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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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一路跑盡

追求與長進

Chinese424
1
我們有當跑的路,
阿利路亞!
當一路跑盡,莫停下!
對所有在跑的人,
阿利路亞!
神說:
『當望斷及於祂!』
 
當望斷以及於祂!
一路跑盡,莫停下!
望斷一切身外物,
注視耶穌,
當望斷一切及於祂!
2
望斷周遭的事物,
阿利路亞!
當望斷擾嚷與掙扎;
專一注視安息主,
阿利路亞!
當望斷一切及於祂!
3
望斷起伏的心緒,
阿利路亞!
別管你自己好或差;
專一注視那標竿,
阿利路亞!
當望斷一切及於祂!
4
望斷背後的一切,
阿利路亞!
好或壞完全不管它;
持守那位活的主,
阿利路亞!
當望斷一切及於祂!
5
專一注視祂榮臉,
阿利路亞!
祂是阿拉法、俄梅嘎;
領受恩典向前跑,
阿利路亞!
當望斷一切及於祂!

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John Wick Ting

Miri, Sarawak, Malaysia

Dec 15, 2025

當望斷以及於祂!
一路跑盡,莫停下!
主啊!秘诀就是要望斷一切身外物,
注視耶穌,
當望斷一切及於祂

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許展榕

台北市

Apr 23, 2024

每次唱到這首詩歌,靈裏都會很挑旺

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高越

台北

Mar 14, 2024

特会时唱的诗歌,好感动!

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Paul Lin

Taipei, Taiwan

May 10, 2019

『所以,我們既有這許多的見證人,如同雲彩圍著我們,就當脫去各樣的重擔,和容易纏累我們的罪,憑著忍耐奔那擺在我們前頭的賽程,』來十二1

『望斷以及於耶穌,就是我們信心的創始者與成終者;祂為那擺在前面的喜樂,就輕看羞辱,忍受了十字架,便坐在神寶座的右邊。』來十二2

12籃:

向著國度路程的奔跑,最怕的就是疲倦灰心。『疲倦灰心,』可譯作『魂裏疲倦沮喪』。魂是人情感、心思、意志的機關。魂裏疲倦沮喪,意思就是魂沒有力量。意志痿痺了,感覺冷淡了,思想沒有興趣了,甚麼好像都是空的,甚麼都聽其自然,『將來冠冕聽命運!』在這個奔跑裏,最大的試探,就是當反對的事物蝟集的時候,好像招架不住了,便放鬆了一切,不再認真的奔跑,去得天上的冠冕。

但願我們都作賽跑的人。但願我們都奔跑一直到路終。就是在我們奔跑的時候,受了傷,受了人的頂撞,受了人的誤會,受了人的厭棄,我們還應當因著主耶穌的緣故,打起精神,不疲倦的依然往前奔去。在賽跑中,有誰最得人的稱讚呢?就是那受了傷,起來再跑,結果得了第一的人,這人必使人稱讚不已。所以,受傷不成問題,受苦不成問題,就是好像要失敗了也不成問題,跌倒了再起來跑,仍是最好的。弟兄姊妹們,今天我們都在路上,甚麼都算不得數,到了路終纔有定評,我們不必因任何的緣故而自暴自棄,而疲倦灰心。我們要仰望為我們信心創始成終的耶穌,奔那擺在我們前頭的路程!

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