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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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惟一最愛是你

愛慕耶穌

Chinese345
1
主耶穌,你是我至愛,
我全心歸你不他依;
天地間有何能與你比擬?
神而人者,你最美麗!
真渴望消失在你裏,
當你柔聲入我心底;
前我所眷戀,今歡然撇棄,
只願愛你─全心全意。
 
世上有誰像你如此美麗?
人間有何與你愛情能比?
哦,聖中之聖,你竟住我裏;
主耶穌,我深深愛你!
不願再受欺,不願再任意;
惟願脫自己,只被你充溢;
你以外,哦,讓一切都絕跡;
我惟一的最愛是你。
2
主耶穌,你是我至愛,
雖我曾頑梗又悖逆,
今放下一切,你前來侍立,
只願像你那樣無己。
真渴望活著就是你,
順從神旨,不憑己意;
與你心合拍,只要你所喜;
掙扎全停,盡是安息。
3
主耶穌,你是我至愛,
你與我永遠不分離;
你同在是我氣息、
我動力,你的笑臉是我欣喜。
真渴望你前吐心意,
愛你、事你,聯結依依;
親愛主,我的永分就是你,
你的來臨是我所期。

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Alice

Maryland, United States

Nov 17, 2019

這是我弟兄在世時最喜愛的一首詩歌,到他被主接去前我們為他唱著的詩歌。每唱到這首,我的眼淚就不斷地留下,主啊!我們愛祢!除祢以外,哦讓一切都絕跡,我唯一的最愛是祢!主愛世上屬祂的人就愛他們到底,聖中之聖如今住我裏,在我的生命裏唯願脱自己只被祢充盈!

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Dale Chen

Taipei, Taiwan

Oct 5, 2019

我們在廖弟兄家唱這首 主祢是我至愛

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Ah Jack

Sarikei, Sarawak, Malaysia

Aug 30, 2019

主,你的爱,是最美丽的。阿门。

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Ethan Tang

Chapel Hill, North Carolina, United States

Jul 1, 2019

至美的旋律,适合排练合唱。

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Jolin

Kuching, SK, Malaysia

Apr 19, 2019

主耶稣 惟一最愛是你

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Jessie Zhang

Chino Hills, United States

Jan 26, 2019

我们小排老爱点这首歌,越唱越喜乐。曲调很容易上口,感谢主耶稣,我们的至爱!

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戴子恬

Taichung, Taiwan

Jan 16, 2019

主阿!我真愛你... 我好喜歡這首詩歌阿!讚美主

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Yuming Fu

Irvine, CA, United States

Dec 11, 2018

一首每一次都能让我泪流满面的诗歌 每每唱到“世上有谁像你如此美丽 人间有何与你爱情相比” 都能感觉到主在我里面一遍又一遍的说 啊我爱你 我爱你 我也一遍流泪一边说 主啊我也爱你 是爱让我们永不分离 我唯一的最爱是你❤️

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Gene Chen

Kaohsiung City, Taiwan

Oct 3, 2018

祢以外,哦,讓一切都絕跡;
我惟一的最愛是祢。
只願像祢那樣無己。
真渴望活著就是祢,
順從神旨,不憑己意;
與你心合拍,只要祢所喜;
掙扎全停,盡是安息。

Read more
Dale Cc Chen

Taipei, Taiwan

Apr 21, 2018

主用衪的愛柔聲呼喚我們

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