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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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日近一日

盼望與豫備

Chinese930
1
日近一日,恩主耶穌快回來;
贖回光陰,勿讓今生空白。
精明童女儆醒豫備不稍怠,
切切等候面見新郎風采。
 
當祂來臨,我們是否正等待?
己的糾纏,是否脫離無礙?
何等巴望被提進入祂同在,
享受婚筵,作祂新婦、至愛!
2
主,助我們,黃金歲月全贖回;
屬天膏油,器皿裏常豫備。
每一試煉,都知是你所量給,
使你加多,你愛更顯豐沛。
 
主必快來,現今每刻都寶貴;
被靈充滿,買油應當加倍。
苦難試煉,放膽迎接毫不畏;
今雖傷痛,那日國度甘美。
3
主,轉我們,屬魂享樂不留戀,
惟注視你溫柔,美麗榮臉。
保守我們,奔跑賽程不困倦,
忍耐到底,直至見你顯現。
 
當主來臨,能否被提到祂前?
能否見祂,坐席享受婚筵?
應當儆醒,無一刻鬆懶隨便;
朝思暮想,惟盼新郎歸旋。
4
同眾童女,歡喜出去迎新郎;
靈裏焚燒,燈都發光剔亮;
器皿充滿,眼目注視祂榮光,
與祂同在,完全滿足歡暢。
 
完全滿足─新郎新婦永同享;
完全滿足─直到永世無疆!
何等安息!喜樂、恩愛又輝煌,
永世對耦,福樂盈溢無上!

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John

Taipei, Taiwan

Jun 23, 2026

新郎新婦永同享:正確

不僅享受千年國與主一同作王;更一直享受祂直到永世。

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Zeyun

Duarte, CA, United States

Mar 19, 2026

阿里路亚!主必快来!

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John

Taipei, Taiwan

Dec 13, 2023

Amen!

能迎接新郎的童女乃是得勝者,從千年國即享受主的同在,直到新天新地、直到永遠。

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Benjamin

Taipei, Taiwan

Aug 5, 2018

我又看見聖城新耶路撒冷由神那裏從天而降,豫備好了,就如新婦妝飾整齊,等候丈夫。 啟示錄 21:2

新郎新婦不止於千年國而是直到永遠

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Grace

高雄

Nov 1, 2017

可12:30 我要全心,全魂

全心思並全力,愛主我的神。

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Anonymous

Taiwan

Jul 6, 2016

新郎新婦永同享:錯誤;千年國只有一千年。

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