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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Until He comes again

Hope of Glory Longing and Praying

New Songs106
1
Until He comes again,
I’ll watch and wait and call on Him
I’ll pray that by His life and power,
I’ll overcome in every hour.
2
Until He comes again,
His blood will cleanse me of my sin
His word will sanctify within,
And make me wholly unto Him.
 
(Bro.) He died to be life to me—
From death I’m free.
(Sis.) He rose and as Spirit He
Now lives in me.
(Bro.) In splendor and in glory
Like Him I’ll be.
3
Until He comes again,
My soul-life I’ll give up for Him.
No worldly pleasure can compare
To what my Savior has to share.
4
And when He comes again,
All saints built up and one in Him.
His Body, Bride, and Counterpart,
Eternal pleasure of His heart.
 
(Sis.) Lord, gain Your kingdom in me,
I long to be...
(Bro.) One with my Savior and King,
Eternally.
(Sis.) Oh, what a joy it will be
Your face to see.

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Ivan Wong

Utah, United States

Mar 29, 2025

It is 2025; how many still remember and sing this beautiful hymn?

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Maurice Ward

Columbus, Ohio, United States

Oct 23, 2022

I was so touched with this verse this morning while pray reading:

Who also said, Men of Galilee, why do you stand looking into heaven? This Jesus, who has been taken up from you into heaven, will come in the same way as you beheld going into heaven.

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Lorna

Hamilton, Montana, United States

May 5, 2021

Pretty

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Jorge Yamashiro

Brazil

Dec 5, 2015

My new favorite hymn.

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M.E. Ang

Calgary, Alberta, Canada

Apr 17, 2013

Praise the Lord for such a wonderful hymn! Oh Lord gain Your kingdom in me I long to be one with my Savior and King, oh grow in me daily! Oh how I need You. My life has no meaning without You! Gain me!

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Johanah Kariz Gonzales

Baguio City, Benguet, Philippines

Dec 2, 2012

I totally agree with all of you. I love to sing this hymn.

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Maggie

Vancouver, BC, Canada

Nov 30, 2012

I don't see a credit for who the hymn was written by. It's beautiful!

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L.C.

Lmcmd@yahoo.com, San Juan, Philippines

Dec 24, 2011

I love this hymn.

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Kwamboka Nyambati

Nairobi, Kenya

Mar 16, 2008

It is good to know that there are people out there who are trully inspired by the Holy Spirit hence able to write such wonderful and fullfilling songs in the 21st century. I myself I am forever moved by thios. I am hence encouraged from now henceforth to also consider todays noble song writers and not linger only on the old hymn writers. Amin to God who inspired the writer and composer of this and many other wonderful songs. Amin.

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Zoe Cabahug

Greensboro, NC, U.S.A.

Jan 24, 2003

This song is very good. I like it very much. It tells me that we should pursue the Lord "until He comes again." Though we may sin" country="His blood will cleanse us. He died and rose to live in us, and His life is within us. We should all wait, watch, and call on Him "until He comes again." I truly enjoy listening to this song. Amen!

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