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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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One day when heaven was filled with His praises

Gospel The Savior

English987
1
One day when heaven was filled with His praises,
One day when sin was as black as could be,
Jesus came forth to be born of a virgin—
Dwelt among men, my example is He!
 
Living, He loved me; dying, He saved me;
Buried, He carried my sins far away;
Rising, He justified freely forever:
One day He’s coming—O glorious day!
2
One day they led Him up Calvary’s mountain,
One day they nailed Him to die on the tree;
Suffering anguish, despised and rejected;
Bearing our sins, my Redeemer is He.
3
One day they left Him alone in the garden,
One day He rested, from suffering free;
Angels came down o’er His tomb to keep vigil;
Hope of the hopeless, my Savior is He.
4
One day the grave could conceal Him no longer,
One day the stone rolled away from the door;
Then He arose, over death He had conquered;
Now is ascended, my Lord evermore.
5
One day the trumpet will sound for His coming,
One day the skies with His glory will shine;
Wonderful day, my beloved ones bringing;
Glorious Savior, this Jesus is mine!

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Evelyn Usry

Augusta, GA, United States

Dec 4, 2013

This is a beautiful hymn that I loved to hear my Papa sing for many years, now he knows what this song means in Heaven.

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Priscy

Tadi, Western, Ghana

Oct 24, 2013

I love this hymm....it touches my heart.... it is awesome.

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Kenneth Houghton

Blackburn, United Kingdom

Oct 19, 2013

This will always remind me of the after church rallies at Rshton Gospel Hall,

with Les Johnson leading, and his brother Melvyn playing the piano. Blessed happy times.

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Ron Christian Denhard

Lingfield, Surrey, United Kingdom

Oct 19, 2013

I am now 89 years of age. The chorus of this hymn is the first chorus that I ever heard when I was invited to a young people's Bible class at the age of 14 years. It was one of the links that led to my conversion the following year. The bible class was at a brethren chapel called Ley Street Gospel Hall, Ilford, on the outskirts of London and was led by a brother by the name of Dr. Fred Filby.

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Nelson Liu

Irvine, CA, United States

Oct 18, 2013

Living, He loved me; dying, He saved me; Buried, He carried my sins far away;

Rising, He justified freely forever: One day He’s coming—O GLORIOUS DAY!!!!!

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Rob Birkett

Gloucester, United Kingdom

Aug 23, 2013

Preparing to lead a service...what wonderful words of comfort; we can set aside all our own worries and concerns and focus on the Lord Jesus and other things grow strangely dim in the light of what God has done for us in Christ Jesus. these words were penned by an evangelist who had just lost his second wife many years ago; inspirational

John from Rakops (March 29) we were together in Botswana in 1987ish...Tutume

If you read this I'd love to catch up.

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Erin Ransom

Fairborn, Ohio, United States

Jul 14, 2013

I do not feel that "modernizing" these songs takes away from the message in any way shape or form. I grew up in a hymn singing church where this song was sung, but I did not recognize the words to this hymn when I heard it as Casting Crown's O Glorious Day! I find the newer version to be as another poster commented a beautiful picture of the redeeming love of Christ Jesus. The reason these songs are modernized, in my opinion, is because the truth of them still rings true, but the style or sound of the music isn't as pleasing to a young year. When the same song can be put to music that moves the modern day listener I think a beautiful piece of art, that is pleasing to God, has taken shape.

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Sheilagh

Leicester, United Kingdom

Jul 7, 2013

I came to know the Lord 50 years ago and haven't sang this song since those early years back in the sixties. Am going through a really difficult time right now and the Lord just brought it back to mind and I found myself singing it again- What a blessing it is to be reminded that God never changes, His message is as fresh as they day we first hear it!

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John Walters

Rakops, Botswana

Mar 29, 2013

A lovely reminder of our Lord's sacrifice and victory as I prepare my Good Friday sermon to be preached in Setswana to a congregation of Batswana, Bakalanga, Bayei and Dxana people. The Gospel is truly for every people, tribe, nation and tongue and is as timeless as the Lord Himself! One day He is coming... O glorious day!

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Christopher Roberts (barrister)

Leeds, Yorkshire, United Kingdom

Mar 13, 2013

This hymn displays the glorious grace of God to a mere sinner like me!

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