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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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New Songs23
1
Lovers of Christ in His ascension—
Enjoy the riches of His life.
She becomes His private garden
With its fountain, fruit, and spice.
Christ is hers and she is Christ’s dear love.
2
She is as beautiful as Tirzah
As lovely as Jerusalem.
Through her living in Christ’s ascension
Her dear heart is now His home.
She’s become the sanctuary of God.
3
Who is this woman I am seeing?
Shining forth as the moon and sun.
She is absolutely heavenly,
From the old creation free;
Overcoming all to live within the veil.
4
An army terrible with banners
Christ’s lovers overcome to be.
Those attracted by His beauty,
Fully trusting in His power.
Her romance is now the dances of two camps.
5
The Shulammite, His duplication,
His counterpart has now become.
She’s the same in life and nature,
His expression to the full;
Consummated as the New Jerusalem.

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David

Santa Maria, CA, United States

Aug 8, 2018

It is our favorite because it touches the deeper experience of the lover of Christ loving, growing and maturing for His satisfaction. Lord we could never be satisfied until YOU are satisfied! We love You Lord Jesus!

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Rebecca

Salem, OR, United States

Aug 2, 2018

How could this hymn not be one of our favorites?

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A McNichol

Fairborn, Ohio, United States

Feb 18, 2017

Lord, You get all the glory for beautifying and preparing Your overcoming bride. Praise and thank You for loving her to that extent!

All we can say is we love You! We love You and worship You for all You have done!

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Janet Owusu Ansah

Bronx, New York, United States

Jul 9, 2016

It is very encouraging to know that as lovers of Christ we are with Him in ascension enjoying all the riches of His life! Hallelujah we have become His private Garden with fountain, fruits and spice for God's enjoyment!

The more we enjoy Christ the more He makes us beautiful, as beautiful as Tirzah and eventually we become the sanctuary of God!

As we become the sanctuary of God, He forms us into an Army, a terrible Army with banners to defeat God's enemy and to usher in God's Kingdom! Hallelujah! And to consumate the New Jerusalem! I love You, Lord Jesus! ...I'm really enjoying this hymn, Jesus is Lord! Amen!

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Roby

Bandung, West Java, Indonesia

Jan 10, 2014

Amen!

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Crystal Mandudi

Denton, Texas, United States

Sep 18, 2013

Thank You Lord, that You are preparing us right now as Your overcoming Bride! Make us those who express You! Oh we love You!!

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Chereynn Guinguing

Talisay City, Cebu, Philippines

Oct 17, 2012

Lord Jesus we give You the Glory!

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Elenoa

Suva, Fiji

Sep 29, 2012

Amen, yes may we be encouraged to seek Him everyday and to seize every opportunity to love Him. Lord Jesus! Draw us much more to You daily.

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Laura Lo

Tampa, Florida, United States

Nov 13, 2011

I needed some encouragement tonight and found myself trying to find my wedding hymn. I got married 12 years ago and the young people sang this hymn as I walked toward my husband. I thought I would be encouraged by the sweetness of this hymn, and I was..... BUT what encouraged me most was reading all the comments from all my brothers and sisters who are enjoying this hymn around the world... Nigeria, Philipines, Fiji, etc.

I am so strengthened by you all. You remind me that our enjoyment of Christ is not just for ourselves, but is also for the strengthening and building of the Body of Christ. Our enjoyment is a sweet testimony of our love for Him. May we all be encouraged to seek Him everyday, to seize every opportunity to love Him.

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Huyen Nguyen

Soc Trang, Vietnam

Jul 10, 2011

Amen, this song is so sweet! It refreshes my mind when every time I enjoy it. Saints, do you want to be the lovers of Christ? I really do. I experienced that the simple way to be the lover of Christ is to ENJOY HIM. The more I enjoy Him, the more I will be constituted with His life. If everyone would enjoy the Lord and be filled with His life to the uttermost, Christ will gain His counterpart, who is His beloved Bride. What miracle! What mystery! That God and man should blended be.The Triune God, tripartite man. A loving pair eternally. As man yet God they coinhere. A mutual dwelling place to be.

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