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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Wherever you go, I will go

Scriptures for Singing

Long Beach Songbook75
1
Wherever you go, I will go,
Wherever you dwell, I will dwell;
Your people will be my people,
And your God will be my God.
Wherever you go, I will go,
Wherever you dwell, I will dwell;
Your people will be my people,
And your God will be my God.
Wherever you die, I will die;
And there will I be buried.
Jehovah do to me, and more as well,
If anything but death parts me from you.
Jehovah do to me, and more as well,
If anything but death parts me from you.

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William Jeng

Irvine, CA, United States

Sep 9, 2017

Lead me where You want me be go. Keep me where You want me to stay.

Lord Jesus, I still love You.

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Joseph Quigley

Tomakin, NSW, Australia

May 14, 2017

This is a very poignant tune. The story is a great example of faithful love. However let us not forget that Ruth is a young non-Jewish widow insisting that no matter what happens to her and widowed mother-in-law Naomi she will accompany her back to Jewish territory, as it happens to Bethlehem in Judah. This is the antithesis of stories we read about jealous and envious mothers-in-law and their daughters-in-law. It's ironic that it is often played at weddings. It is not about conjugal love. It's about faithfulness within the extended family.

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Ellen Chuma Salupito

Windhoek, Northern Province, Namibia

Jul 29, 2016

The story of Ruth and Naomi taught me a great lesson of love. Where You go I will go and where You dwell I will dwell.

Great is the Lord, and greatly to be praised.

Amen

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Desiree Pajarillo

Nueva Ecija, Jaen, Philippines

Apr 12, 2016

I love this song. Oh Lord Jesus, Amen.

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Melody

Columbus, OH, United States

Feb 6, 2016

Wherever you go, I will go!

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Edie Holliday

High Top, WV, United States

Mar 20, 2015

I hear these words. I hear the music 🎶. Do you? I hope so 😊

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IrisCrystal Seok

South Korea

Aug 17, 2014

With relation to this scriptural song from Ruth in the Old Testament, I’d like share one of the forerunner’s messages in our path of pursuing the Lord. When I encountered it many years ago, it was a deep night I’d been passing through under the Lord’s sovereignty, and that touching moment in the Lord and the unforgettable message from that brother along with another message of ‘consecration’ in “Experience of Life” and ‘the principle of Nazarite’ in “Priesthood” with relation to Numbers chapter 6, was deeply inscribed in a believer’s being accordingly, as a kind of guidepost for gauging own genuine spiritual authenticity. It reads:

In the Lord’s recovery, should we take the way of the judges to be powerful and to do a great work? If we take the way of the judges instead of the way of Life, whatever we accomplish will mean nothing. Not one judge was a forefather of Christ. The judges had nothing to do with keeping the line in humanity to bring in God in His incarnation. It was Ruth and Boaz who participated in keeping this line. However, they did not fight a war; they did not exercise any power.

It is crucial for us to see that only Life can bring Christ forth. Only Life can keep the lineage, maintaining the thin line to bring God into humanity, to produce Christ and to minister Christ and to supply the entire human race with Christ. This was done not by the judges but by Ruth and Boaz, who took the way of Life.

In the Lord’s recovery, I have very much promoted the gaining of the increase, but I do not mean that we should try to gain the increase by being a Samson or a Gideon. I would rather have no increase and keep my genuineness in Life. I would rather be without any power, without any result from the work, and remain in the line that brings forth Christ out of eternity into time, that brings forth Christ with His divinity into humanity. ( — from the Life-Study of Ruth)

Thank you very much for sharing this song on this web and I'm sorry about not being able to share such a beautiful vocal song of this hymn sung by some brothers and sisters!

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李 菲 麗

United States

Jan 20, 2012

In this new year,this hymn has reminded me what is my goal, my direction and NOT to be swerved and diverted from God. Ruth chose the goal of participating with God’s elect in the enjoyment of Christ, and she even became a top ancestor of Christ who helped bring forth Christ into mankind. This was more than just a resolution on the part of the Moabite widow; it was a GOAL, a CHOOSING. Ruth chose God and His kingdom for the carrying out of God’s economy concerning Christ. Hallelujah for such a goal and for such a person choosing this goal! O Lord Jesus! May I be such a person!

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Mitzi

Machesney Park, Illinois, United States

Jan 2, 2012

One of my alltime favorites that I've sung for years @ weddings tho the accompanient is not what I'm used to.

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Josiah Krammes

Pine Grove, Pennsylvania, United States

Sep 21, 2011

These lyrics, Ruth 1:16,17; is taken from my favorite biblical story of all times, Ruth. Ruth stayed with Naomi through thick and thin. It is a true testament to how God protects and provides for his children. Thank you Lord.

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