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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I cannot breathe enough of Thee

Praise of the Lord His Beauty

New Tunes172
1
I cannot breathe enough of Thee,
O gentle breeze of love;
More fragrant than the myrtle tree
The Henna-flower* is to me,
The Balm of Heaven above.
 
I cannot yield enough to Thee,
My Savior, Master, Friend;
I do not wish to go out free,
But ever, always, willingly,
To serve Thee to the end.
2
I cannot gaze enough on Thee,
Thou Fairest of the Fair;
My heart is filled with ecstasy,
As in Thy face of radiancy
I see such beauty there.
3
I cannot sing enough of Thee,
The sweetest name on earth;
A note so full of melody
Comes from my heart so joyously,
And fills my soul with mirth.
4
I cannot speak enough of Thee,
I have so much to tell;
Thy heart it beats so tenderly
As Thou dost draw me close to Thee,
And whisper, “All is well.”

Stanza 3 is used as the chorus.

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Peter Collins

Reading, Berkshire, United Kingdom

Feb 17, 2021

"Forgiven sinners only know the balm of Jesus name". As the healing spirit spreading into our wounded damaged soul He is too us the sweet balm of heaven above. Then spontaneously we yield to Him and enjoy Him in the divine romance. Gazing on Him as the fairest of the fair, Singing with the taste of sweetest , most lovely one... OH saints what can we speak? As He gains us for His bride we have so much to tell as He draws us ever closer in His loving tender embrace whispering all is well..

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Larry Langley

Kerrville, TX, United States

Sep 16, 2019

A balm is something that heals and comforts. The hymn writer uses personification--henna is a healing agent--the hymnist refers to Jesus as henna, which heals and comforts.

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S.C

Sydney, NSW, Australia

Apr 28, 2019

What is the Balm of Heaven?

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EG

NY, United States

Jun 12, 2014

When I first saw the henna flower I expected it to be outwardly beautiful... However, I realized later on that it is not recognized for its outward appearance but for its fragrance. This caused me to consider how our dear Lord Jesus, while on the earth, was not outwardly attractive yet drew a magnitude of people. Why? Well for sure it had nothing to do with His outward form (Isa. 53:2). It's because He is soooo attractive... like a sweet-smelling fragrance drawing us to Himself. His Person, how awesome! It's just who He is that captivated me/us. Nothing superficial—not even a trace. He is the God of this universe becoming a Man (John 1:1,14) in order to free us from the bondage of Satan, sin, the world, and even things that divide us and come into us to be our life and life supply to be enjoyed by us so that we could become His match! How we must depend on Him for everything. Praise the Lord for who He is to us!!! For drawing us to Himself, even attracting us with His beauty—His lovely Person!

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Phil Watson

Lake Forest, CA, United States

Mar 1, 2014

Responding to Anna: In Song of Solomon, the lover of Solomon (representing Christ) is likened to the rose of Sharon in 2:1, but Solomon himself is likened to the henna flower in 1:14. By 4:13, she has become like Christ, and he likens her to a fragrant garden. So it is more appropriate to liken Christ to the henna flower.

I searched for other online resources for the text of this hymn by William Spencer Walton, and could not find it. (Hymnal.net was #5 on Google search).

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Anna

Adelaide, Australia

Oct 28, 2012

I always thought the first verse was "more fragrant than the myrtle tree the ROSE OF SHARON is to me"??? What is with this the henna flower is to me???

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Charry Madarimot

Lakewood, ZDS, Philippines

Sep 10, 2011

Oh, it refreshes my consecration. I do not wish to go out free, but ever, always, willingly, to serve Thee to the end. He is the absolute One who can fulfill my consecration. Oh Lord Jesus.

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Adara Opeoluwa

Lagos, Nigeria

Oct 10, 2010

It is such a wonderful experience to know that God is beautiful (by our own words) am sure in the real sense we can't really find a word to qualify His handsomeness. His work also testify of the beauty of His ways. I love You Lord, Saviour of my soul.

I love this tune, it's as if it should never stop playing.......

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Charity Gicale

Marilao, Bulacan, Philippines

Aug 12, 2010

I love You, Lord Jesus!

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Su Jin Heo

Pomona, California, United States

Aug 5, 2008

This song has taught me that there cannot be too much of the Lord. We can enjoy Him eternally!

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