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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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All my life long I had panted

Assurance and Joy of Salvation Satisfied with Christ

New Tunes325
1
All my life long I had panted
For a draught from some cool spring,
That I hoped would quench the burning
Of the thirst I felt within.
 
Hallelujah! I have found Him
Whom my soul so long has craved!
Jesus satisfies my longings;
Through His life I now am saved.
2
Feeding on the husks around me,
Till my strength was almost gone,
Longed my soul for something better,
Only still to hunger on.
3
Poor I was, and sought for riches,
Something that would satisfy,
But the dust I gathered round me
Only mocked my soul’s sad cry.
4
Well of water, ever springing,
Bread of life, so rich and free,
Untold wealth that never faileth,
My Redeemer is to me.

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Pauline Eversley

Staten Island, NY, United States

Jul 24, 2016

1978 this song speak to my spirit and touch my Heart. Today I just want to say thank You God for His love for me. For that day I was wondering what can I do to find joy and happiness peace and love for my life. Then Jesus spoke to me in a another song He look and live look to Jesus now and. Now I am doing just that. I'm looking to Him. Amen.

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Joshua Chang

Irvine, CA, United States

Feb 20, 2016

Hallelujah I have found Him!!!

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Ana Gonzalez

El Paso, Texas, United States

Jan 2, 2016

Hallelujah! I have found You! You are everything to me!! Continue growing within me so I can express only you!!! Oh Lord Jesus!!

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Sheena Shaw

Jamaica

May 26, 2014

I love to listen to the gaithers vocal band................. it is very inspiring!!!!!!!!!!

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Nelson Liu

Irvine, CA

Apr 29, 2014

The One who quenches our thirst, satisfies our hunger, gives us riches, empowers us, and loves us has found us! Hallelujah, we have found Him!

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Matthew Hearne

Oklahoma City, OK, United States

Mar 10, 2014

I just found this hymn for the first time in my home meeting. I could not get through it without welling up. These lyrics remind me of just how horrible life was without Him being my head. Only then, did I "really" began to experience that He has chosen me. Hallelujah He has found us!

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Marjeri

Philippines

Oct 30, 2013

I was refresh with this hymn. Indeed, He is the ONLY one that we need! :)

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Steve Miller

Detroit, MI, United States

Oct 12, 2013

In brief answer to Matthew 3/2012, Greg 5/2013 and James 10/2013 on why "blood" was changed to "life": I am not a spokesperson for the editors of this hymn, but I am a long standing member of a church that uses this hymnal. I personally do not agree with the change, but I can understand it. The reason "blood" was changed to "life" is because there is no verse that explicitly says we are saved by His blood. Blood takes care of the negative things. His life adds the positive things. We need both to be saved.

Rom 5:9 says "being now justified by His blood, we shall be saved from wrath through Him" - so we are saved from wrath by His blood. That is worth singing about. Rom 5:10 says that we are saved by His life, having been reconciled by His blood - so actually we are saved by both His blood and His life.

Since we need both His blood and His life to be saved, it is fine to say "saved through His blood" as well as "saved through His life". "Saved through His blood" is better in this song because it is a prerequisite to being saved through His life, and if you take "blood" away here, then neither the Lord's blood nor death is mentioned in the song. Abundant life is the result in the last verse.

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James Sanford

Orange, Texas, United States

Oct 1, 2013

True, the blood is taken from many songs these days. Satan is definitely having a hay day on planet earth.

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Sam

Iligan City, Lanao Del Norte, Philippines

Aug 24, 2013

Lord Jesus.... T_T

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