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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Mary poured out her love offering

Experience of Christ Loving Him

New Songs99
1
Mary poured out her love offering
To many such love was a waste.
Throughout all of the centuries
Such lovers Your sweetness do taste.
Precious lives and heart treasures, too
Positions and golden futures,
Have been “wasted” on You, Lord;
Your sweetness a fragrance so sure.
She took opportunity
To love You; Lord, with her best.
Like her, Lord, I too would pour
My love and all that I have.
2
As I love You I set my being—
My spirit, my soul and body.
With my heart, my mind, and my strength,
Absolutely on Thee.
Lord, I let my entire being
Be occupied by Thee
As I enter in Your heart
I sense a fellowship sweet.
Occupied and lost in You;
My Lord, You’re my everything.
Fellowship so intimate;
In spirit Lord I enjoy Thee.
3
Lord there’s none in heav’n nor on earth
That I desire but Thee.
Though my heart and flesh faileth, Lord,
Thou ever my portion will be.
All is vanity, all is dung;
I count all other things loss;
Everything else drains my love
But You have captured my heart.
Lord, I’ve seen Thy preciousness,
Thy worth, Thy reality.
Now, my Lord, I must confess
My heart is only for Thee.

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Selah Pb

Cagayan De Oro City, Mis. Or., Philippines

Feb 28, 2013

LORD JESUS CHRIST, I love YOU...

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Rhoda De Soto

Sultan Kudarat, Philippines

Aug 12, 2012

Like Mary Lord, I too would pour my love and all that I have.

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Yenna

Sydney, Australia

May 19, 2012

She who has been forgiven much, loves much. Lord, I love You!

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Adam Last Adam

Indonesia

Mar 11, 2012

The story of Mary is that she loves the Lord Jesus to the uttermost by sacrificing her most precious treasure, all of her heart, and even all of her living and life. The story of Mary is revealing and proving of her response and expression from the story of Jesus.

The story of Jesus is that for God so loved the world, the worst evil men, that is you and me and Mary, that He gave His only begotten Son, that is Himself as Jesus, the very God-man, that every one who believes into Him would not perish, but would have eternal life, that is His life and nature not His Godhead.

Surely Mary believes that story of Jesus, and that makes her receive His eternal life, becoming her new life, her new story, her never ending love story with Him forever and ever.

What a marvelous story of love ever written! The story of mary and the story of Jesus!

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Bethany

Manalapan, NJ, United States

Nov 16, 2011

Mary poured her alabaster flask for the Lord. By doing so, she gave her past, present, and future to Him. To many, her offering, as well as the thousands of precious lives, heart treasures, high positions, and golden futures, were "wasted" upon Him; however, these offerings were not a waste but a fragrant testimony of His sweetness. This hymn reminds to me that I must do the same. Lord Jesus, I give my whole being to You!

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Sharon

Houston, Texas, United States

May 23, 2011

I love the Lord because He first loved me. Though I have failed Him, I am a trophy to His grace! She who is forgiven much, loves much, and He is everything to me. I read all the comments here and my heart rejoices in my brothers and sisters from all over the world. We are His bride! Come quickly Lord Jesus!

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Bernice Ranice Agustin

Quezon City, Philippines

May 14, 2011

Lord Jesus I love You. As Mary poured out her love to You, Lord, I offer my best love to You, Lord, giving myself to You, Lord, my heart captured by Your beauty. Possess me Lord JESUS. Lord, I long for Your coming. Oh Lord Jesus, preserve my first love to You, Lord, that You may capture me more as I live on this earth.

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Ann B

Rimrock, AZ, United States

Jan 21, 2011

O my soul, may my treasure be only Jesus. I come as a needy beggar, yet with boldness, to the Throne Room of Grace. Thank You, Jesus, that You ever live to make intercession on my behalf, You see each tear, You are touched with the feelings of my infirmities, Your love reaches the darkest corners and with You, nothing is impossible. Come, Maranatha.

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Nika

Manila, Philippines

Sep 21, 2010

There is really no one like our Lord Jesus in heaven nor on earth. I only desire Him and no one else! Because everything is vanity, dung, loss, and drains my love! He has captured our hearts. Thank the Lord that He has captured our hearts! Now I want to set my whole being absolutely on Him because I've seen His preciousness!

"Now my Lord I must confess, my heart is only for Thee!"

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Ray Wiseman

Columbus, OH, United States

Sep 19, 2010

This song is so touching because what really matters to us as believers in Christ is that we love Him and pour everything out for Him. His preciousness is worth it all! I appreciate this hymn very much because it constantly reminds me to come back to live in this divine romance with those who would be His Bride to bring Him back.

In Him,

Ray

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