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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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We are one in Christ

The Church Oneness

New Songs88
1
What a wonderful church life,
All the saints truly are one,
No matter where and who we are,
We are one!
Nothing can set us apart,
For we have the same life,
Although Satan tried and tried,
We are one!
 
We are, we are, we are one in Christ!
Abiding in the true vine,
Receiving all the riches of the life divine,
We are one!
We are, we are, we are one in Christ!
Growing in the tree of life,
In Him we fellowship unto eternal life,
We are one!
2
What a glorious church life,
Christ in us has made us one,
Eating the tree of life,
We are one!
How can we ever depart
Such a sweet and blessed life?
Christ in us and we in Christ!
We are one!

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M Tran

VA, United States

May 12, 2022

Totally love this tune. May I ask who wrote the melody played in this recording, and where I can obtain the vocal/piano sheet music for it? Thank you for your help.

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Michael Zamora

Norzagaray, Bulacan, Philippines

Apr 7, 2022

A wonderful memorable song, I first learn this song in 2003 when we had churching/ blending with all local churches in our province. As young people that time, I was so touch with the line: "although Satan tried and tried, we are one! " It was so meaningful and enjoyable. Now looking back and hearing again this song, it not only brings back the memories but also makes us realize that the Lord is the holding factor, the strength of the oneness, and in fact the very oneness of the church. How we need to hold on Him as our head and keep the uniting bond of peace with one another in all lowliness and meekness.

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Ben Haberkorn

Omaha, NE, United States

Mar 21, 2020

As we all go through this storm of sicknesses across the whole planet, we can take comfort and in fact rejoice! We are one! Though the enemy has tried to stop his foe(the church/saints) from being blended, the Lord is prevailing and blending His body even more! Thank you Lord for your arranging and for your spirit which makes us one.

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Ernest Munsami

Hillary, Durban, South Africa

May 2, 2017

Excellent song reminds me of Our Lords prayer in St. John 17 about that we are one, our Father's original plan that we become one family that we are one in Christ.

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A Brother

Bintulu, Sarawak, Malaysia

Nov 7, 2009

Praise the Lord!
We are one in Christ.
No matter where and who we are.
We are all one in Christ.

Although Satan may tried and tried to seperate us, yet we are still one in Christ.

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Urania Liao

Canada

Jul 8, 2009

Praise the Lord that all the saints can all be one when we are in Christ! For we are His Body and He is our Head!

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melicio bajao

Cagayan De Oro City, Misamis Oriental, Philippines

May 20, 2009

What a glorious church life,
Christ in us has made us one,
Eating the tree of life.

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GUIWANON RONNEL U,

CEBU CITY, CITY, Philippines

Jul 26, 2008

This song is for oneness.

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Raj Sekhar

Hyderabad, India

Apr 27, 2003

It is a very rhythmic and pleasant song.

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