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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord Jesus, I long in Thy presence to live

Longings For Living in the Lord’s Presence

New Tunes389
1
Lord Jesus, I long in Thy presence to live,
From morning to evening my one world Thou art;
O let not my heart be contented or rest
When loving or seeking what with Thee doth part.
Each moment, each day, throughout suff’ring and pain,
When nought in the world can give comfort or cheer,
When sighing and weeping encompasses me,
Lord, still all my sighing and wipe every tear.
2
Each time when I dream of the goodness of life,
I pray Thee, dear Lord, that Thou in it may be;
O do not allow me to choose by myself,
Nor seek any pleasure that’s other than Thee.
Each night when alone in the stillness I lie,
I pray Thee, Lord Jesus, that Thou wilt be near;
Each morning ere dawn comes, while still in my sleep,
Then whispering call me and open my ear.
3
Each time, Lord, when reading in Thy holy Word,
I pray that Thy glory may shine on each line,
That clearly I’ll see what a Savior I have
And how great salvation that Thou hast made mine.
When helpless I come, Lord, to kneel at Thy throne,
I pray Thee to hear me and grant me Thy grace;
If thru my shortcomings Thou hear not my prayer,
Withdraw not Thy presence, O hide not Thy face.
4
Each time when of heavenly blessings I think,
O let my heart long to be raptured to Thee;
My only hope here is Thy coming again,
My only joy there, Lord, Thy presence will be.
Lord, teach me each day in Thy presence to live,
From morning to evening my one world Thou art;
O let not my heart be contented or rest
When loving or seeking what with Thee doth part.

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Vali Balla

Tirana, Albania

Jan 2, 2019

My only hope here is Thy coming again.

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Jemuel S.cinso

Agusan Del Sur, Philippines

Oct 12, 2013

LORD help me to realize that my only hope and joy is You no matter what happens...

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Karen Murray

Ann Arbor, MI, United States

Mar 14, 2013

Lord, teach me each day in Thy presence to live.

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Oreo D.

Toronto, ON, Canada

Sep 29, 2002

Hi sisters and brothers! My favourite hymn was #389 (new tune) for lots of good reasons, mostly personal. My school, PCA, (the 'C' is for Christian) just ended our Spiritual Emphasis Week, SEW for short. They're big on initials at my school. SEW at PCA meant that every day at lunchtime we would have a chapel, which is like the Saturday night meetings but a lot shorter. We would sing a couple of worship songs and then listen to a speaker speak about truth.

The speaker was 19 and he was really burning in the Lord! It was crazy. I spent the first chapel staring at him going 'wow.' I always have this concept that only people I meet with are really burning...but this guy totally put me to shame. He was really burning. I wish you guys could have seen him. Just him being there was an experience. I mean, I want God to use ME like that, too! It was crazy.

Now my school is old-school Christian, which means that many times the speakers are old, boring, and rich. You can see them coming up with their Bibles and their suits and you look around for something better to do because you know you don't really want to hear about their son who's a missionary in Africa. I know I'm overgeneralizing and exaggerating, but that's what it feels like sometimes. This guy was dressed the way we WOULD have dressed if the uniform wasn't manditory. He spoke like us. He goes to a public school! He could relate to us. He was like any other 19-yr-old, except that he was burning so hard for the Lord! Those chapels were really good experiences. I re-dedicated my life to the Lord, and I realized how little dedication there ever was in my heart for Him.

All of this is to explain why I suddenly wanted to follow the Lord so much more. So when I was flipping through the binder and I glanced at this song, I realized it said exactly what I want to say. Guys, I'm not more alive or more burning than anyone else. Trust me. I know. But I want to grow here! I want to hear the Lord! I want to see Him and I want to follow Him! This is the dedication I need to have renewed every day, every hour, and so do you. This is the reason we're here, is to run after the Lord and give Him everything, they way He gave everything for us. And sometimes, all it really takes is a song. I know you guys have morning revivals....in...the mornings...so maybe, you could try declaring this song, or just one verse, sometime during your time with the Lord. Y'know? This is the kind of song that lets God speak to you, and I know I need a lot of speaking. Amen!

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