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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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1
Worldly affairs encumbered me; till the Lord said, “Come, follow Me!”
I was exhausted, faltering; still He called and would not leave me be;
At once, when I responded: “Yes!”, He shined His glad’ning ray!
Glory, rest, shouts of praise fill all my days as I follow on His way.
2
Though in this world a way exists
Filled with crowds with greatness obsessed;
My heart already is possessed, let those who would take it try their best;
Lord, I’ve been sanctified by Thee, For God alone I’m meant,
My all is in Your sovereign hand, all for the new way to be spent.
3
No man can serve two masters, from God and the world seek reward,
Whether ’tis spent or whether reserved, ointment can but once be outpoured;
Lord, You’re my only one true love, I’d ne’er repent nor swerve.
Lord, You alone are worthy of all my life and all my love.
 
Upon this altar of consecration, supply the flame; refine me, I pray;
Lord, You chose me, ’twas mercy and grace; Gladly I choose Thee, to repay.
The days of this life don’t seem that special, but the earth to heaven they join;
In Your smile’s delight, I fix my sight, running towards th’ eternal crown.

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Anonymous

May 22, 2025

Lord, I’ve been sanctified by Thee, For God alone I’m meant,

My all is in Your sovereign hand, all for the new way to be spent.

Read more
Nicko

Tagbilaran, Bohol, Philippines

Oct 4, 2023

Lord you alone are worthy of all my life.

Read more
Winjoy Onipa Ofalla

Silang, Cavite, Philippines

Sep 30, 2023

Praise the Lord in such a wonderful hymn in the Lord's recovery! The tune the lyrics, hallelujah it is truly life to us amen...

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Grace Y

Anaheim, CA, United States

Nov 19, 2022

Lord, You chose me, ’twas mercy and grace; Gladly I choose Thee, to repay!

Read more
Mary Queen Cambangay

Cagayan De Oro City, Misamis Oriental, Philippines

Jul 6, 2021

At once, when I responded: “Yes! ”,

He shined His glad’ning ray!

Glory, rest, shouts of praise fill all my days as I follow on His way. 💕

Read more
Mikee

Butuan, Agusan Del Norte, Philippines

Jun 17, 2021

"Lord, You chose me, ’twas mercy and grace; Gladly I choose Thee, to repay.

The days of this life don’t seem that special, but the earth to heaven they join;

In Your smile’s delight, I fix my sight, running towards th’ eternal crown."

Lord, I have nothing to boast. It's Your mercy and grace that You chose me. Thank You, Lord Jesus.

Read more
Maeriehl Roxas

Lucena City, Quezon, Philippines

May 12, 2021

Earlier today we had a fellowship concerning church history and it made me treasure and appreciate the practice of the God-ordained way even more. We are blessed to be in this age; wherein there is no longer only one man speaking in our church life nor are there just a few people who know how to preach the gospel or shepherd the saints. The brothers who have gone before us have paid a great price for us to recover these practices today. May we not become a factor for it to be lost again. So as I was listening, in my spirit I was singing this line: "My all is in Your sovereign hand, all for the new way to be spent."

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Caroline

Cebu City, Cebu, Philippines

Jan 14, 2021

I fell in love with melody and to the lyrics. I've been hearing the first word but not the whole song. And I've heard the brother's practicing the hymn I sit and listened the lyrics do pierced through the heart. Lord, You're my only One true love.

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Kitty Joubert

Bloemfontein, Free State, South Africa

Nov 7, 2018

What a sweet song remaining in one's head! The words are easy to associate with....

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Mary Rejoice

Lagos, Imo State, Nigeria

Aug 29, 2018

This song has really helped me a lot, in hope ad in fulfilment, my heart is so heavy, God pls see me try.

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