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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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It was alone the Savior prayed

Praise of the Lord His Suffering

English91
1
It was alone the Savior prayed
In dark Gethsemane;
Alone He drained the bitter cup
And suffered there for me.
 
Alone, alone,
He bore it all alone;
He gave Himself to save His own,
He suffered, bled and died alone, alone.
2
It was alone the Savior stood
In Pilate’s judgment hall;
Alone the crown of thorns He wore,
Forsaken thus by all.
3
Alone upon the cross He hung
That others He might save;
Forsaken then by God and man.
Alone, His life He gave.
4
Can you reject such matchless love?
Can you His claim disown?
Come, give your all in gratitude,
Nor leave Him thus alone.

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Un Hermano

Sep 13, 2025

ACCEPTING THE BITTER CUP OF THE CROSS

After the Lord instituted His supper, He sang a hymn with the disciples and went to the Mount of Olives, to a place called Gethsemane. He then said to the disciples, “Sit here while I go over there and pray” ( Matt. 26:36 ). He took Peter, James, and John aside and began to be sorrowful and deeply distressed. He said, “My soul is exceedingly sorrowful, even to death. Remain here and watch with Me” ( v. 38 ). At this time the Lord was in the flesh and feelings of man, experiencing beforehand the pain of sin and death on the cross. His soul was exceedingly sorrowful, distressed, even to death. He fell on His face and prayed, “My Father, if it is possible, let this cup pass from Me; yet not as I will, but as You will” ( v. 39 ). In this prayer the Lord seemed to be discussing with the Father. Yet, when the Lord knew that the cup could not be avoided, He immediately said to God the Father, “Not as I will, but as You will. ”

God's Plan and Christ's Redemption
Chapter 3 (LSM)
CWWL, 1960, vol. 2

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Delores Joyner

New Kent, VA, United States

Mar 21, 2024

Alone, what a wonderful moving hymn of the suffering and death of our Lord and savior Jesus Christ. Many who call him Lord are alone in different parts of the world.

Dear friend, you are not alone, we mention you in our prayers, Jesus who stood alone is interceding for you. When in seem as though we’re alone, we’re truly never alone.

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Stephen Bellingham

Irvine, CA, United States

May 13, 2019

"Can you reject such matchless love?"

This is a beautiful hymn and well worth learning. Thank You Lord Jesus for suffering there for me.

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Rose Calhoun

Riverside, CA, United States

Apr 11, 2018

I have always loved this song. The only song I really wanted to lead in the Jr. choir, but was never able to.

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Susan A Offutt

Georgetown, KY, United States

Apr 10, 2018

Is there sheet music available for this or is there a hymnal that includes it?

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Edna

New York, United States

Aug 1, 2017

This song always make me feel how painful it is when you're in troubles with no one around for you. God's son was born just like the rest of us but He died for my sins. God bless and give me ability to get close to you everyday and use us in the rights purpose.

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Joshua

North Miami Beach, Florida, United States

Mar 28, 2016

Where is the left hand score for this song?

Other than that this is a great song. And has a nice tune to it.

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Jerry Reingardt

Trafalgar, Indiana, United States

Nov 7, 2014

What year was the song written and by whom the poem's author? Thank you for a reply.

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Minnie Washington

Randallstow, Maryland

Apr 17, 2014

It is sad ttat this great, passionate, theologically sound hymn is all but forgotten. And when it is sung, it is rearranged in such a way that the passion which the Savior is experiencing in the Garden of Gethsemane, is drained from it, and the hymn becomes a meaningless chorus of contemporary musical showmanship. I love this hymn. It gives a passionate depiction of the pathos, the internal agony of ourLord and Savior Jesus Christ. I am requesting it to be sung tonight in reverence and in remembrance of that awful moment when Jesus suffers in the garden-alone.

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Bill Bresnen

Wirral, United Kingdom

Mar 24, 2014

Tonight sang this great hymn with a local Male Voice Choir, it must be many many years since I last sang it! But it came once more with all its beauty, love and challenge. It speaks of victory in defeat. Praise HIS name.

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