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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, how long

Experience of Christ Loving Him

Long Beach Songbook40
1
Lord, how long, dear Bridegroom,
’Til You come, Lord, how soon?
Don’t delay for that coming day, coming day.
Grant me, Lord, to be filled
With You, Lord, every day.
Dearest Lord, take me all the way.
 
Come, Lord Jesus,
Please come, dear Bridegroom;
Precious One, come soon, come soon.
Lord, consume me!
Oh Lord, don’t let me stray,
Faithful to You all the way.
2
Lord, make home in all my heart
In my secret, deepest parts,
Hidden, Lord, and reserved for You, for You.
You would be preeminent
In all things and all events,
Possessed by Thee to this extent.
3
In my prayer and deepest plea
In my spirit always be
Saturated and soaked with Thee, with Thee.
This would be my life daily.
Every hour expecting Thee,
This I pray, Lord, desperately!
4
The universe, in it we see,
In the sweetest touch of Thee,
You’re my choice and my destiny, destiny.
Lord, whate’er the price may be,
Lord, Amen, let it be!
Oh, my Love, please come back quickly!
5
In Your love I am constrained.
What’s within, I can’t contain.
Lord, I can’t any more restrain, restrain.
In Your love, I’ll pour on Thee.
And the church, Your Bride to be,
This my choice voluntarily.

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Anonymous

Apr 2, 2016

I love You Lord Jesus with all my heart...and I desire to be with You always and forever. Please come now Lord!!!!!!

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Remembered Always

United States

Aug 28, 2015

Dear God,
Keep me safe. Keep me close to Thee.
Let me see Your Love in each and every I meet this day.
Dear God keep me near to Thee in the midst of life's storms
The sunshine is always behind the cloudy day
Though the darkness hides my shame
I feel courage in Thy Holy name.

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Huilin

China

Jul 21, 2015

Lord, don't let me stray, faithful to You all the way!

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Gemma Ybanez Barroga

Butuan City, Agusan Del Norte

Mar 5, 2013

Refreshing and always encouraging me to enjoy singing.

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Rosita Enriquez

United States

May 28, 2012

The Lord must gain His Bride but for this to happen He first must gain His Body. Brother Ron Kangas in the last message of the Memorial Day Feast in Bellevue, WA. encouraged us to pray "LORD GIVE ME TODAY'S GROWTH, GROW IN ME SO YOU CAN HAVE THE BUILT UP BODY OF CHRIST"

In the first stanza of this song Brother Higashi prays "Grant me, Lord, to be filled with You, Lord, every day. Dearest Lord, take me all the way." This is related to another prayer Brother Ron gave us "Cause me to reach maturity in life before I finish my course."

Lord give us today our daily growth, to match You, to become the Body, and for You to gain Your Bride, Beloved Bridegroom.

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Adam Last Adam

New Jerusalem, Indonesia

Feb 18, 2012

Hallelujah! The Lord comes quickly. Amen. Come, Lord Jesus! The grace of the Lord Jesus be with all the saints. Amen.

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Juliani Then

Indonesia

Sep 10, 2011

Love this song. ^^

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Eunice

United States

Aug 2, 2011

Divine romance... I really appreciate this song. My consideration is on the one hand the Lord desires to come again to gain His Bride of peerless worth and on the other hand the church, His Bride needs to cooperate with Him in His yearning. This song was composed in such a way... Firstly, taking care of the Lord's interest in relation to His coming again and secondly, taking care of our heart. "To be filled" and "taken all the way". Not to "stray" but "be faithful all the way". Allowing Him to make His home in all our heart. Praying desperately to be saturated and soaked with Him every hour, expecting Him. Being willing to pay the price what ever it may be. And in His love pour our all on Him. "And the church, Your Bride to be, this my choice voluntarily." Amen Lord Jesus. We just look away from all other things unto YOU! Your great love has captured our hearts. We love You back. And may our love toward you and the saints grow till it eventually ushers in Your return! We love You dear lovely Bridegroom... Make this our reality daily... Amen Lord Jesus, come!

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Boaz L.

Manila, Philippines

Dec 8, 2010

"...make home in ALL my heart/in my secret, DEEPEST parts...Hidden...RESERVED for You"

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Dessiré Berger

Veracruz, Mexico

Oct 26, 2009

Que estemos preparados para la venida de nuestro Señor!! Que demos el amén a Su preciosa voluntad aunque duela, a Su lado, todo está bien...Su misericordia nos ha alcanzado!! Aleluya!!!

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