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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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There’s a light upon the mountains

Hope of Glory The Crowning Day

English954
1
There’s a light upon the mountains,
and the day is at the spring,
When our eyes shall see the beauty
and the glory of the King;
Weary was our heart with waiting, and
the night-watch seemed so long,
But His triumph-day is breaking, and
we hail it with a song.
2
In the fading of the starlight we can
see the coming morn;
And the lights of men are paling in
the splendors of the dawn;
For the eastern skies are glowing as
with lights of hidden fire,
And the hearts of men are stirring
with the throb of deep desire.
3
There’s a hush of expectation, and
a quiet in the air;
And the breath of God is moving in
the fervent breath of prayer;
For the suffering, dying Jesus is the
Christ upon the throne,
And the travail of our spirit is the
travail of His own.
4
He is breaking down the barriers,
He is casting up the way;
He is calling for His angels to build
up the gates of day;
But His angels here are human, not
the shining hosts above,
For the drum-beats of His army are
the heart-beats of our love.
5
Hark! we hear a distant music, and
it comes with fuller swell;
’Tis the triumph song of Jesus, of
our King Emmanuel;
Zion, go ye forth to meet Him,
and my soul, be swift to bring
All thy sweetest and thy dearest for
the triumph of our King.

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Leslie J Ballard

Allegan, MI, United States

Dec 12, 2024

We had an incredible minister when I was a child and youth, and one of the first things he did when he arrived was to teach us how to sing this hymn properly. It was his favorite and became the favorite of the whole congregation. I tear up every time I hear, which is only on youtube now. So unfortunate that they removed it from the Methodist hymnal. A lovely melody and stirring lyrics.

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Carol N

Clinton, Massachusetts, United States

Aug 19, 2022

This hymn is in my hymnal, but I've never read or sung it. It brought me to tears this morning. "And the breath of God is moving in the fervent breath of prayer." Thank you, Wendy, for sharing. May God continue to comfort you, dear sister.

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Wendy Elaine

Eastern Johannesburg, Gauteng, South Africa

Aug 19, 2022

I requested a recording of two of the verses to be played at the end of the memorial service for my 97 year old father 7 weeks ago as the congregation left the sanctuary.

I was googling the lyrics now and found this site with two comments at the top from South Africans which made me feel at home.

I think only Methodists, I may be wrong, at the church would have recognised the hymn. It is indeed a very special hymn. I loved it attending weekly services as a teenager and a young adult.

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Mavis Lotter

Midrand, Gauteng, South Africa

May 23, 2017

This beautiful hymn (my favourite since I was a teenager) is unknown to the young folk of today.

One morning, very early, I was travelling west from OR Tambo Airport (Johannesburg). The lights of the skyscrapers in Johannesburg were visible ahead of me in the distance. In my rearview mirror I could see the sun rising in its splendour, and the second verse of the amazing hymn was a reality. I prayed that the last line of that verse was also a reality in the hearts of all who witnessed that sunrise.

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Graham Barlin

Centurion, Gauteng, South Africa

Jan 19, 2017

Reminded me of my days as a schoolboy at a Methodist School. Such beautiful poetry and wonderfully matchef with the inspiring melody. Stumbled upon this majestic work when writing a new song and two lines came to mind. Reaching for my old hymnal traced them in verse 3. (first two lines) Now of two minds: to leave as is and run the risk of plagiarism yet tip the hat to the greats of the past or to change and possibly demean. Any suggestions out there?

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Hussein Brewster

Durants, Christ Church, Barbados

Dec 13, 2015

Let us keep that light burning.........until He comes.

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Steve Miller

Detroit, MI

Apr 12, 2014

Born in England, Henry Burton moved as a child with his family to the U.S. where he was educated at Beloit College. In 1865 he returned to England and joined the Wesleyan Methodists. He traveled as a minister with the leading circuit preachers of the time. - Songs of the Spirit by Martin

This hymn is also sung to the tune "Autumn" by Francois H. Barthelemon, which tune is also often used for "Jesus, I my cross have taken". I prefer that tune because it is simpler for me to sing.

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Belinda Freeman

Dunstable, Bedfordshire, United Kingdom

Jan 13, 2014

What an incredible hymn, busy studying it in unit 15 of Faith and Worship, Methodist Local Preacher. It is about understanding the present and future aspects of the kingdom of God.

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Bill Kerr

Kilmacolm, Renfrewshire, United Kingdom

Feb 6, 2013

This is the hymn I have picked for my funeral - but the tune will be the tune of Ode to Joy.

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Lee

Stellenbosch, Western Cape, South Africa

Sep 13, 2012

My dad was a Methodist minister. This was one of his favourite hymns which all the ministers sang at his funeral. Will never forget the sound of their voices.

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