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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Out in the highways and byways of life

Preaching of the Gospel A Channel of Blessing

English929
1
Out in the highways and byways of life,
Many are weary and sad;
Carry the sunshine where darkness is rife,
Making the sorrowing glad.
 
Make me a blessing, make me a blessing,
Out of my life may Jesus shine;
Make me a blessing, O Savior, I pray,
Make me a blessing to someone today.
2
Tell the sweet story of Christ and His love,
Tell of His pow’r to forgive;
Others will trust Him if only you prove
True, every moment you live.
3
Give as ’twas given to you in your need,
Love as the Master loved you;
Be to the helpless a helper indeed,
Unto your mission be true.

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Ron

Manila, Philippines

Jan 9, 2018

great song for our excellently perfect God!!!

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Dr Prabha

Kochi, Kerala, India

Dec 23, 2017

I love this song and want to sing it with the music available. The thing is that the pitch is a little high for me. I would like to download the music with one pitch lower. How do I do it?

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Janis Davis

Houston, Texas, United States

Oct 6, 2017

I share these treasured memories with my Bible study group.

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Sai

Pune, Maharashtra, India

Mar 8, 2017

I loved listening and singing with it. Thanks.

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Brigitte

Columbia, South Carolina, United States

Oct 12, 2016

To Randy, St. Paul, MN,--Amen!! Hallelujah!! God used you to answer my questions, both about "my cup overflowing" & the gift of more to the first born!! It was just what I was thinking but I wasn't sure! Thank you for your blessing & encouragement for me the one who is holding out my cup!! Thank You Lord God Almighty Jesus my Savior!! Hallelujah!! Praise God's Holy Name Forever & I'll love You Forever!!! And also Thank you to my brother Gerald for the Wonderful song!! I love you!! God bless you!!! 🙌🙌🙏🙏👏👏👏👏💞💝💗💕❤❤❤❤

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Noella Gueit

Australia

Aug 30, 2016

I am now 64. The Lord revived this hymn in my heart this morning in my devotions and realise how much this generation needs me. O Lord, make me a blessing.

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Randy

St. Paul, MN, United States

Aug 17, 2016

We are all familiar with the words of the 23rd Psalm:

The Lord is my shepherd; I shall not want.

He maketh me to lie down in green pastures: he leadeth me beside the still waters.

He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake.

Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.

Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.

Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.

— Psalm 23:1-6

It is amazing that God should take such an undertaking. By keeping focus on self and inadequacies, we feel unworthy, overwhelmed. But the psalmist is recording what the Lord is doing. It is a testimony of the motivation and intent of our Creator.

I am drawn to the phrase: my cup runneth over. It is a blessing that we are taken care of in such a way, but when the cup is full, why would God keep on pouring? It would seem wasteful to keep pouring once the cup is full. The phrase implies that God keeps pouring once the cup is full.

I know from other scripture that God is not wasteful, and that nothing that He supplies returns to Him void. So why keep pouring? What is the lesson in that?

I received a revelation to take my focus away from my own needs and lack. I know that God is not a respecter of persons (Acts 10:34), and God shows no favoritism (Romans 2:11). Yet, when God gives me an abundance while there is so much lack in others, does that seem right or fair? Is he showing favoritism to me over others? Does He violate his word that He does not show favoritism?

Add to this, the verses in the Old Testament, where the firstborn is given a double portion of the inheritance: “But he shall acknowledge the firstborn . . . by giving him a double portion of all that he has, for he is the first fruits of his strength. The right of the firstborn is his” (Deuteronomy 21:17)

Now I’m getting a little perplexed. On one hand God shows no partiality, and on the other, in some cases, God does grant an unequal portion or blessing. How can this be reconciled?

The key is to take focus off self, and the feeling that we are the receiver of God’s special blessing, or that we are that special to God. We are special to Him, but if there is no distinction in Him, then we are not being treated any more favorably than anyone else. That may seem humbling at first, until we realize that God is not holding back. What we are receiving and experiencing is not unlike what anyone else should be receiving at His hand.

Take the verse about the double portion in Deuteronomy. Is the first born that special – especially if the parent is claiming no favoritism? So why give the firstborn an increase? Obviously, the firstborn is free to use the gift in any manner he chooses. But this view focuses on the receiver. What is the intent of the father – the one bestowing the gift? Could it be that the father is trying to provide for his family in the event of his absence or death? By giving a double portion to his firstborn, he can provide for the needs of the other siblings by making his firstborn an administrator of his gifts, and can give to each according to need. The double portion allows the firstborn to meet the needs of the family without making the task a sacrifice, but giving out of abundance. We are never required to give out of a lack (sacrifice) but to give out of abundance. God supplies in advance, and makes us administrators of his blessings, whether material goods, time to listen or help, a word of edification, consolation, or encouragement, etc. He fills our cup with these blessings in advance, not for us only, for He does fill our cup, but for them – those people around us standing in need, who would otherwise not be ministered to.

He keeps on pouring into our cup because of those in our presence who stand with cup in hand outstretched, catching the overflow out of our cup. Because He goes ahead and prepares the way, when our cup is filled to overflowing, we cannot help but be a blessing to others.

You only need to have the desire in your heart to be a blessing to others. Realize that it is already in place, and taking place. We walk by faith and not by sight. We will never see the true extent of the work that God has undertaken in us.

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Randy

Saint Paul, MN, United States

Jun 11, 2016

When I was a teen, I sang in an interfaith choir for a while. A song that grabbed me then, and has remained a song in my heart still, was titled, “Make Me a Blessing”. It seems that when we turn our focus away from self, unexpected things happen. Other peoples’ lives get impacted, and one’s personal issues and distractions diminish.

When I try to merge into traffic on the highway, or catch someone wanting for patience trying to scoot around my car, I realize how much I still need to surrender to become the blessing that the song beckons me to become. As I ease off the accelerator I whisper a prayer: “God, bless that person, and forgive me for allowing myself to become an adversary.”

I would that my life be completely emptied of self, so that when God turns my life on end and looks through it, He sees nothing but a hollowed out Me. I would that if He looked through my life at Jesus Christ, He would see nothing but Jesus Christ. If I am truly emptied of myself and hollowed out, then I can be used as a channel of His love and grace. If you would talk to my family and friends, they would confirm the desire I have to be a blessing, but they would also point out that I’m a work in progress, and have far to go to completely, or even adequately, reflect Jesus Christ.

But, that I be made a blessing is still an over-arching desire in me. If the choice were mine, I would make it so. But I am not God, nor do I presume to usurp my wishes over those of our God and Creator. However, He put the song in my heart and brought me here with this desire in my heart, for His purpose. I pray for patience to allow Him to perfect His purpose in me, to the benefit and blessing of my brethren and sisters.

In the Gospel of Luke I read that the common people received Jesus gladly. Jesus is quoted as saying that God is benevolent, even to those who are ungrateful or are evil. If I had some other image of who God is, that verse makes me replace former conceptions with one that is a bit more expansive. In the process, I change my relation with God and my fellow man. If this God, this Creator, is my Father, then I too must be benevolent to all, including those who are ungrateful or evil. This is the essence of GRACE. In Jesus, there was no “them and us”. In Jesus, there is only “us”. In me, there needs to no longer be any “them and us”. In me, there needs to be only “us”. It is an easy process if you think about it. It requires one simple redirect: move from living your life in your head, and start living your life out of your heart. Living in your head keeps focus on self. Living in one’s heart, moves the focus from self to others. If there is to be no “them and us” in my life, I need to move out of what my head is presuming, and follow the acceptance of things as they are meant to be in my heart.

I would love to fellowship with heart people.

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Sam

TX, United States

May 21, 2016

I am a Bible study teacher and each Sunday I try to end our lesson with a hymn. This week the study was in Acts 10 on Peter and Cornelius. This song came to mind of how two men from such diverse backgrounds came to be a blessing to each other and those around them.

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Nan

Elizabeth City, NC, United States

May 6, 2016

We have chosen to use this hymn on Sunday as a Mothers Day appreciation for one of our ladies who is a wonderfully, faithful servant of the church! An old song with a powerful reminder!

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