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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Two Greatest Prayers of Paul

Prayer The Meaning

New Songs311
1
There are two greatest prayers we must pray everyday,
For which Paul the apostle taught us in Ephesians,
One in chapter one and the other, chapter three,
One for vision and the other for experience.
 
Grant us spirit of wisdom and of revelation,
Strengthen us, Lord, with power into our inner man,
Your economy then may become our vision,
And You may make home in our hearts to fulfill Your plan.
2
We have prayed for our many concerns, worries, and plans,
We have prayed for our heart’s desire and so many aims,
We have prayed for good meetings and our gospel friends,
Now let’s rise up and pray prayers that would turn this age!
3
Two millennia have gone by Christians countless as sands,
God’s economy yet a mystery hidden to man,
Many zealous yet with no vision, no restraint,
Who would kneel down and pray to see God’s central vision?
4
What’s God’s calling and glory of His inheritance?
What’s the surpassing greatness of His power fourfold?
What’s the transmission of Christ as Head to the church?
What’s His Body, His fullness while He fills all in all?
5
To see vision we need to pray for four elements,
Wisdom to know and revelation of the objects,
Light for illumination and our eyes opened,
God’s economy then shall be a vision so clear.
6
With the vision we must not be proud or be content,
Lest as Laodicea soon we lukewarm become,
Empty knowledge would only make you poor, blind, naked,
“Buy gold, garments and eyesalve!” — this’ how we overcome!
7
What’re Christ’s unsearchable riches Paul as gospel proclaimed?
What’re the breadth, length, height, depth of Christ we shall apprehend?
What’s the knowledge-surpassing love of Christ to know?
What’s to be filled with all the fullness of God fore’er?
8
Thus we all must pursue to gain the experience,
E’en as Mary wouldn’t let go till the Lord manifest’d,
Look how Paul ran his race to gain Christ till the end,
Let us forget all things and press on to Christ ahead.
9
For experience we must pray to be strengthened always,
That from soul into spirit we would turn and remain,
Only when we’re in spirit can Christ have a way,
From our spirit to make His home in our hearts through faith.
10
Seeing the vision would help us walk on God-ordained way,
Being in spirit then God will build up His dwelling place,
Making home in our hearts is how Christ builds His church,
How His bride is prepared for Him to come end this age.
11
Heav’nly vision must be renewed and ne’er disobeyed,
To experience Christ for His Body — that’s all we care!
Let’s all pray these two greatest prayers day by day,
Hallelujah! We’ll soon bring Him back — no more delay!

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Orc

Winston Salem, NC

Jan 5, 2010

Thank you saint for composing this song. What an expression of the last ministry of this age! What a reality and practical way to apply the prayer of the age! I sing and pray. I pray and sing! Praise the Lord!

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Joel Cabajes

Makati, NCR,Manila, Philippines

Jan 1, 2010

This song also is the greatest song because it contains great prayers. Prayers that cause and hasten the Lord's return. May the Lord grant us all with the answers of these two great prayers of the apostle.

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PCVH

Sinacaban-Evansville, Mis.Occ-IN

Dec 29, 2009

Amen, may we apply the prayer of the age to build the Body of Christ!

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Dinah Jabian

San Pedro, Laguna, Philippines

Dec 25, 2009

Amen. I really appreciate this song. we are called by God according to His purpose for His glory and inheritance. May we all be like Paul having this prayer: "May the Lord grant us wisdom and revelation to see His economy with a clear vision." Oh what a glory! Amen.

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Sarah

Haikou, Hainan, China

Dec 24, 2009

Thank You Lord, my eyes and ears are blessed. It's a very nice and rich song.

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Mingle Xie

Hangzhou, Zhejiang, China

Dec 24, 2009

Amen, the empty knowledge would only make us poor, blind and naked. May the Lord open our eyes to see the heavenly vision, no more praying for our heart’s desire but Christ and church. Hallelujah! We’ll soon bring Him back-NO MORE DELAY!

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Lya Santoso

Church In Leiden, Zuid Holland, Netherlands

Dec 21, 2009

Thank you brother/sister for this song. I really enjoy it very much, I hope the Lord would grant us all clear visions and much experience.

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