Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Chinese526*
1
神未曾應許:天色常藍,
人生的路途花香常漫;
神未曾應許:常晴無雨,
常樂無痛苦,常安無虞。
 
神卻曾應許:生活有力,
行路有光亮,作工得息,
試煉得恩勗,危難有賴,
無限的體諒,不死的愛。
2
神未曾應許:我們不遇
苦難和試探、
懊惱、憂慮;
神未曾應許:我們不負
許多的重擔、許多事務。
3
神未曾應許:前途盡是
平坦的大路,任意驅馳;
沒有深水拒,汪洋一片,
沒有大山阻,高薄雲天。

Delete Comment

Delete this comment? This cannot be undone.

David T Lee

Oakland, NJ, United States

Oct 12, 2022

感謝主

Read more
Paul Lin

Taipei, Taiwan

Sep 13, 2020

關於安息日, 我們都需要學習一個基本的功課。…安息日的意思是:我們爲神作工以前,需要享受神並被祂充滿。我們若享受神並被神充滿,就豫備好爲祂作工。這樣的工作不是憑著自己,乃是憑著神。…在五旬節那天…彼得站起來傳福音時,…他憑著那充滿他的神、充滿他的靈傳福音。因此,彼得有一個記號,說明他是神的同工,而他的傳福音就是尊崇神、榮耀神。

​

世上的人都是憑著自己作工。他們身上沒有一個記號,指明他們是屬神的。他們沒有享受神,沒有與神一同安息,也沒有與神同工。我們的光景則迥然不同,因爲我們有一個記號。我們帶著甚麼記號?這個記號就是我們與神一同安息,享受神,並且先被神充滿,然後與充滿我們的那一位同工。此外,我們不僅是與神同工,更是與神是一而作工。

​

我能見證,每一次我站起來供應話語,我惟一的禱告就是要在我的說話中與主是一。我一再的禱告說,『主,在我的說話中,我要實行與你成爲一靈,使我的說話就是你的說話。主,必須是你在我的說話中說話。如果你不是與我是一,我就不說甚麼。我絕不在我虛空的己裏說話,這是褻慢你、侮辱你。主,我不僅要與你一同說話,也要與你是一而說話。…』我們若願意這樣說話,對主是何等的尊崇和榮耀!這就是安息日的記號。在我的說話中,我總要帶著一個記號,就是主是我的安息日。爲著供應話語,祂是我的安息、舒暢、能力、力量和一切。

​

在召會生活中,我們也許作了許多事,卻沒有先享受主,沒有同著主、與主是一而事奉。這樣事奉的結果乃是遭受屬靈的死亡。任何對召會的事奉,若沒有享受主、沒有與主是一,都會帶進屬靈的死亡。每當我們那樣事奉時,我們就從身體的交通中將自己剪除了。(出埃及記生命讀經,二○九六至二○九八、二一○一頁。)--參讀:耶利米書生命讀經,第十七篇。

Read more
Zeyun

La Jolla, CA, United States

May 4, 2019

哦,主!感谢你的应许!感谢你不死的爱!

Read more
高越

西雅图

Nov 18, 2018

神确曾应许,不死的爱!!!!!

Read more
Leeo Liu

China

Jul 26, 2016

神却曾应许:

生活有力,
行路有光亮,
做工得息。

阿门!

2016.7.26

Read more