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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Suffering from Gethsemane to Calvary

Praise of the Lord Remembrance of Him

New Songs636
1
Lord, You suffered and were ravaged
By the cruelty of men.
From Gethsemane to Calvary,
Men oppressed and judged You then;
Our transgressions caused You wounding,
Pain and suffering all consuming,
’Til a breach in Your communing
Caused You grief unknown from birth.
From the garden to Golgotha,
All You passed through proved Your worth.
2
You had one friend who betrayed You,
With a kiss, to hate-filled men,
And another who denied You
Out of fear towards all of them.
When they took You as their prisoner,
Questioned You, their anger bitter,
And then mocked You, thought a sinner,
You did not Yourself defend.
You were mute and long-enduring
With a view to reach Your end.
3
The Sanhedrin sought to weaken
Your endurance and Your strength,
Then delivered You to Pilate
Whose men scourged You, whipped at length.
At Golgotha, soldiers stripped You,
And with violent pounding nailed You
To Your cross, through joint and sinew,
There to hang upon the tree,
Where bystanders mocked, despising,
Wagging heads contempt’ously.
4
Those who hated You were staring,
No respect, their visage hard.
Soldiers gambled for Your garments
While Your strength dried like a shard.
Like hot wax, Your heart was melting.
Gravity each joint was rending.
In Your mouth, Your tongue was cleaving.
As Your weight each breath then stole,
Your ordeal made all the harder
When God made You sin for all.
5
At the noon hour, when God judged You,
Laid on You the whole of sin,
God’s dear presence fled, departed,
From Your fellowship within.
This was much worse than the violence;
This forsaking—dreaded silence,
All the scorn of men’s derision
Paling in comparison
To the scope of God’s own judgement
Poured upon His only Son.
6
After three hours, at Your limit,
You cried out in agony,
In the words of David, Psalmist,
“Why have You forsaken Me?”
Saying, “I thirst... It is finished”
You were done, Your work unblemished.
You prayed “Father, into Your hands
I commit My spirit.” Then
With a loud cry, You expired,
As Your loved ones grieved again.
7
When Your death the soldiers noticed,
One took up His weighted spear
And he pierced Your side in coldness,
Blood and water flowing clear.
From Gethsemane to Calvary
You were broken, suffering greatly.
Wounds innumerable, a fountain,
Flowing precious priceless blood,
For our sins and our redemption,
Reconciling us to God.
8
Lord, I praise You and I thank You
That You bled and died for me,
As I ponder how You loved me
And You gave Yourself for me.
I am filled with love and reverence,
Gratitude and deep assurance
You forgive me in Your mercy,
By Your blood, for all my sin!
And You joined me to the Father!
Hallelujah, Lord! Amen!

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Echeng Enya Anthony

Aba, Abia State, Nigeria

Aug 12, 2024

I am lifted and my soul find rest in the our Lord Jesus Christ for his selfless works on the cross for my redemption

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