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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The day approaches; Jesus soon is coming

Hope of Glory Preparing for Christ’s Return

New Tunes1307
1
The day approaches; Jesus soon is coming.
Redeem the time; it must not slip away.
Lord, make us ready for the cry: “Behold Him!”
By using every moment of each day.
 
When Jesus comes, will we go in to meet Him?
When Jesus comes, will we from self have ceased?
He’s coming soon to take the wise ones with Him.
Oh, let us not be left outside the feast.
2
Lord, help us to redeem these golden moments;
Our vessels fill with ointment from above;
Help us amen each trial and tribulation;
Increase in us; make us abound in love.
 
He’s coming soon—these moments are so precious.
The oil is here—Oh, let us buy the more.
Amen the trials and welcome tribulations—
The kingdom’s ours through these afflictions sore.
3
Lord, ever turn us from our soulish pleasures
To gaze upon Thy tender, loving face.
Oh, keep us running forth to meet the Bridegroom
And patiently attending to the race.
 
When Jesus comes, will we be in His presence?
When Jesus comes, will we His face behold?
Oh, let us not return to sloth and folly,
But jealously His loving presence hold.
4
As His dear Bride, let us go forth to meet Him,
Our lamps well-trimmed, our fires burning bright,
Our vessels filled, our eyes set on His glory,
To be with Him completely satisfied.
 
Yes, satisfied—Christ and His Bride together.
Yes, satisfied—throughout eternity.
Oh, what a rest, what joy, what love, what favor
To be His Bride when He comes to His feast!

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Johanna

Nov 25, 2012

This is a beautiful song and helps one to think about the things that really matter. I'm curious as to who the author of the lyrics is. Would someone happen to know?

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Sharon Rose M. Tabugo

Iligan City, Lanao Del Norte, Philippines

Jun 3, 2012

This song indeed makes me cry. Oh, what a rest, what joy, what love, what favor to be HIs Bride when He comes to HIs feast. It will be a GLORIOUS DAY to be with our dear Bridegroom, a day that would last for eternity. I wanted to get married Lord, but I want to be Your Bride. I long for Your appearing. When I see Your glorious face I will seize that moment and make it last for eternity. I am nothing without You. That is why I long for that grandeur to be with You; a part of Your dear BRIDE on the wedding day.

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Samuel Y.

Arlington, TX, United States

Aug 9, 2011

I first heard this song after a major surgery when I was in the greatest pain. It reminded me that the most important thing is to gain more oil at every opportunity. One year later, I sang this song at a high school conference on "the kingdom". I realized that everything in the world is waste in comparison to the kingdom of the heavens. We should gain the Lord at every opportunity and overcome the world and our soul life so that we do not miss out on the one thousand year wedding feast. Otherwise, we will be in the outer darkness for one thousand years regretting that we did not take every opportunity to overcome. Saints, we should become overcomers during our lifetime in this age, instead of the one thousand years in the next.

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Boaz Lee

Fairfax, Virginia, United States

Apr 20, 2010

Jesus is coming. I'm fourteen, and I went to the NY conference. We should all prepare for the Lord's second coming. We can't waste anytime. We've already wasted enough of it. We just need to hasten His coming, and get prepared for it.

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Aliki Reddy

Athens, Greece

Nov 23, 2009

The time is now. Enjoy Him now. Love Him more now. Waste yourself on Him now. Don't let your circumstances be your excuse. We must overcome everything to have His presence now. Then, when He comes, it will not be strange. It will simply be the fullness of what we are already enjoying.

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Lorace Kang

Seoul, South Korea

Oct 10, 2009

Oh how sweet! I sang this song in the YP conference. Oh Lord Jesus, let us not be left outside the feast.

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Wendy Risso

United States

Sep 24, 2009

This song is very touching. I feel that I need to be prepared for His coming. Amen saints. We need to mature as His bride!

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Ray Wiseman

Columbus, Ohio, United States

Aug 9, 2009

Oh, may we jealously hold His presence now! I really consider this to be the essence of this hymn because our deepest desire is to remain in His presence to enjoy this organic union eternally! O how I love Him!

In Him,

Ray

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Liezel Totanes

Baguio City, Philippines

Jun 18, 2009

Praise the Lord! Let us redeem the time, let us pay the price buy the oil. Praise the Lord for Christ is coming for us. Hallelujah for such enjoyment!

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KN

California, United States

Apr 22, 2009

O Lord! Redeem the time! We must not let it slip away! Lord, prepare us day by day! Have mercy Lord! That we would pay the price to buy the oil in this age. We want to be found ready as Your bride when You come back!

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