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我的詩歌列表

關於簡譜

數字就是音階中的音

簡譜(Jianpu,简谱)用數字而不是五線譜上的音符來記錄旋律。不需要先學過樂理:一次學一個小步驟,並在任何例子上按播放,邊聽邊看每個數字依序亮起。只有按下播放才會發出聲音。

簡譜不用五線譜上的音符,每個音都寫成 1 到 7 的數字。它們就是你早已熟悉的音階七個級:do re mi fa sol la ti。7 之後,音階又從 1 重新開始。

七個數字和它們的唱名。按播放,每當數字亮起就唱出它的唱名。
跟著唱:do re mi fa sol,再唱回 do。

只要會唱 do re mi,就已經會唱 1 到 7 的每一個數字。點一下任何數字,就能單獨聽到那個音。

「1=C」告訴你從哪裡開始

譜面左上方會看到像 1=C 這樣的標示,這叫做首調:數字 1(do)就是 C 音,其他數字都由它往上數。1=G 表示 do 是 G,整首曲子就高了一些。其他都不變:同樣的數字畫出同樣的旋律形狀,只是整體變高或變低。

1=C:do 就是 C。
1=G:同樣的數字,從較高的音開始。

找不到 C?在鋼琴上,它是兩個黑鍵左邊的那個白鍵。你也可以不管字母,從自己嗓音舒適的音開始唱:旋律只要保持形狀就好。詩歌頁面上的 − 和 + 調號按鈕可以幫你移調。

圓點讓音變高或變低

數字上方加一點表示高八度,下方加一點表示低八度,兩點就是兩個八度。沒有圓點就是中音區,也就是大部分旋律所在的音域。唱名不變,只是音高改變。

同一個數字的三種高度:下方加點、不加點、上方加點。
一段往上爬的旋律:從低音 sol 開始,到高音 do 結束。

每個音唱多久

用腳穩穩地打拍子,每打一下就是一拍。單獨的數字是一拍,所以每打一下就唱一個新的數字。增時線、減時線和附點會改變這個長度。

單獨的數字是一拍

四個數字、四拍:每打一下拍子唱一個數字。

增時線(短橫線)讓音拉長

每一條短橫線多加一拍。5 唱兩拍,3 唱四拍。

下方的減時線讓音變短

一條底線是半拍,所以兩個帶底線的數字合起來是一拍。(兩條底線是四分之一拍。)

附點讓音延長一半

數字後面的附點再加上它一半的長度。第一個 5 唱一拍半,短短的 3 補滿第二拍。

0 表示休止符

0 是休止符,停頓一拍。繼續數拍子、繼續打拍子,但不要唱。0 後面的增時線會讓停頓變長,就像它讓音拉長一樣。

唱 1 3 5,安靜一拍,再唱下來。休止符也會亮起,讓你感受到停頓。

小節線與拍號

直立的線把音樂分成一個個小節,每個小節的拍數都一樣。開頭的兩個小數字叫拍號,例如 4/4 或 3/4,說明每小節有幾拍:4/4 是每小節四拍,3/4 是三拍。每小節的第一拍最強,唱的時候稍微加重。一條粗細並列的雙線表示結束。

4/4:數 1 2 3 4,1 2 3 4。每小節的第一拍聽起來稍微大聲一點。
3/4:數 1 2 3,1 2 3,像圓舞曲的感覺。

弧線:延音線與連音線

數字上方的弧線把它們連在一起。如果連接的是兩個相同的數字,這是延音線:只唱一次,並把兩個音的長度合起來唱。如果連接的是不同的數字,這是連音線:這些音唱在同一個字上,從一個音滑到下一個音。

延音線:5 只唱一次,延續過小節線,一共六拍。
連音線:「祂」這個字唱兩個音,先 3 再 2。

歌詞寫在數字下面

每個數字對應一個音節(中文是一個字),寫在它的正下方。字詞中間的短橫線表示這個詞還沒唱完,下一個數字繼續唱。如果某個數字下面沒有字,它屬於弧線或增時線:繼續唱目前那個字。

由左到右閱讀,每個數字對應一個字:一閃一閃亮晶晶。

反復記號與 1. 2. 結尾

帶兩個圓點的小節線 :| 表示回頭,從對應的 |: 記號(如果沒有,就從頭)再唱一遍。有時反復會有兩個結尾:第一次唱第 1 結尾;反復時跳過它,改唱第 2 結尾。

播放看看:你會聽到第 1 結尾、反復,再接第 2 結尾。注意亮起的位置會跳回去。

小調:「6=A」

小調的歌聽起來通常比較莊重或溫柔,譜面標示的是像 6=A 這樣的記號,而不是 1=C。它表示數字 6(la)是主音,這裡是 A。數字的唱名不變;旋律只是以 6 為歸宿,常常也在 6 結束。6=A 與 1=C 使用相同的音。

從 6(la)開始,也在 6 結束,也就是主音。聽聽它比較暗的色彩。

綜合練習:一句詩歌

這是詩歌第 8 首「Praise God, from whom all blessings flow」第一句的簡譜寫法。先用慢速試試,每當一個數字亮起就唱出對應的歌詞。

1=G,4/4 拍。先休止三拍,第 4 拍唱「Praise」。7、6、5 下方的圓點表示這幾個音低八度。

自我檢測

四個小問題,不計分也沒有壓力。點選答案就能立刻看到對錯的原因,隨時都可以改選別的答案。

點選持續最久的數字。

點選比第一個 5 高八度的 5。

0 是什麼意思?

在 1=G 之下,數字 1 是哪個音?

在詩歌上試試看

你是從有簡譜檢視的詩歌打開這份指南的,所以現在就可以試試。

  1. 看看譜面左上方:調號,例如 1=D,以及拍號,例如 3/4。
  2. 找到第一個數字,把它唱出來。然後由左到右跟著數字,看下面的歌詞,每個數字唱一個字。按播放器裡的播放,邊看邊聽錄音。
  3. 數字上方的字母(C、G7)是給吉他或鋼琴用的和弦。學旋律的時候可以先不管它們。
  4. 想要有人帶著你唱,請打開學習頁籤並按播放。在顯示裡把學習記譜法設為簡譜(或先在和弦譜頁籤選簡譜)。有簡譜行的詩歌,每一行數字會隨著錄音捲動到畫面上,同時跳動的小球跟著歌詞走;其他詩歌則會在那裡顯示鋼琴譜。用速度選單可以放慢。

在獨立頁面開啟本指南

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O God! we see Thee in the Lamb

Worship of the Father His Redemption

English37
1
O God! we see Thee in the Lamb
To be our hope, our joy, our rest;
The glories that compose Thy name
Standing engaged to make us blest.
2
Thou great and good! Thou just and wise!
Hail! as our Father and our God!
For we are Thine by sacred ties,
Thy sons and daughters—bought with blood.
3
Then, Oh! to us this grace afford,
That far from Thee we ne’er may move;
Our guard—the presence of the Lord;
Our joy—Thy perfect present love.
4
This gives us ever to rejoice,
Turning to light our darkest days;
And lifts on high each feeble voice,
While we have breath to pray or praise.

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Un Hermano

八月 14, 2025

SEEING CHRIST AND LIVING BY HIM

We all have a concept of the physical things in creation. Even such a concept may frustrate us from enjoying Christ and growing in Him. It is crucial for us to realize that we can see Christ in all the items of creation. We need to drop our concept of the heavens, the earth, and the physical things; we need to see that Christ is the firstborn of the old creation and the firstborn of the new creation. Hence, Christ is everything; He is all-inclusive. Seeing that Christ is everything, we need to have the realization that this Christ is in us to be our hope of glory. What we need today is to grow in Him unto maturity.

Life-study of Colossians

message 34 (LSM)

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Un Hermano

八月 14, 2025

SWALLOWED UP BY CHRIST AS GLORY

Contrary to the religious concept, our glorification will not be a sudden event. Rather, it will take place gradually as Christ expands within us and saturates us with Himself. Christ glorifies us as He “eats us up” little by little. We all need to be eaten, devoured, swallowed up, by Christ as the glory within us. Within us we have Christ not only as our life and our person, but also as the very glory of God.

We may use the metamorphosis of an ugly caterpillar into a beautiful butterfly as an illustration of glorification. A caterpillar is not instantaneously transformed into a butterfly by a beauty that suddenly descends upon it and envelops it. No, the beauty of the butterfly is contained within the life of the caterpillar. As the law of this life functions within the caterpillar, the caterpillar is gradually transformed into a butterfly. As this process takes place, the beauty of the butterfly swallows up the ugliness of the caterpillar.

In the same principle, Christ is in us to be our hope of glory. As the indwelling glory, He takes every opportunity to expand within us. The inner glory saturates us and even swallows us up. One day our entire being will be saturated with the divine glory. On that day we shall be brought into glory in a full way.

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Ana Lara

United States

十一月 28, 2019

Dr. Isaac Watts was the grandson of a British naval commander, Thomas Watts, who was blown up with his ship in a war with the Dutch. His father Isaac Watts Sr. showed his courage in a different field. He was the deacon in the Congregationalist church and suffered persecution for not conforming to the Church of England. Just about this time, on July 17th, 1674, young Isaac Watts was born. His father was in prison for having kept his stance against the ritual practices of the Anglican Church and his mother would bring young Isaac to sit on a stone near the gate just to get a glimpse of her husband and give him a glimpse of his son. In 1688 William, Prince of Orange, came from Holland to sit on the British throne, and from then on persecution and executions ceased. This brought a brighter time for believers who did not conform to the Church of England.

Dr. Watts is considered the “father of hymnody” and the originator of good Christian hymns. Before his time the only singing in the English and Scottish churches took the form of crude versions of the Psalms. Once he expressed his dislike of the crude singing and was challenged—-“ Give is something better, young man! ” That very day he wrote the hymn:

“ Behold the glories of the Lamb
Amidst His Father’s throne;
Prepare new honors for His Name
And songs before unknown. ”

We do not know how his heart was opened to receive Christ, but we see in hymn 101 how precious Christ was to him:

When We survey the wondrous cross
On which the Lord of glory died,
Our richest gain we count but loss,
And pour contempt on all our pride.

Originally this was written in the personal pronoun “I” instead of “we”, but collective singing in the assembly of Mr. Darby revised it to the plural.

Dr. Watts was only 5 feet in height and slight of build and was sickly most of his life. When he was young he proposed marriage to Miss Elizabeth Singer, but she rejected him with this remark, “While I love the jewel— his excellent mind and character—I do not admire the casket that contains it. ” Isaac Watts never married.

Worn out by weakness and labor, he simply ceased to live on November 25, 1748.

Hymnal. net contains numerous hymns written by Dr. Watts.

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Carol S. Tusomi

Puna, Hawaii, United States

三月 8, 2009

These old songs bring sweetness to my ears and soul, because the word says in the last days man's heart will turn wax cold.

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