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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Jesus, lover of my soul

Gospel Crying to the Lord

English1057
1
Jesus, lover of my soul,
Let me to Thy bosom fly,
While the nearer waters roll,
While the tempest still is high:
Hide me, O my Savior, hide,
Till the storm of life is past;
Safe into the haven guide;
O receive my soul at last.
2
Other refuge have I none,
Hangs my helpless soul on Thee;
Leave, oh, leave me not alone,
Still support and comfort me.
All my trust on Thee is stayed,
All my help from Thee I bring;
Cover my defenseless head
With the shadow of Thy wing.
3
Thou, O Christ, art all I want;
More than all in Thee I find;
Raise the fallen, cheer the faint,
Heal the sick and lead the blind.
Just and holy is Thy name,
I am all unrighteousness;
Vile and full of sin I am,
Thou art full of truth and grace.
4
Plenteous grace with Thee is found,
Grace to cover all my sin;
Let the healing streams abound;
Make and keep me pure within.
Thou of life the fountain art,
Freely let me take of Thee;
Spring Thou up within my heart,
Rise to all eternity.

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Nelson Liu

Irvine, CA, United States

Oct 14, 2013

Thou, O Christ, art all I want; more than all in Thee I find.

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Alex Abler

United States

Aug 11, 2013

I found the tuned awkward and distracting. So I tried the words to the tune of "Oh, The Deep Deep Love of Jesus". Ahhhh. That's better........

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Steve Miller

Detroit, MI, United States

Jul 17, 2013

This is a different aspect of background to the song from that posted by LY 6/22/2013:

Written only a year after his conversion, this is one of the most famous of Charles Wesley's 6,000 hymns. As he wrote it, he may have been remembering his turbulent transatlantic crossing 3 years earlier. He wrote in his journal, "The sea streamed in at the sides ... it was as much as 4 men could do by continual pumping to keep her above water. I rose and lay down by turns, but could remain in no posture long; strove vehemently to pray, but in vain." Later in the afternoon as the storm reached its peak, he said, "In this dreadful moment, I bless God, I found the comfort of hope."

Wesley talked to another passenger about trusting God, and the passenger replied that he had no refuge in times of danger. Even though Wesley was ill and frightened, he had the awareness, as he later wrote, that he "abode under the shadow of the Almighty." - Great Songs of Faith by Brown & Norton

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LY

Boston, MA, United States

Jun 22, 2013

Here's the background to this lovely hymn: Mrs. Mary Hoover, of Bellefonte, Pennsylvania, whose grandmother was the heroine of the story, has related to her pastor this family tradition: Charles Wesley was preaching in the fields of the parish of Killyleagh, County Down, Ireland, when he was attacked by men who did not approve of his doctrines. He sought refuge in a house located on what was known as the Island Barn Farm. The farmer’s wife, Jane Lowrie Moore, told him to hide in the milkhouse, down in the garden. Soon the mob came and demanded the fugitive. She tried to quiet them by offering them refreshments. Going down to the milkhouse, she directed Mr. Wesley to get through the rear window and hide under the hedge, by which ran a little brook. In that hiding-place, with the cries of his pursuers all about him, he wrote this immortal hymn. Descendants of Mrs. Moore still live in the house, which is much the same as it was in Wesley’s time.

Sankey, pp. 172-3 (copied from http://www.hymntime.com)

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T. Diyan

London, United Kingdom

Nov 15, 2012

Leave, oh, leave me not alone, still support and comfort me. Thou O Christ art all I want, more than all in Thee I find. Thank You Lord. We love You so, our dear Beloved. Keep us with You all our days. We belong to You.

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L.C.

San Juan, Philippines

Mar 7, 2012

Thou of life the fountain art,
Freely let me take of Thee;
Spring Thou up within my heart,
Rise to all eternity.

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David Stuart

Gateshead, Tyne & Wear, United Kingdom

Feb 6, 2012

Can anyone say what the background is to this lovely hymn, please. Of all of the hymns Wesley wrote, this must be in the top ten!

Many thanks for your encouraging website.

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Sophia Mo

Paramaribo, Suriname

Dec 25, 2011

O Lord Jesus, the lover of my soul. Singing this hymn to the Lord, I experience the Lord's dear presence and am comforted just to trust in Him who cares for me all-inclusively.

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Marie-France

Victoria, Mahe, Seychelles

Jun 17, 2011

This song is so perfect. It says everything that is in my heart. While reading the lyrics it brought tears to my eyes. It will stay forever true.

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Caleb Don Crigger

THeodore, Alabama, United States

Oct 7, 2010

Thank to the Lord for the music of the Kingdom. My life is fixed on JESUS.

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