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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Be Thou my vision, O Lord of my heart

Longings For Vision of Christ

New Songs345
1
Be Thou my vision, O Lord of my heart;
Naught be all else to me, save that Thou art;
Thou my best thought, by day or by night;
Waking or sleeping, Thy presence my light.
2
Be Thou my wisdom, and Thou my true Word;
I ever with Thee and Thou with me, Lord;
Thou my great Father and I, Thy true son;
Thou in me dwelling, and I with Thee one.
3
Riches I heed not, nor man’s empty praise;
Thou mine inheritance, now and always;
Thou and Thou only, first in my heart;
O King of glory, my treasure Thou art.
4
O King of glory, my victory won;
Rule and reign in me ’til Thy will be done;
Heart of my own heart, whatever befall;
Still be my vision, O Ruler of all.

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Gigi Delos Reyes

Philippines

Apr 10, 2023

O King of glory, my victory won;
Rule and reign in me ’til Thy will be done;
Heart of my own heart, whatever befall;
Still be my vision, O Ruler of all.

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Jonathan Page

Nacogdoches, Texas, United States

Jun 19, 2022

This beautiful song... sung over me by my mother when a child. For years I had an idea of the melody, but never knew all the words. Such a joy and glory now to sing it full and sweet unto the Lord. What grace! What a gift! To sing back to him the songs he has given us!!! So much strength and joy in these words! Thank you Lord!

If I am not mistaken, there is another verse which is the third of five.

"Be Thou my battle Shield, Sword for the fight;
Be Thou my Dignity, Thou my Delight;
Thou my soul's Shelter, Thou my high Tower:
Raise Thou me heavenward, O Power of my power."

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David

Chile

Jun 19, 2022

Be Thou my vision, O Lord of my heart

Thou my best thought, by day or by night.

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Stephen Bellingham

United States

Jun 13, 2022

"Be Thou my vision"

Amen!

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Rosita Enriquez

Anaheim, California, United States

Apr 8, 2022

Lord be Thou my vision... keep me in the line of Life all my days.

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Ana Lara

Storrs, Connecticut, United States

Feb 13, 2022

The music SLANE, is an Irish tune, arranged by Donald P Husted, in 1974.

Donald Paul Husted was born October 2, 1918, near Echo, Minnesota and died June 22, 2013, Chicago, Illinois. He is buried in Chapel Hill Gardens West, Oakbrook Terrace, Illinois.

After his father died in a hunting accident when he was an infant, his mother moved her two sons to Boone, Iowa. Donald began studying piano at the tender age of four, and went on to study at John Fletcher College (BA 1940) and Northwestern University, Evanston, Illinois

(MMus 1945, DMus 1963).

Hustad was an associate of the American Guild of Organists (1969), and Fellow of the Royal College of Organists in London (1974). He worked as a staff musician at the radio station WMBI in Chicago, Illinois (1942-1945) and as a music director for one of the programs at ABC radio (1945-53).

He was later an Associate Professor of Music at Olivet Nazarene College, Kankakee, Illinois (1946-50); director of the Sacred Music Department at Moody Bible Institute in Chicago (1950–63); and conducted the Moody Chorale.

Husted also played the organ for Billy Graham crusades, and directed the “Crusader Men” on “The Hour of Decision” broadcast.

In 1966, he became professor of Church Music at the Southern Baptist Theological Seminary in Louisville, Kentucky. In 1950, he became an editor for Hope Publishing Company in Chicago and Carol Stream, Illinois. He has either published or edited at least nine different publications.

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Ana Lara

Storrs, Connecticut, United States

Feb 13, 2022

The translator for this hymn was Mary Elizabeth Byrne born July 2, 1880, Dublin, Ireland and died January 19, 1931, Dublin, Ireland.

A linguist, Byrne attended the Dominican Convent in Dublin, at the University of Ireland, where she graduated in 1905. She received the Chancellor’s Gold Medal at the Royal University of Ireland. She worked for the Board of Intermediate Education, and helped compile the catalog of the Royal Irish Academy. Mary contributed to the Old and Mid-Irish Dictionary and Dictionary of the Irish Language and wrote a treatise on England in the Age of Chaucer.

In 1905, she translated into prose an old English poem from around the eighth century.

The English translation was versified in 1912 by Eleanor Hull and it became the hymn “Be Thou My Vision”.

Eleanor Henrietta Hull (1860-1935) was educated at Alexander college, Dublin, Ireland. Hull’s passion was Gaelic culture: she founded the Irish Text Society and was President of the Irish Literary Society of London.

Each stanza of the hymn “Be Thou My Vision” is full of poetic and spiritual meaning:

The word “vision” is used in this case to mean not only something seen but a goal to aspire to. The hymn expresses an all-encompassing life commitment such as we see in the Apostle Paul who confessed, “Not that I have already obtained or I am already perfected; but I pursue, if even I may lay hold of that for which I also have been laid hold of by Christ Jesus” (Phi. 3:12). “For to me to live is Christ and to die is gain” (Phil. 1:21).

These beautiful words constitute an early Celtic understanding of the person of Christ and his attributes. In personifying various things that the Lord has given the believer, the poet tells us in effect, that the Lord is those things. To have them, we need to have Him , and to have Him is to have them. (For “my high Tower, ” Ps. 144:2; stanzas 1&3). Stanza 3 is from the earlier version of the hymn.

The writer glories in the fact that the Lord dwells within him and then he dwells in God. (Stanza 2). The Scriptures clearly teach that the Spirit of God indwells each Christian; this mingling is referred to Christ’s usage in John to refer to the believer’s close and unbroken fellowship with the Lord. (John 15:5; “Abide in Me and I in You).

The great hope and joy of the writer is that one day he will be with the Lord in the Heavenly kingdom, there to behold Him and all His glory (Psalm 17:15 stanza-5). Stanza 5 is in the original version.

(Wordwisehymns. com)

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Ana Lara

Storrs, Connecticut, United States

Feb 13, 2022

Dallán Forgail (530-598) was born in Ballyconnell, Ireland. He was an early Christian Irish poet, best known as the writer of the “Eulogy of Saint Columbia”. He also wrote a poem that became the basis for the modern English hymn “Be Thou My Vision”. His given name was Eochaid Forchella, and was the son of Colla, a descendant of the legendary High King Colla Uasis. His nickname Dallan meaning “little blind one” was earned because he lost his sight as a result of studying intensively.

He is said to have died in 598 when pirates broke into the island Monastery of InnesKeel, in Donnegal where he is buried. He was reportedly beheaded and legend says that God reattached his head to his body after he was martyred. He was not only a poet, but also a scholar of Latin Scriptural learning. Dallan helped to reform the Bardic Order (one of the ancient Celtic order of minstrel poets) at the convention of Drumceat. He is best known for Eulogies attributed to him on the subject of contemporaneous Irish saints.

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Brighton

Bandung, Jawa Barat, Indonesia

Oct 12, 2021

the song is so good, it really bless me, and the song make me realy calm

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Winora Kunselman

Hayward, CA, United States

Feb 18, 2021

We sing this one very often and yes this message of a prayer directly to God is so wonderful.

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