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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Wherever you go, I will go

Scriptures for Singing

Long Beach Songbook75
1
Wherever you go, I will go,
Wherever you dwell, I will dwell;
Your people will be my people,
And your God will be my God.
Wherever you go, I will go,
Wherever you dwell, I will dwell;
Your people will be my people,
And your God will be my God.
Wherever you die, I will die;
And there will I be buried.
Jehovah do to me, and more as well,
If anything but death parts me from you.
Jehovah do to me, and more as well,
If anything but death parts me from you.

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Tim

Pittsburgh, United States

Apr 3, 2024

In Ruth 1:14, Orpah kissed Naomi goodbye, but Ruth “clung to her. ” May we be people who don’t just visit the people of God, but become one with all they have and all they do, to gain their God. Thank you Lord

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Lawm Ngai

Matupi, Chin State, Myanmar

Apr 2, 2022

Lord , I love you 😘! I wana You follow till the rest of my life

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Rotea Hnamte

Nov 15, 2021

What kind of heart the Lord give it to Ruth, Amen

I really enjoy

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David Wang

Oct 5, 2021

路得的歌
你往那裏去,我也去;你住在何處,我也住;你的民就是我的民,而你神就是我神。
你往那裏去,我也去;你住在何處,我也住;你的民就是我民,而你的神就是我神。

你死在何處,我也死,且也要葬在那裏。耶和華重重的降罰與我,除非是死能使你我相離。耶和華重重的降罰與我,除非死能使你我相離。

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Isaiah Chien

Taipei, Taiwan

Aug 25, 2021

你往那裏去,我也去;你在那裏住宿,我也住;
你的民就是我的民,你的神就是我神。
你往那裏去,我也去;你在那裏住宿,我也住;
你的民就是我的民,你的神就是我神。
你在那裏死,我也在那死,也葬在那裏。
除非死能使你與我相離,不然,願耶和華重重的降罰與我。
除非死能使你與我相離,不然,願耶和華重重的降罰與我。

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Sister Vali

Tirane, Albania

Jun 6, 2021

Wherever you die, I will die;
And there will I be buried.
Jehovah do to me, and more as well,
If anything but death parts me from you.
Jehovah do to me, and more as well,
If anything but death parts me from you.

Read more
Nels Heart

Navotas City, Metro Manila, Philippines

Oct 24, 2020

Amen. Ruth wasn't mistaken by choosing God's kingdom. May we become of todays Ruth married to Christ. Bringing God out of eternity into time mingled. O Lord Jesus extend your cloak upon.

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Chun Wang

Dallas, United States

Dec 30, 2019

Ruth, a Moabitess, was one who excluded from God and His people. Yet she eventuality became one of the most important persons in the bringing forth of King David (and of Christ). Because of her love for Naomi, Ruth chose to “glue” herself to Naomi. As a result she entered the land promised by God to His people, the good land typifying the all-inclusive Christ as the alotted portion of every believer in Christ. This shows us that God’s move requires our cooperation to love Him to the uttermost and to bind ourselves to Him wherever He may lead. By such love we can enter in into the full enjoyment of the all inclusive Christ, for the issuing forth of His kingdom.

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Anonymous

Nottingham, Nottinghamshire, United Kingdom

Feb 8, 2019

Wherever the Lord goes, I will go.

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Grace Tang

Taipei, Taiwan

Nov 16, 2018

We enjoyed the story of Ruth and Boaz at our children's meeting, and I was being reminded of this hymn. May this be my prayer too, follow the Lord till the end of my journey.

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