all Grace, May you fulfill in me and everyone the depth and revelation behind this hymn in Jesus name.

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