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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Out of my bondage, sorrow, and night

Gospel Coming to the Lord

English1050
1
Out of my bondage, sorrow, and night,
Jesus, I come! Jesus, I come!
Into Thy freedom, gladness, and light,
Jesus, I come to Thee!
Out of my sickness into Thy health,
Out of my want and into Thy wealth,
Out of my sin and into Thyself,
Jesus, I come to Thee!
2
Out of my shameful failure and loss,
Jesus, I come! Jesus, I come!
Into the glorious gain of Thy cross,
Jesus, I come to Thee!
Out of earth’s sorrows into Thy balm,
Out of life’s storm and into Thy calm,
Out of distress to jubilant psalm,
Jesus, I come to Thee!
3
Out of unrest and arrogant pride,
Jesus, I come! Jesus, I come!
Into Thy blessed will to abide,
Jesus, I come to Thee!
Out of myself to dwell in Thy love,
Out of despair into raptures above,
Upward for aye on wings like a dove,
Jesus, I come to Thee!
4
Out of the fear and dread of the tomb,
Jesus, I come! Jesus, I come!
Into the joy and pleasure, Thine own,
Jesus, I come to Thee!
Out of the depths of ruin untold,
Into the flock Thy love doth enfold,
Ever Thy glorious face to behold,
Jesus, I come to Thee!

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Dr. Gladys Mwiti

Nairobi, Kyrgyzstan

Nov 24, 2021

Thank you for these lyrics. I received Christ as Savior when I was 7. I'm now 71. In Church ministry all through with this song central since my youth. Right now, a group of us are contending against deceit and deception that has ravaged our Church from an unGodly top leader. As I prayed for my Church and my band of Soldiers this morning, I cried to the Lord with tears in my eyes - saying: "I come to you Redeemer, buy you too - Maranatha to my Church, Lord Jesus. Reclaim, Redeem, Revive us Lord."

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Eileen Rife

Nov 9, 2021

This is the song that opened my heart to receive Jesus when I was eight years old, a child who was filled with sin and self and sorrow in the aftermath of her older brother's death.

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Rosalyn

Florida, United States

Sep 17, 2021

As I prepared to talk with God this morning, the Spirit brought this song to mind. It speaks the story of what God has done and is doing right now in my life for my deliverance. Praise be to God!

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Glyndell Houston

Houston, TX, United States

Aug 16, 2021

Dramatic, deep emotional healing from childhood trauma this morning from our Lord. Then the remembrance and comfort of this beautiful song. Thank you, Jesus! Kept in His love.

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Jill

Lake Mary, Florida, United States

Aug 15, 2021

What a privilege it was to sing such beautiful hymns like this as I was growing up. The words and music fit together so beautifully, and what a comfort they are.

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Athene

London, United Kingdom

Jun 28, 2021

Thank you, for the lyrics. I needed to sing this to myself tonight before I went to sleep. Such solace in the words from my childhood 'til now... God Bless

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Helen Sisco

Ronks, PA, United States

Jun 25, 2021

Does anyone remember this song from the old tent revival meetings? Sung over and over as people went forward to give their life to the Lord.

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Bryn

Pegasus, Canterbury, New Zealand

Apr 30, 2021

A lovely hymn I also remember from my childhood. Great to find all the words & discover I’d been singing and playing it mostly right!

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Carol

Underhill Center, VT, United States

Feb 28, 2021

I used to sing this hymn as a child in church. I’m so thrilled to have rediscovered it today thanks to this website. The words are like a sweet balm and comfort and reassurance to my soul. “Jesus I come to thee. ” I love reading all the comments from all over the world. God bless you all and heal us. Be so close to us Lord.

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Olufemi Joseph

Ogbomoso, Oyo State, Nigeria

Feb 2, 2021

I was searching for songs on Deliverance and I stormed this song it has really blessed me since yesterday to this moment.

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