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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We have a most glorious King

Service By Dwelling with the Lord

English904
1
We have a most glorious King;
The heavens, He says, are His throne;
All worlds are His mighty domain,
All kingdoms His scepter shall own.
He dwells with His people below,
He loves in their trials to share;
We dwell with the King for His work,
His burden we willingly bear.
2
I’m dwelling with Jesus my King;
I’ve found where He dwells with His own;
I’ve opened the door of my heart;
He’s made it His temple and throne.
Like Mary I sit at His feet,
Like John I recline on His breast;
His presence is fullness of joy,
His bosom is infinite rest.
3
I dwell with the King for His work,
I’ve part in His glorious plan
To bring in His kingdom to earth
And tell His salvation to man.
The world has its work and rewards,
I count them but folly and loss;
My business is only His work,
My message is only His cross.
4
I dwell with the King for His work,
The work, it is His and not mine;
He plans and prepares it for me
And fills me with power divine.
So duty is changed to delight,
And prayer into praise as I sing;
I dwell with my King for His work
And work in the strength of my King.
5
We’ll dwell with the King for His work
And work thru each day of the year.
Perhaps ere it passes, the King
In glory Himself shall appear.
Oh, then in some closer embrace,
Oh, then in some nobler employ
We’ll dwell with the King for His work
In endless, ineffable joy!

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Delete this comment? This cannot be undone.

Rick Gonzalez

Riverside, CA, United States

Dec 15, 2019

“We'll dwell with the King for His work. ”

We cannot have His work fulfilled if we do not dwell IN HIM, THROUGH HIM, and WITH HIM.

We cannot do His work in ourselves, we must exit ourselves and enter into the living Truine God.

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Sister Vali

Tirana, Albania

Mar 9, 2019

His presence is fulness of joy,

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Dasha Chong

Round Rock, TX, United States

Aug 25, 2018

So duty is changed to delight, and prayer into praise as I sing! I will dwell with my King!

Read more
Maisha Parkar

Round Rock, TX, United States

Aug 9, 2018

We’ll dwell with the king for HIS work,

In endless ineffable JOY!!

Read more
Tim Ou

Austin, Texas, United States

May 18, 2018

We have a most glorious King!!

Read more
Vincent Tham

San Luis Obispo, CA, United States

Feb 25, 2018

We’ll dwell with the King for His work

In endless, ineffable joy!

Read more
Mario Shaffer

Irvine, CA, United States

Sep 10, 2017

I've found where He dwells with His own
Like Mary I sit at His feet
Like Lazarus I testify
His presence is fullness of joy
So duty is changed to delight
And prayer into praise as I sing
And tell His salvation to man

Read more
Aksana

Jan 30, 2017

What a privilege!

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Joanna L Smathers

Baton Rouge, LA, United States

Jul 21, 2016

We dwell with the King for His work,

His burden we willingly bear.

Read more
Elaine Hoang

New York, NY, United States

May 20, 2016

Lord, You are the Victorious One! The Working One, the Powerful One, and the most Glorious One! Wow, all we must do is just to dwell with the King!

"The work, it is His and not mine;" Lord remind us that You are the One working out Your marvelous plan and we just need to abide in You; be our source and supply! Make us ones that cooperate with You through You and unto You!

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