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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

Oh, the bitter shame and sorrow

Consecration Constrained by the Lord’s Love

English435
1
Oh, the bitter shame and sorrow,
That a time could ever be,
When I let the Savior’s pity
Plead in vain, and proudly answered,
All of self, and none of Thee,
All of self and none of Thee.
2
Yet He found me; I beheld Him
Bleeding on the cursed tree;
Heard Him pray, Forgive them, Father,
And my wistful heart said faintly,
Some of self, and some of Thee,
Some of self, and some of Thee.
3
Day by day His tender mercy,
Healing, helping, full and free,
Sweet and strong, and ah! so patient,
Brought me lower while I whispered,
Less of self, and more of Thee,
Less of self, and more of Thee.
4
Higher than the highest heavens,
Deeper than the deepest sea,
Lord, Thy love at last hath conquered;
Grant me now my heart’s petition,
None of self, and all of Thee,
None of self, and all of Thee.

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Estaeheli

Deer Park, WA, United States

Jul 30, 2017

As a "retired" English teacher, I would not restrict using words such as Thee for the young peoples' sake. Their minds are young and can grasp new vocabulary easily. It is cheating them of learning, knowledge, and history. "Thee" and "thou" represent forms of formal address, which young people should learn, because there is little formal address left in their world--anything goes. The thinking on this concept of not using unfamiliar words is faulty by my understanding. We use the King James Bible for most study, and our children have no problems with the language once they become familiar with it. In fact, it is an enriching experience as far as language and Bible study is concerned.

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Robert Gilland

Parkinson, Queensland, Australia

Jun 13, 2017

A long lost hymn. I finally found today.

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Ursula Schletter

Sequim, Washington, United States

Mar 22, 2016

This is a beautiful song with a strong message to it. it has good reminder of how we should be the last verse. This song came from a hymn book called Christ in Song don't know if it still is around. It is a wonderful hymn book with lots of old hymn's including this one.

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Dennis Lu

Monterey Park, CA, United States

Feb 20, 2016

Such a precious song! Lord I want to dwell more in You and less in myself!

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Boye Ola

Lagos, Nigeria

Jun 5, 2015

I LOVE THIS HYMN, STANZA 4 IS WHERE I WANT TO DWELL.

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Steve Miller

Detroit, MI, United States

Dez 25, 2014

Please see Denis' comment on 9/8/2013 and store it in your memory.

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Theodore Monod was a French Protestant Pastor who initially studied law but then trained for the ministry at Western Theological Seminary in Alleghany, PA. From 1860 - 1863 he labored among the French Canadians in Illinois. He returned to Paris and his father’s pastorate in 1875. He was a popular speaker at the Keswick Camp meetings. Among the books he wrote are "Looking To Jesus", "The Christian's Cross", "Life More Abundant" and "The Gift of God". Some of his sermons are on the internet. - path2prayer

Mo­nod wrote the words of this song, in Eng­lish, dur­ing a ser­ies of con­se­cra­tion meet­ings in Broad­lands, Hamp­shire, Eng­land, in July 1874. At the close of the meet­ings, he gave them to Lord Mount-Tem­ple, who had them print­ed on a prog­ram card for a ser­ies of sim­i­lar meet­ings at Ox­ford in Oc­to­ber 1874. - cyberhymnal

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The following is his sharing on Hebrews 8:10-12

We all need two conversions. First of all, we need to be converted from the natural man to the spiritual man, and in the second place, we need to be converted from the spiritual man to the natural man, until the spiritual man becomes a natural life, and the burden is opportunity and the bondage is delight.

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Heidi

Seattle, WA, United States

Dez 7, 2014

Beautiful & touching hymn. I want to comment that I am a young person & using old terms like "thee" does not take away any meaning for me. Please share with young people :)

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Pamela McLay-Hendeson

Melbourne, Victoria, Australia

Nov 12, 2014

Dear Katie, (Warragul Vic) et al.

I am an experienced teacher and I could not agree more with you!

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Anonymous

Sep 25, 2014

To follow up on what Katie has mentioned, linguistically speaking, "Thee" is actually the informal way of saying "You." Overtime, the English language has kept the formal and dropped the informal. But this just shows how close we are to the Lord, and what a friend He is to us!

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Katie Peken

Warragul, Vic, Australia

Dez 13, 2013

There is not much in this that young people can't understand. I suggest a quick explanation, that this song was written a long time ago by someone who loved Jesus as much as we do today, and back then a person talking to one other person called them 'thee' instead of 'you'. We mutilate a lot of beautiful hymns in the name of making them accessible, often the result changes the very theology not to mention disrespecting the hymn writer's intentions. I think younger people are more able to accommodate than we give them credit for being. And after all, you and I can understand 'thee', but it hasn't been in use in our lifetime either!

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