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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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By the blood of Christ the Victor

Spiritual Warfare By the Blood

English889
1
By the blood of Christ the Victor
Overcome the enemy;
By its virtue and its power
You will win the victory.
 
By the blood of Christ the Victor
Overcome the enemy:
By its virtue and its power
You will win the victory.
2
By the blood of Christ the Victor
Counter him who doth accuse;
By the blood for you defending
All the sland’rer’s blame refuse.
3
By the blood of Christ the Victor
God’s sure faithfulness believe;
Thru the blood of your Redeemer
God’s forgiveness now receive.
4
By the blood of Christ the Victor
Your position now declare;
Thru the blood, prevailing ever,
All His vict’ry fully share.
5
By the blood of Christ the Victor
Claim His full authority;
Just apply the blood of Jesus
And defeat the enemy.
6
By the blood of Christ the Victor
Standing in the heavenlies;
In the pow’r of Christ ascended,
Tread the principalities.

Copyright Living Stream Ministry. Used by permission.

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Eric Zhang

San Diego, CA, United States

Oct 11, 2026

By your blood we will overcome the enemy!!

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Jon

Minneapolis, MN, United States

Aug 15, 2026

By His blood, we overcome the power of sin and sins.

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Maria L

Fremont, California, United States

Oct 29, 2024

Praise the Lord!

This is the word of our testimony; we stand in the victory of Christ, we stand one with Christ, and we declare the divine facts, for Christ has overcome the devil, He destroyed the power of sin, and He took away both sin and sins! Hallelujah 😀

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Jack Petrash

Irving, TX, United States

May 21, 2024

Not only does the blood of Christ in its power and preciousness redeem every repentant man and save them from their sins but it also in effect deals with the enemy binding him, and keeping him from any activity.

Hallelujah for the blood of Christ!

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Ana Lara

Storrs, Connecticut, United States

Jan 19, 2022

The composer of this tune is Lowell Mason, born in Medfield, Massachusetts, 1792. He has been called “The father of American choir singing. ” Retuning from Savannah, Georgia, where he spent 16 years of his younger life as a clerk in a bank, he relocated to Boston (1827), being already known there as the composer of “the Missionary Hymn. ” He had not neglected his musical studies while living in the South and it was in Savannah that he made the glorious harmony of this tune. He became president of the Handel and Haydn Society, went abroad for special study, was made Doctor of Music, and collected a store of themes among the great models of song to bring home for his future work.

The Boston Academy of Music was founded by him and what he did for the song-service of the Church in America by his singing schools, musical conventions, and published manuals to form and organize a choral branch of divine worship, has no parallel, unless it is Noah Webster’s service to the English language.

Dr. Mason died in Orange, New Jersey, in 1872

“Story of Hymns and Tunes” Brown and Butterworth.

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Yohan Yosef

Malolos, Bulacan, Philippines

Aug 7, 2018

"They overcame him because of the blood of the Lamb."- Revelation 12:11

Righteousness is in the blood of the Lamb. By its virtue and its power we will the victory! Oh what a blood of Christ the victor.

Satan's destiny has been sealed.
Christ is victor!
The victory is won!

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Glory Jung

Anaheim, CA, United States

Mar 30, 2018

"Enemy! Listen up!

Christ is my sin offering. When He died on the cross, sin was judged and you were judged. You have been destroyed. If you come and harass me at any time, I will remind you of your utter defeat.

It is finished ! Amen Lord ! I believe in You and Your word!"

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Carter

Sherman Oaks, CA, United States

Jul 2, 2016

Thank You Guys.

I have been tuned into this site for a few years (maybe more). A great blessing this has been to me and many others I am sure.

Your fellow Joint-Heir in Christ Jesus Our King,

Carter

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Michael Hynds

Albany, WA, Australia

Mar 12, 2016

Thank you, I am glad for this website. I love the old hymns, I wish my church would sing this inspired Godly music. Now I can start learning these beautiful songs.

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