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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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The Bible is a romance

The Church As Christ’s Bride

Long Beach Songbook5
1
The Bible is a romance
In the most holy sense:
God and His chosen people
In love it so presents.
This Universal Couple
Throughout it is displayed;
God in Christ is the Bridegroom,
His saints, the Bride, portrayed.
2
Through shadows, types and figures,
God’s deepest thought is known;
As typified by Adam,
The Husband, Christ, is shown.
A rib brought forth from Adam
Reveals the source of life
By which God built a woman:
Eve, as the church, His wife.
3
To be His people’s Husband,
To take them as His wife:
This is what God desires
To live in marriage life.
Their sacrifice and worship
Alone could not content;
But with them to be married
Was God’s foremost intent.
4
This romance is the finest
As seen in Song of Songs;
For her Beloved’s kisses
His seeking lover longs.
Love’s work in her produces
No person of her own,
But she becomes the City,
Her Person, Christ alone.
5
Christ is our coming Bridegroom;
We are the Church, His Bride,
Redeemed, regenerated,
The issue of His side,
In source, in life, in nature
And person fully one,
His counterpart forever,
The New Jerusalem.

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Joesyh

Shreveport, LA, United States

Sep 20, 2012

We sang this song in young people gospel meeting and fell in love with Lord and become the lovers of Christ. Very touching.

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Tami Bundrock

Deer Park, WA, United States

Jun 11, 2012

Oh Lord, when I think of all the ways you show Your love for me, I am awe-struck over and over again! I cannot help myself even to love You as You so deserve. Even that needs to come from You, Oh Mighty God! Teach me Your ways, O Lord, and lead me in Your truth everlasting. I pray in Your precious Son's name. AMEN.

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Helena Munasque

Philippines

Nov 7, 2011

We can seek the Lord through His word.

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Bro Randy

Irvine, CA, United States

Jul 22, 2011

Lord Jesus, I LOVE YOU!

This song always brings me to tears and reminds me that I belong to HIM and the church.

Oh how I earnestly desire to be used by Him for Him and His Body. Gain me Lord, strengthen me into my inner man that YOU be magnified in my daily living as I traverse my walk on earth and that I be transformed and conformed in Your very being so that when I see You then I'd be like You in life and in nature but not in the Godhead. Hallelujaaaaaaaaaaaaah...

AMEN!

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Daniel

Ft Worth, TX, United States

Jan 27, 2010

I had forgotten that this was the case, as is so easy to do with concepts not of this world. How terrible to forget something so vital for life!! Then I get lost in works, forgetting He actually desires me. Thank God for this reminder.

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Paul Ten

Birmingham, West Midlands, United Kingdom

Jan 16, 2010

After last night opening word from Ron Kangas in video training, it suddenly reminded me about this song. It reminded me that how much I have been pursuing "the things of Him" rather than "Him, my beloved." In New Jerusalem, in new heaven and new earth, there is no war with His enemy, there is no cross nor burden to bear, no tears to shed because it is His eternal intention that we may be His bride and Him as our bridegroom for His eternal satisfaction.

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Zoe

Kaohsiung, Taiwan

Jun 1, 2008

The Bible is a romance--the gospel I'd like to preach to the whole world my life.

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