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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Out in the highways and byways of life

Preaching of the Gospel A Channel of Blessing

English929
1
Out in the highways and byways of life,
Many are weary and sad;
Carry the sunshine where darkness is rife,
Making the sorrowing glad.
 
Make me a blessing, make me a blessing,
Out of my life may Jesus shine;
Make me a blessing, O Savior, I pray,
Make me a blessing to someone today.
2
Tell the sweet story of Christ and His love,
Tell of His pow’r to forgive;
Others will trust Him if only you prove
True, every moment you live.
3
Give as ’twas given to you in your need,
Love as the Master loved you;
Be to the helpless a helper indeed,
Unto your mission be true.

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Margie Renegar

Huntsville, Alabama, United States

Apr 15, 2016

The Lord brought this song to my memory today! What a blessing this hymn was and is! Thanks for this site!

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Gloria Spencer

Conyers, GA, United States

Apr 14, 2016

My experience was similar to Bob's. The chorus came to me from years past as I was waking. It was the expression of my heart's desire. Singing it brought verses 1 & 3 to my memory. Thank you, Holy Spirit. I hope to live it today.

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Anonymous

Jan 13, 2016

Great old song, been singing it for over 65 years, it's Christ's commission to us when He ascended!!!

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Bob Shank Jr

Tucson, Arizona, United States

Sep 28, 2015

As Ashley, I sang this song in a Baptist church (but in Chicopee, Massachusetts) as a youth almost 60 years ago. I had forgotten it until it popped up in my head this morning shortly after I woke up. That was a blessing all on its own! I even remembered some of the words, but eventually wound up on this site to read and sing them all again. Thank you for this old favorite so much!

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Ashley

New Braintree, MA, United States

Jun 9, 2013

I sang this song more than 40 years ago as a young Christian in a Baptist church in the state of Rhode Island. One of my good friends' mother basically chose this hymn as her life song. She has since passed into glory so I say to Jesse, may The Lord make me a blessing to someone today.

I pray that God will open our eyes to the many broken and lost souls right within our sphere of influence so we may be used by the Master to be His blessing to someone today. To Him be all glory and power-Halelluhah!

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Emmanuel

Dumaguete City, Negros Oriental, Philippines

Dec 4, 2008

You know, when I sing this song I ask myself this terrible question, "Lord, am I a blessing to everyone? to everybody? to my parents? to my friends? to the brothers and sisters? and if not, am I a curse?" And the Lord answered me.

And I prayed to the Lord, Lord if I am not a blessing then

make me a blessing!

Brothers and sisters, we need to praise the Lord, for He became a blessing to us. If we feel that we are not a blessing to anybody, the only thing we should do is enjoy and pursue Christ as a Blessing and eventually we will become a blessing to everyone." Lord make me a blessing. Praise the Lord!!!!

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sangster

Bangalore, Karnataka, India

Feb 13, 2008

This song is more like an anthem to me and in my life

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Bridge

Marianas

Jan 10, 2007

I'm grateful for this song. It reminds me that I must be useful for the Master everytime. I just want to let Him shine out of my life. Along the way He has placed many that are in need of this wonderful Savior. I want Him to make me a blessing to someone today and every moment of my life! Only He is able!!!!! Love as the Master loved you!

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