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我的詩歌列表

關於簡譜

數字就是音階中的音

簡譜(Jianpu,简谱)用數字而不是五線譜上的音符來記錄旋律。不需要先學過樂理:一次學一個小步驟,並在任何例子上按播放,邊聽邊看每個數字依序亮起。只有按下播放才會發出聲音。

簡譜不用五線譜上的音符,每個音都寫成 1 到 7 的數字。它們就是你早已熟悉的音階七個級:do re mi fa sol la ti。7 之後,音階又從 1 重新開始。

七個數字和它們的唱名。按播放,每當數字亮起就唱出它的唱名。
跟著唱:do re mi fa sol,再唱回 do。

只要會唱 do re mi,就已經會唱 1 到 7 的每一個數字。點一下任何數字,就能單獨聽到那個音。

「1=C」告訴你從哪裡開始

譜面左上方會看到像 1=C 這樣的標示,這叫做首調:數字 1(do)就是 C 音,其他數字都由它往上數。1=G 表示 do 是 G,整首曲子就高了一些。其他都不變:同樣的數字畫出同樣的旋律形狀,只是整體變高或變低。

1=C:do 就是 C。
1=G:同樣的數字,從較高的音開始。

找不到 C?在鋼琴上,它是兩個黑鍵左邊的那個白鍵。你也可以不管字母,從自己嗓音舒適的音開始唱:旋律只要保持形狀就好。詩歌頁面上的 − 和 + 調號按鈕可以幫你移調。

圓點讓音變高或變低

數字上方加一點表示高八度,下方加一點表示低八度,兩點就是兩個八度。沒有圓點就是中音區,也就是大部分旋律所在的音域。唱名不變,只是音高改變。

同一個數字的三種高度:下方加點、不加點、上方加點。
一段往上爬的旋律:從低音 sol 開始,到高音 do 結束。

每個音唱多久

用腳穩穩地打拍子,每打一下就是一拍。單獨的數字是一拍,所以每打一下就唱一個新的數字。增時線、減時線和附點會改變這個長度。

單獨的數字是一拍

四個數字、四拍:每打一下拍子唱一個數字。

增時線(短橫線)讓音拉長

每一條短橫線多加一拍。5 唱兩拍,3 唱四拍。

下方的減時線讓音變短

一條底線是半拍,所以兩個帶底線的數字合起來是一拍。(兩條底線是四分之一拍。)

附點讓音延長一半

數字後面的附點再加上它一半的長度。第一個 5 唱一拍半,短短的 3 補滿第二拍。

0 表示休止符

0 是休止符,停頓一拍。繼續數拍子、繼續打拍子,但不要唱。0 後面的增時線會讓停頓變長,就像它讓音拉長一樣。

唱 1 3 5,安靜一拍,再唱下來。休止符也會亮起,讓你感受到停頓。

小節線與拍號

直立的線把音樂分成一個個小節,每個小節的拍數都一樣。開頭的兩個小數字叫拍號,例如 4/4 或 3/4,說明每小節有幾拍:4/4 是每小節四拍,3/4 是三拍。每小節的第一拍最強,唱的時候稍微加重。一條粗細並列的雙線表示結束。

4/4:數 1 2 3 4,1 2 3 4。每小節的第一拍聽起來稍微大聲一點。
3/4:數 1 2 3,1 2 3,像圓舞曲的感覺。

弧線:延音線與連音線

數字上方的弧線把它們連在一起。如果連接的是兩個相同的數字,這是延音線:只唱一次,並把兩個音的長度合起來唱。如果連接的是不同的數字,這是連音線:這些音唱在同一個字上,從一個音滑到下一個音。

延音線:5 只唱一次,延續過小節線,一共六拍。
連音線:「祂」這個字唱兩個音,先 3 再 2。

歌詞寫在數字下面

每個數字對應一個音節(中文是一個字),寫在它的正下方。字詞中間的短橫線表示這個詞還沒唱完,下一個數字繼續唱。如果某個數字下面沒有字,它屬於弧線或增時線:繼續唱目前那個字。

由左到右閱讀,每個數字對應一個字:一閃一閃亮晶晶。

反復記號與 1. 2. 結尾

帶兩個圓點的小節線 :| 表示回頭,從對應的 |: 記號(如果沒有,就從頭)再唱一遍。有時反復會有兩個結尾:第一次唱第 1 結尾;反復時跳過它,改唱第 2 結尾。

播放看看:你會聽到第 1 結尾、反復,再接第 2 結尾。注意亮起的位置會跳回去。

小調:「6=A」

小調的歌聽起來通常比較莊重或溫柔,譜面標示的是像 6=A 這樣的記號,而不是 1=C。它表示數字 6(la)是主音,這裡是 A。數字的唱名不變;旋律只是以 6 為歸宿,常常也在 6 結束。6=A 與 1=C 使用相同的音。

從 6(la)開始,也在 6 結束,也就是主音。聽聽它比較暗的色彩。

綜合練習:一句詩歌

這是詩歌第 8 首「Praise God, from whom all blessings flow」第一句的簡譜寫法。先用慢速試試,每當一個數字亮起就唱出對應的歌詞。

1=G,4/4 拍。先休止三拍,第 4 拍唱「Praise」。7、6、5 下方的圓點表示這幾個音低八度。

自我檢測

四個小問題,不計分也沒有壓力。點選答案就能立刻看到對錯的原因,隨時都可以改選別的答案。

點選持續最久的數字。

點選比第一個 5 高八度的 5。

0 是什麼意思?

在 1=G 之下,數字 1 是哪個音?

在詩歌上試試看

你是從有簡譜檢視的詩歌打開這份指南的,所以現在就可以試試。

  1. 看看譜面左上方:調號,例如 1=D,以及拍號,例如 3/4。
  2. 找到第一個數字,把它唱出來。然後由左到右跟著數字,看下面的歌詞,每個數字唱一個字。按播放器裡的播放,邊看邊聽錄音。
  3. 數字上方的字母(C、G7)是給吉他或鋼琴用的和弦。學旋律的時候可以先不管它們。
  4. 想要有人帶著你唱,請打開學習頁籤並按播放。在顯示裡把學習記譜法設為簡譜(或先在和弦譜頁籤選簡譜)。有簡譜行的詩歌,每一行數字會隨著錄音捲動到畫面上,同時跳動的小球跟著歌詞走;其他詩歌則會在那裡顯示鋼琴譜。用速度選單可以放慢。

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Our times are in Thy hand

Comfort in Trials By the Lord’s Hands

English681
1
Our times are in Thy hand;
O God, we wish them there;
Our lives, our souls, our all, we leave
Entirely to Thy care.
2
Our times are in Thy hand:
Whatever they may be;
Pleasing or painful, dark or bright,
As best may seem to Thee.
3
Our times are in Thy hand;
Why should we doubt or fear?
A father’s hand will never cause
His child a needless tear.
4
Our times are in Thy hand;
Jesus, the Crucified,
Whose hand our many sins have pierced,
Is now our guard and guide.
5
Our times are in Thy hand;
We’ll always trust to Thee,
Till we possess the promised crown,
And all Thy glory see.

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Maria L

Fremont, California, United States

二月 21, 2026

Matt. 6:31 Therefore do not be anxious, saying, What shall we eat? or, What shall we drink? or, With what shall we be clothed?

6:32 For all these things the Gentiles are anxiously seeking. For your heavenly Father knows that you need all these things.

6:33 But seek first His kingdom and His righteousness, and all these things will be added to you.

How wonderful it is to live the Christian life today, a life of no anxiety but full of the enjoyment of Christ! Hallelujah 😀

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David Daisi Ajayi

Ado-Ekiti, Ekiti, Nigeria

二月 20, 2026

My times are in Your hand oh God! All that I have, my visions, my desires, my passion, my future and my eternity. Let me live the rest of my life walking with You in holiness.

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Harvey E. Vansciver

Linwood, New Jersey, United States

三月 12, 2018

In 1979, I wrote a poem based upon Psalm 31:15 for the 100th Anniversary of First United Methodist Church, Asbury Park, NJ, where I was pastor. The words were set to music by the late Ross Hastings, who at the time was Staff Arranger and Orchestrator for the Hollywood Bowl Pops. The hymn was copyrighted and published by Bourne Music Publishers, NYC, in 1980.

In addition to the hymn tune "Asbury," Mr. Hastings prepared a festival anthem arrangement which was first performed by the 500 voice Ocean Grove (NJ) Festival Choir on July 12, 1981.

The hymn text is as follows:

1. O God of days gone by, Who led our fathers here,
Who gave them hope and strength and love,
Through all the passing years,

Chorus: Our times are in thy hands; our lives belong to thee,

Thou God of now and yesterday And all that still shall be

2. O God, thou God of now, We hear thy voice and heed

Thy call to serve in such a time Of hopelessness and need

Chorus:

3. O God of days to come, We pledge to thee our best,

To live and serve in Jesus' name As long as life shall last

Chorus:

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Bmccoy

Houston, TX, United States

七月 7, 2017

AMEN!!!! We Are Thine Oh, Lord!!!

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Steve Miller

Detroit, Michigan, United States

二月 8, 2017

Dr. Milan is best known for giving the inspiration to Charlotte Elliott to write the hymn "Just as I am". He wrote the music for this hymn and "Take My Life and Let it Be":

One of the most brilliant pastors of the Evangelical Movement of his day and perhaps of all time was Dr. Cesar Malan. Dr. Malan was converted after he had been an ordained minister of the Reformed Church for almost 3 years. Ridiculed and expelled from his church, he was faithful to his Lord and Savior. He held meetings in Great Britain and many were brought to know Christ as their personal Savior through his ministry. It was a statement by Dr. Malan that resulted in the conversion of Miss Charlotte Elliott and later inspired her to write her hymn, "Just as I Am", that has touched the hearts of thousands.

Henri Abraham Cesar Malan was born at Geneva, Switzerland. His father, J. I. Malan, though of Huguenot background was one of the free thinkers of his day. He had money and influence and no time for the Bible. In spite of his father's opposition to the church, Cesar chose the Genevan Reformed Church as a career, and his father need have no qualms about that choice. He wrote, "During my 4 years of theology at Geneva College, I never heard a single word that would lead me to a belief in Christ's divinity." For the New Testament was not required reading.

It was some 3 years after his ordination that Dr. Malan was himself truly converted. He was invited to fill the pulpit of a young pastor in a village near Geneva. After the service the pastor, with tears in his eyes, spoke to Malan. "Monsieur, it appears that you do not know that to convert others you must be converted yourself." Dr. Malan did not know nor understand. This Doctor of Divinity, who spoke only Latin with his eldest son and always read the Scriptures in the original, did not comprehend conversion.

Then came the great transformation. He was reading the 2nd chapter of Ephesians. "When I reached the words: 'For by grace are you are saved through faith, and that not of yourselves, it is the gift of God', the very book seemed afire. I was so moved I had to leave the room. I walked about the College court (he was teaching at Geneva College at the time) saying to myself, 'I am saved, I am saved!'." He said his conversion was like the feeling of a child being awakened by its mother's kiss.

On Easter Sunday, 1817, Rev. Malan made his decision to tell the world of his conversion to Christ. He tells of this experience: "The Church of the Madeleine, Geneva, was too crowded. This enhanced the solemnity of the appeal which, for the first time, I addressed to the conscience of unbelievers and pharisees. They listened at first in profound silence, but the calm was of surprise and disgust. Murmurs arose. Pointing to a wall on the right of the pulpit, I said: "If at this moment the hand, that once in Babylon wrote silently the death-doom of a vicious king, should come out on this wall and write the story of your life and if the lines should declare what you have done and thought in the secret of your hearts, which of you would dare to lift his eyes?"

At this moment many gazed at the wall and others shrugged their shoulders. There was a movement of anger. When the service ended, not one would shake his hand and wish him well. His parents turned against him and his wife was grieved. The pastors of Geneva drew up a paper for all clergy to sign. They were asked to pledge not to preach on original sin or salvation by grace and faith. Dr. Malan was barred from the pulpits of Geneva. Later he was expelled from the Reformed Church of Switzerland. The dreadful indictment against him was that "He substituted the Bible for the manual of religion."

Malan left Geneva and settled in Ferney-Voltaire, home town of the unbeliever Voltaire. He wrote various tracts which were translated into many languages. Visitors from many lands came to hear him.

Through his writings, Dr. Malan became acquainted with the Rev. Mr. Elliott, Vicar of Clapham, London. On more than one occasion he was a guest in the Elliott home, the vicarage, at Clapham. On one occasion Dr. Malan ventured to speak to Mr. Elliott's young daughter, Charlotte, about her soul. At first Charlotte resented his questions, but later, under conviction, asked the elderly pastor how she could go to Jesus for mercy. It was the reply, "Come just as you are", that resulted in her conversion and inspired her some years later to write the hymn, "Just as I Am, Without One Plea".

Dr. Cesar Malan made a short visit to Hendon, London, and while here wrote a hymn-tune which he gave the title "Hendon". This hymn is found in many hymn books and is one of the most popular tunes to which Frances Ridley Havergal's hymn, "Take My Life and Let It Be Consecrated, Lord to Thee", is sung.

Shortly before Dr. Malan passed away, he asked his son to repeat the 23rd Psalm with him. His son began in Latin, but the elderly saint smilingly said, "In Hebrew, in Hebrew!" Shortly after he repeated this psalm he went to be with the Shepherd, in his 78th year. - 'More Living Hymn Stories' by Wilbur Konkel

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Dorothy Renaud

Trenton, Ontario, Canada

三月 22, 2015

My 1st cousin, 3x removed, ELLIS HARRISON, of Clays Farm, Wrexham, Wales recited this hymn at St. Mary's Parish on the 16th June 1877.

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