Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Jesus, lover of my soul

Gospel Crying to the Lord

English1057
1
Jesus, lover of my soul,
Let me to Thy bosom fly,
While the nearer waters roll,
While the tempest still is high:
Hide me, O my Savior, hide,
Till the storm of life is past;
Safe into the haven guide;
O receive my soul at last.
2
Other refuge have I none,
Hangs my helpless soul on Thee;
Leave, oh, leave me not alone,
Still support and comfort me.
All my trust on Thee is stayed,
All my help from Thee I bring;
Cover my defenseless head
With the shadow of Thy wing.
3
Thou, O Christ, art all I want;
More than all in Thee I find;
Raise the fallen, cheer the faint,
Heal the sick and lead the blind.
Just and holy is Thy name,
I am all unrighteousness;
Vile and full of sin I am,
Thou art full of truth and grace.
4
Plenteous grace with Thee is found,
Grace to cover all my sin;
Let the healing streams abound;
Make and keep me pure within.
Thou of life the fountain art,
Freely let me take of Thee;
Spring Thou up within my heart,
Rise to all eternity.

Delete Comment

Delete this comment? This cannot be undone.

Frank Alcamo

Oceanside, New York, United States

Jan 7, 2018

Jesus help us to experience You in all Your fullness. Help us to live the Words of this song.

Read more
Amos Kimani

Naivasha, Nakuru, Kenya

Jan 7, 2018

We thank the Lord who loved us to an extent of dying for us. The same way we should be crazy lovers of Jesus.

Read more
Eleazar Ullón

Ciudad Del Este, Alto Paraná, Paraguay

Apr 27, 2017

Wonderful!

Read more
Thapelo

Johannesburg, Gauteng, South Africa

Apr 19, 2017

What a wonderful hymn! bless the souls of all departed who left us with such wonderful music.

"I am all unrighteousness; Vile and full of sin I am, Thou art full of truth and grace."

Read more
Francisca Effiom

Calabar, Nigeria

Oct 26, 2016

A place of refuge is He. A shelter from the storm of life. Whether we deserve His grace or not, He showers us with His grace anyway. Jesus is the solid rock on which we stand. Thank You Jesus for Your work of redemption.

Read more
Steve Miller

Detroit, Michigan, United States

May 19, 2016

"This is the crown of Charles Wesley's work - one of the greatest hymns of the universal church. The finest hymn of the English Language." - John Telford in "The Methodist Hymn Book Illustrated"

Henry Ward Beecher said, "I would rather have written that hymn of Wesley's, "Jesus, Lover of My Soul", than to have the fame of all the kings that ever sat on the throne. It is more glorious. It has more power in it. That hymn will go on singing until that last trump brings forth the angel band; and then, I think, it will mount up on some lips to the very presence of God."

One of the greatest preachers of the Gospel in England at the beginning of the 20th century was Hugh Price Hughes. He left instructions in his will that they should inscribe on his tombstone, "Thou, Oh Christ, art all I want!"

Charles Spurgeon said that on one occasion an unGodly man stepped into Exeter Hall when he was holding services. He came to Christ when they sang, "Jesus, Lover of My Soul." "Does Jesus love me?" he asked. "Then why should I live in enmity to Him?"

Dr. Duffield, who wrote the hymn, "Stand Up for Jesus", tells us that he had drifted away from the Lord and was brought back by this hymn. "One of the most blessed days of my life," says the hymn writer, "was when I found, after I had hung my harp on the willows, that I could *sing* again; that a new song was put into my mouth; and when, e'er ever I was aware, I was singing, 'Jesus, Lover of My Soul'. If there is anything in Christian experience of joy and sorrow, of affliction and prosperity, of life and death - that hymn is the *hymn of the ages*!"

Mr. Sankey tells us it was the last hymn that D. L. Moody sang before he entered into the joy of his Lord.

Read more
Steve Miller

Detroit, Michigan, United States

May 14, 2016

The thought of a Christian speaking of Jesus as his Lover was revolutionary. It was not done in the confines of the Church of England. Every true child of God understands the language. - Hymn Stories by Wilbur Konkel

Read more
Daphine Hawkins

Boardman, OH, United States

Mar 22, 2016

This morning I truly know He is the Lover Of My Soul! King Jesus, Lord Of All!

Read more
Dorcas T.Adesanya

London, England, United Kingdom

Dec 24, 2014

Thank You Jesus, You are the lover of my soul. I am full of unrighteousness but Thou art full of truth and grace. Give me grace oh Lord to love and be obedient to You always in Jesus name. Help me to continue to live holy life in Jesus name. Thanks for uploading this song and God bless you all.

Read more
Steve Miller

Detroit, MI, United States

Feb 19, 2014

One afternoon on a Hudson River liner out of New York, Sankey was singing this song to a gathering of people, when a man came to him excitedly out of the crowd. "Were you in the Union Army?" the man asked.

"Yes, I served in Maryland."
"Were you at such and such a battle?"
"Yes."

"Could you have been singing that hymn one night while you were on sentry duty?"

"Yes, I even remember the night," Sankey told him.

"And I remember having a bead on you, but hearing you sing that great hymn I could not squeeze the trigger." - Songs That Lift the Heart by George Beverly Shea

---------------------------------
There is an additional stanza following stanza 2 above:
Wilt Thou not regard my call?
Wilt Thou not accept my prayer?
Lo! I sink, I faint, I fall—
Lo! on Thee I cast my care;
Reach me out Thy gracious hand!
While I of Thy strength receive,
Hoping against hope I stand,
dying, and behold, I live.

Read more