Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

主,你保守我心

愛慕耶穌

Chinese339
1
主,你保守我心永真誠,
絕不稍退後,時見你面容。
一心單純、清潔,只願面見你。
一心只愛你,只寶貝你自己。
 
你愛困迫,我願奉獻我所有,
你愛吸引,我心全向你倚投,
哦,何等權利,能將自己給你,
主,我愛你!親愛主!我只願深愛你。
2
主,使我愛向著你焚燒!
從來不熄滅,火熱不減少,
深願這愛向你,一生都顯耀;
新鮮如當日,初嘗你的上好。
3
主,得着我一生獻給你,
縱有命成千,歸你也願意。
無何保留為己,一切全爲你,
我命、我一生,愛主,願都為你。

Delete Comment

Delete this comment? This cannot be undone.

Tonia Zou

New Taipei, Taiwan

Aug 30, 2026

在姊妹的安息聚會接觸到這首詩歌,深願這愛向祢一生都顯耀,看見姊妹的生活為著主擺上

是的我主耶穌 我只願深愛祢

Read more
Hokazono Iroha

Nagoya, Aichi Prefecture, Japan

Nov 30, 2025

성경은 오늘날 우리에게 경고로서 하나님의 다윗에 대한 심판을 기록하고 있습니다(고린도전서 10:11). 우리는 하나님 앞에서 이 이야기를 진지하게 읽어야 합니다. 육체의 욕망에 빠지는 것은 심각한 문제라는 경고의 역할을 합니다. 다윗은 유혹을 받았고 단 한 번의 시선으로 스스로를 억제하는 것이 어려웠습니다. 주님 회복 안의 형제자매들은 이성에 관련된 문제에서 하나님을 위해 거룩하게 구별되어야 합니다.

Read more
Cindy

Taipei, Taiwan

Sep 14, 2024

主阿~
深願這愛向你,一生都顯耀;
新鮮如當日,初嘗你的上好。

Read more
Aquila

Albany, CA, United States

Jul 16, 2024

主,得着我一生献给祢,
纵有命成千,归祢也愿意。
无何保留为己,一切全为祢,
我命、我一生,爱主,愿都为祢。

Read more
鴻輝

Shreveport, Louisiana, United States

Dec 16, 2023

真愛 最愛 頭一次的愛

Read more
劉子立

Taiwan

Nov 13, 2023

主 我願一生全相你倚投

My heart will always be drawn to you.

Read more
程です

臺中市, 臺灣, Taiwan

Apr 19, 2023

哦~何等權利,能將自己給祢,

主,我愛祢!

Read more
Frank Xiao

Calgary, AB, Canada

Apr 1, 2023

My pleasure is Jesus my Lord

Read more
曹素珍

台北市, Taiwan

Feb 9, 2023

親愛主!保守我的心,向你祢永真誠

Read more
王姊妹

基隆市, Taiwan

Dec 22, 2021

親愛的主,我無能力愛你、奉獻自己,需要你愛來困迫、保守,感謝你

Read more