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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We have a most glorious King

Service By Dwelling with the Lord

English904
1
We have a most glorious King;
The heavens, He says, are His throne;
All worlds are His mighty domain,
All kingdoms His scepter shall own.
He dwells with His people below,
He loves in their trials to share;
We dwell with the King for His work,
His burden we willingly bear.
2
I’m dwelling with Jesus my King;
I’ve found where He dwells with His own;
I’ve opened the door of my heart;
He’s made it His temple and throne.
Like Mary I sit at His feet,
Like John I recline on His breast;
His presence is fullness of joy,
His bosom is infinite rest.
3
I dwell with the King for His work,
I’ve part in His glorious plan
To bring in His kingdom to earth
And tell His salvation to man.
The world has its work and rewards,
I count them but folly and loss;
My business is only His work,
My message is only His cross.
4
I dwell with the King for His work,
The work, it is His and not mine;
He plans and prepares it for me
And fills me with power divine.
So duty is changed to delight,
And prayer into praise as I sing;
I dwell with my King for His work
And work in the strength of my King.
5
We’ll dwell with the King for His work
And work thru each day of the year.
Perhaps ere it passes, the King
In glory Himself shall appear.
Oh, then in some closer embrace,
Oh, then in some nobler employ
We’ll dwell with the King for His work
In endless, ineffable joy!

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Jack Petrash

Irving, TX, United States

Jun 6, 2024

As our roots grow deep as a result of our time of fellowship, prayer, and consecration every morning, we are empowered with God's love for men and thus speak the gospel of the Kingdom without fear and full of his authority.

Read more
Ana Lara

Storrs, Connecticut, United States

Aug 10, 2023

Albert Benjamin Simpson, founder of the Missionary Alliance, was born on December 15, 1843, in Bayview, near Cavendish, Prince Edward Island, and raised as a strict Scottish Presbyterian. As a teenager, Simpson enjoyed reading Puritan devotionals. In 1865, at the age of 22, he was ordained and then served in prestigious congregations in Hamilton, Ontario, and Louisville, Kentucky. In 1847 Simpson’s faith had a turning point. He was filled with the Holy Spirit by incorporating holiness practices into his reformed faith. Then in 1881, he was baptized by immersion and experienced faith healing of heart trouble.

After resigning from the Presbyterian Church in New York City, he founded the Gospel Tabernacle, from which he launched various missions and healing activities including rescue missions, an orphanage, healing homes, and outreach to immigrants.

A. B. Simpson believed that Jesus’ return hinged upon the gospel being preached to all the world. His focus became the Great Commission, and he felt a missionary call to China. Unable to go because of opposition, he labored arduously in “home-based“ activities for world missions.

In 1880 he published the first illustrated mission magazine in North America, The Gospel in All Lands. He opened the New York Missionary Training College, where he provided lay people with a biblical foundation in order to train them quickly for the mission field. In 1887 Simpson founded the Christian Alliance and Evangelical Missionary Alliance. The Christian Alliance, prepared missionaries at the home-base, while the Evangelical Mission Alliance acted as a foreign mission board. A decade later, they merged and became the Christian and Missionary Alliance.

By 1895 the organization had sent out nearly 300 missionaries. Simpson led the organization until his death. He wrote hundreds of books and articles and edited the Word, the Work, and the World, a weekly publication. He recruited many people by holding summer mission conventions, by preaching on missions, and by educating them at the Missions Training Institute. Under his leadership, the C&MA, was the most important of the early American pre-millennium “faith, missions.”

He died on October 29, 1919 and is buried in Rockland County Campus of Nyack College in Nyack, New York.

(Albert Thompson, The Life of A. B. Simpson)

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Clayton

Wisconsin, United States

Feb 16, 2023

Like Mary I sit at His feet Like John I recline at His Breast

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Anitha Nokku

Tustin, California, United States

Jan 23, 2023

His presence is fullness of joy,
His bosom is infinite rest.
My business is only his work,
My message is only his cross.

Read more
JJ

Round Rock, Texas, United States

Jul 11, 2022

I dwell with the King for His work,
I’ve part in His glorious plan
To bring in His kingdom to earth
And tell His salvation to man.
The world has its work and rewards,
I count them but folly and loss;
My business is only His work,
My message is only His cross.

Read more
Br. Jeff Hall

Church In Worcester, Massachusetts, United States

Jun 26, 2022

My business is only His work;
So duty is changed to delight,
and prayer turns to delight......

Read more
Anonymous

Arlington, TX, United States

Jun 19, 2022

His presence is fulness of joy,
His bosom is infinite rest.
We have a most glorious King!

Read more
Dana S Phillips

Anaheim, CA, United States

Jan 16, 2022

We have a most glorious King; Let us enthrone Him in our being day by day until He comes!

Read more
Barbara

Salem, OR, United States

Dec 11, 2021

His presence is fullness of joy!

His presence is everything.

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Janet Owusu Ansah Oduro Bennett

Yonkers, West Chester, New York, United States

Jun 2, 2021

Praise the Lord for the King who is our Savior God!
Our business is only His work!
Our message is only His cross!
Lord Jesus we love You!
Oh, then in some closer embrace!
Oh, then in some nobler employ!
We’ll dwell with the King for His work!
In endless, ineffable joy! Hallelujah! Amen!

Read more