Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

Open this guide as its own page

Download limit reached

A debtor to mercy alone

Assurance and Joy of Salvation Forgiven by God

English292
1
A debtor to mercy alone,
Of covenant mercy I sing,
Nor fear, with God’s righteousness on,
My person and off’rings to bring.
The terrors of law and of God
With me can have nothing to do;
My Savior’s obedience and blood
Hide all my transgressions from view.
2
The work which His goodness began,
The arm of His strength will complete;
His promise is Yea and Amen,
And never was forfeited yet.
Things future, nor things that are now,
Not all things below or above,
Can make Him His purpose forego,
Or sever my soul from His love.
3
My name from the palms of His hands
Eternity will not erase;
Imprest on His heart, it remains
In marks of indelible grace.
Yes! I to the end shall endure,
As sure as the earnest is giv’n;
More happy, but not more secure,
When all earthly ties have been riv’n.

Delete Comment

Delete this comment? This cannot be undone.

Richard Timson

London, Hackney, United Kingdom

Jan 5, 2025

4 But God, who is rich in mercy, for his great love wherewith he loved us, 5 Even when we were dead in sins, hath quickened us together with Christ, (by grace ye are saved; )

A debtor to mercy indeed

Read more
James Smith

Mansfield, Ohio, United States

Dec 8, 2024

I do not remember ever singing this hymn before. I came across it this morning. It gives confidence in God. I see his resolve concerning his plan. This includes His faithfulness to me. I’m truly a debter to Him. So now I do not fear the future but rest in His gentle embrace.

Read more
Mary Flynn

Ireland

May 11, 2022

I’m coming to the end of the two part biography of Martyn Lloyd Jones (p737)

He often quoted that line: ‘A debtor to mercy alone’.

Thank God for the grace that enables us to see this truth.

Read more
YR

Dec 5, 2020

My Savior’s obedience and blood hide all my transgressions from view

Read more
Dsteenson

Burton, Michigan, United States

Jan 9, 2019

Several lines from this hymn remind me of the OT teaching on the Nazarite in Numbers 6. There is a sense in which believers in Jesus Christ are "spiritual Nazarites" for we are set apart from sin unto righteousness. Yet, our "persons and offerings" are not without sin, which was certainly the case of any OT Nazarite at the end of his/her vow period. Yet, in God's "covenant mercy", we are accepted in the Beloved, for we are in union with Christ Jesus. The Nazarite's token of consecration (hair) was burned under the peace offering's fire showing us that consecration to God is only acceptable to Him through the blood of sacrifice. Similarly, "Our Saviour's obedience and blood hide all our transgressions from view." So be encouraged that we and even our service to God are acceptable to Him through Christ's blood-bought merits (1 Pet 2:5).

On another note, still in Numbers 5, we read the High Priestly blessing: "The LORD bless thee, and keep thee: the LORD make His face to shine upon thee, and be gracious unto thee..." Remember in Luke 24 how Jesus Christ "lifted up His hands, and blessed" His disciples at His ascension? The disciples saw the marks of the nails on Christ's hands - Our High Priest's sufferings have purchased God's "mercy" for us. "My name from the palm of His hands eternity will not erase..."

Read more
Grace

Spartanburg, SC, United States

Aug 9, 2018

I read in the diary & letters of Ruth Bryan (1805-1860) “Handfuls of Purpose” and she mentions the last two lines in this hymn as “More happy, but not more secure, the glorified spirits in heaven”.

Read more
Leigh Powell

United Kingdom

Apr 18, 2018

Paul who wrote he was debtor to the Greeks also wrote he was not ashamed of the gospel.

The gospel tells us that we are born as sinners who need to be saved. This happens when people repent of their sins and believe that the Lord Jesus, God's only begotten Son, took away our sins on the cross.

Once people are born again as children of God (John 3 verse 3, Romans 8 verses 14 to 17) they have everlasting life and know the Lord Jesus as Saviour and Lord as well as knowing the Father ( John 3 verse 16, 17 verse 3). Knowing the Lord Jesus as Saviour also means that they are saved from their sins and its power Matthew 1 vers 21).

Read more
Monique

Feb 29, 2012

In the "Hymns of Worship and Remebrance", the last line is "More happy, but not more secure, the souls of the blessed in heaven."

Read more
Betty Bonn

Dunlap, Illinois, United States

Feb 14, 2012

Charles Spurgeon quotes this hymn in his devotional book, Morning and Evening. A beautiful meditation for February 13 precedes it, concluding with the following: "All the love and the acceptance which perfect obedience could have obtained of God, belong to thee, because Christ was perfectly obedient on thy behalf, and hath imputed all His merits to thy account, that thou mightst be exceeding rich through Him, who for thy sake became exceeding poor. Oh! how great the debt of love and gratitude thou owest to thy Saviour! Morning and Evening.

Read more
KT

Singapore

Nov 16, 2011

Hallelujah!

Read more