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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I cannot tell why He, whom angels worship

Preaching of the Gospel Myriads Won

English934
1
I cannot tell why He, whom angels worship,
Should set His love upon the sons of men,
Or why, as Shepherd, He should seek the wand’rers,
To bring them back, they know not how or when.
But this I know, that He was born of Mary,
When Bethl’hem’s manger was His only home,
And that He lived at Nazareth and labored,
And so the Savior, Savior of the world, is come.
2
I cannot tell how silently He suffered,
As with His peace He graced this place of tears,
Or how His heart upon the Cross was broken,
The crown of pain to three and thirty years.
But this I know, He heals the broken-hearted,
And stays our sin, and calms our lurking fear,
And lifts the burden from the heavy laden,
For yet the Savior, Savior of the world, is here.
3
I cannot tell how He will win the nations,
How He will claim His earthly heritage,
How satisfy the needs and aspirations
Of east and west, of sinner and of sage.
But this I know, all flesh shall see His glory,
And He shall reap the harvest He has sown,
And some glad day His sun shall shine in splendor
When He the Savior, Savior of the world, is known.
4
I cannot tell how all the lands shall worship,
When, at His bidding, every storm is stilled,
Or who can say how great the jubilation
When all the hearts of men with love are filled.
But this I know, the skies will thrill with rapture,
And myriad, myriad human voices sing,
And earth to heaven, and heaven to earth, will answer:
At last the Savior, Savior of the world, is King.

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Nqobile Makhubu

Centurion, Gauteng, South Africa

Aug 19, 2021

I remember singing this song when I was young and I instantly fell in love with it and at a young at it made me emotional and comforted at the same time.

Its one song i’ve never forgotten and each time I sing it, I still get emotional even at my big age.

Thank you Lord for your love.

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Craig Nain

Durban, KwaZulu-Natal, South Africa

Jul 23, 2021

Our God reigns.
He works in mysterious ways His purposes to fulfil.
I read the following verses this morning:

“In him we were also chosen, having been predestined according to the plan of him who works out everything in conformity with the purpose of his will, in order that we, who were the first to hope in Christ, might be for the praise of his glory. ”

Ephesians 1:11-12

Hallelujah, what a Saviour!

His steadfast love and patience with us, sinners, is truly amazing, all glory to His name.

He opens the eyes of the blind and comforts the broken-hearted.

Most amazing of all is that He loves ME!!!!

His kingdom come, His will be done!

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Eric

Shaftesbury, Dorset, United Kingdom

Feb 8, 2021

When I was young I thought I knew all (well, most of) the answers to the difficult questions of life. As I get older I realise that maybe some of them are not real answers at all. This hymn is the one I return to time and again. "I cannot tell.... but this I know!"

In Romans 8, Paul tells us that if anyone thinks they know all there is about God that it actually proves that they don't...."but if we live God we are known by him". It is enough: and more than enough.

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Martin Creelman

Perth, Western Australia, Australia

Feb 7, 2021

As I sang this song this morning, I noticed how the words fit in with Matthew 10:

“Or why, as Shepherd, He should seek the wand’rers,

To bring them back, ” ( v6 go rather to the lost sheep of the house of Israel),

and Matthew 11:

“And lifts the burden from the heavy laden” (v28 Come to me, all who labor and are heavy laden, and I will give you rest. )

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Anonymous

Dec 30, 2020

Very beautiful. Blessed my soul

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Chris Benson

Champsac, Limousine, France

Dec 9, 2020

I can not tell why God has put this song into my head recently. But this I do know that its words being me to tears some times and I know the Spirit is working in me as I sing it. I am blessed. CSB x

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Jennifer Leonard

Boston, MA, United States

Dec 8, 2020

During the pandemic I have been playing a wooden folk flute, a new-to-me instrument, and found myself playing a fragment of this tune, remembering only a few words... "For this I know.... the savior, savior of the world is come." So I searched online and found this, and love reading these comments to see how many other people found themselves with this song in their hearts. It is perfect for this moment for me.

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Elizabeth Burke

Ireland

Apr 21, 2020

In the middle of a pandemic lockdown, I have been doing a little research... Just tonight searched online for this hymn after finding an old book and reading in it the story of how the author (Dr. William Young Fullerton) became a Christian on 20th July 1870, aged just 13. He was born in Belfast, Northern Ireland in 1857. Beautiful hymn!

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Very Rev Kofi Owusu

Tema, Ghana

Apr 1, 2020

I thank God for this. Woke up this morning singing it. And when I had found the lyrics sang through with tears in my eyes. Thank you God for such an inspiration and thank you author for allowing God to use you to bless me.

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Deryck Charles

St. John's, Antigua And Barbuda

Mar 17, 2020

This song will forever be my guide whenever am giving prayerful thanks to my Lord. It's very touching, it's heart stirring and of course it's tear shedding. To the writer I say thanks for putting your thoughts into such a heavenly piece of words and music to soothe the flow.

The late Jim Reeves has two songs with this tune; "It's Christmas time again and Oh Danny Boy"

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