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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

Alas, and did my Savior bleed

Gospel Redemption

English999
1
Alas, and did my Savior bleed?
And did my Sovereign die?
Would He devote that sacred head
For such a worm as I?
 
At the cross, at the cross where
I first saw the light,
And the burden of my heart rolled away,
It was there by faith I received my sight,
And now I am happy all the day!
2
Was it for sins that I had done
He groaned upon the tree?
Amazing pity! grace unknown!
And love beyond degree!
3
Well might the sun in darkness hide,
And shut His glories in,
When Christ, the mighty Maker, died
For man, His creature’s sin.
4
Thus might I hide my blushing face
While His dear cross appears.
Dissolve my heart in thankfulness,
And melt mine eyes to tears.
5
But drops of grief can ne’er repay
The debt of love I owe;
Here, Lord, I give myself away,
’Tis all that I can do.

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Mary Ngene

Nairbi, Claycity, Kenya

Okt 9, 2024

This song is so good. it makes me feel so happy.

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Femi Amos

Osogbo, Osun, Nigeria

Mai 19, 2024

The horror He went through just to redeem our condemned souls is unimaginable. Thank you Jesus!

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Kopiyo Ager

Migori, Nyanza, Kenya

Jan 27, 2024

This song reminds me of one retired pastor Pharez Ombwayo.

He would remind our small Bande girls sabbath school congregants about how expensive and painful it was for Jesus to redeem the lost.

Every time he come to preach this would be his proposed music.

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Priceless

Dez 29, 2023

It was at the cross where we all were set free, where all our pain and sorrows nailed to the bloodstained cross, where all sicknesses and every manner of infirmities were defeated and also where we were drawn closer to the ALMIGHTY.

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Khai Dal

Bowling Green, Kentucky, United States

Dez 22, 2023

Amazing and I loved it the Music ❤️

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Jake

Leinster, Ireland

Nov 25, 2023

Praise the Lord

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Dr. Alan Parrish

Nashville, TN, United States

Nov 7, 2023

This seemingly simple hymn, written in ABAB form, set to a lilting melody, was written by a teenage boy who grew tired of the music of the Anglican Church. It was radical! Instead of all this showy, complex musical composition that few could master, Isaac Watts brought praise to the people. Simple choruses, but full of emotion! Easy to remember, catchy... they may have been derided as "jingles" by some, but Watts -- and the blind girl his music inspired, Miss Fanny Crosby -- brought the Word of God to life in musical form and put it in a book for all to learn and sing. A revolutionary indeed!

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Ana Lara

Storrs, Connecticut, United States

Okt 9, 2023

Isaac Watts was a rather amazing character on every aspect (except in appearance, as he was all of 5 feet tall! ) At the time of his birth, his father was in prison for being a “dissenter“ of the Church of England. Isaac learned Latin at age 4, picked up Greek by age 9, and Hebrew at 13. As a teenager, he was frustrated with the tedious music of the Anglican Church, so his father challenged him to write church songs. He responded by setting out on a hymn-writing frenzy, eventually composing 600 of the best known hymns, mostly written in his teens and twenties! Eventually, Watts became known as the “Father of English hymnody. ” This hymn, “Alas! and did my Savior Bleed, ” spoke powerfully and convincingly to the blind Fanny Crosby 100 years later, and then she became a greater hymn writer herself.

L. Codington

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Fidel

Nairobi, Kitui, Kenya

Sep 4, 2023

Good song

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Joel

Staten Island, New York, United States

Aug 23, 2023

Amazing

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